It’s beginning to sound a bit like a broken record, but for the umpteenth time, the conclusion has been drawn that the riverfront interstate, I-64, in Louisville, Kentucky, is a problem. That along with a lot of other advice—some insightful, some, like, “duh!”—was included in a new $300,000 master plan for the city developed by the firms MKSK, Development Strategies, City Visions, and Urban 1. The more insightful bits include ways of reconnecting Portland and west side neighborhoods with the urban core. The obvious, but still necessary, include the 42 million (that figure is a bit of hyperbole) surface parking spaces. Have you ever flown into Louisville? The downtown looks like a mall parking lot. Mayor Greg Fischer, don’t let this advice fall on deaf ears… again.
The shortlist to design UC Santa Cruz’s new Institute of Arts and Sciences has been narrowed from seven to three teams: Allied Works Architecture, Tod Williams Billie Tsien Architects, and Patkau Architects / Fong & Chan Architects. Notable drop-offs include Steven Holl Architects and wHY. Finalists presentations will take place on April 3. The $32-to-40-million, 30,000-square-foot institute will include exhibition galleries, seminar rooms, events spaces, offices, a cafe and public gathering areas. The winner will be named by April 30.
One of our favorite duos, Oyler Wu, recently completed its biggest installation to date: The Cube, a twisting, glowing steel and wire concoction for the 2013 Beijing Biennale. The dramatic project is now touring China, but when pressed for the latest news the firm admitted that it is not sure where it is. So if you spot a giant cube somewhere in the country, please give them a ring, will you?
A lack of a viable stadium had been seen as a key hole in Miami’s efforts to welcome a Major League Soccer franchise. Now local firm Arquitectonica has stepped in to fill that void, collaborating with 360 Architecture to design a potential waterfront soccer venue. The campaign has a rather dashing face in the form of soccer-star David Beckham, who has provided vocal and financial backing for the plan and apparently played active role in the design concept and siting of the proposed stadium.
|Brought to you with support from:|
Red-rock mountains and the saguaro cactus inspired the Health Sciences Education Building’s rippling copper facade.
Downtown Phoenix, observed CO Architects’ Arnold Swanborn, looks a lot like downtown Minneapolis. That feels wrong, given the two cities’ contrasting environments. So when it came to designing the Health Sciences Education Building (HSEB) at Phoenix Biomedical Campus (which won honorable mention for facades in AN’s Best of Design Awards), CO Architects went back to nature—to the Sonoran Desert in particular. “We’re building in a desert. We really, in the outset, wanted to understand what it’s like to build in a desert environment, to really go back and investigate the people who first moved there, or even some of the [American] Indians who lived [there],” said Swanborn. “The skin is really a response to some of the lessons we learned from going out to the desert, being out there and seeing how plants and animals adapted to that environment.” Read More
The American Academy of Arts & Letters was formed in 1904 on the model of the French Academy. It operates today as a 250 member honor society, and, since 1955, has had an active yearly architecture awards program.
The Academy has just announced its awards for 2014 with its top award The Arnold W. Brunner Memorial Prize (of $20,000) going to the Italian artist and architect Massimo Scolari for his contribution to architect as art. Scolari had a retrospective of his drawings and models last year at Cooper Union and a pair of his iconic sculptural wings are still visible on Coopers second floor balcony.
The Academy also announced that two Arts & Letters Awards of $7,500 each would go to New York firms Christoff:Finio and Selldorf Architects under the leadership of Annabelle Selldorf for creating work which shows “strong personal direction.”
Finally the Academy gave well deserved awards to Michael Blackwood and Cynthia Davidson for their “exploration of ideas in architecture.”
An unusually vertical Frank Lloyd Wright building in Wisconsin will open its doors to the public for the first time since its construction in 1950. The Research Tower in Racine, Wisconsin has housed SC Johnson for 32 years, anchoring its 153-foot tall mass with a distinctive “taproot” foundation.
Each year eVolo Magazine hosts a competition soliciting new visions for vertical living. This year’s iteration of the nine-year-old Skyscraper Competition received 525 projects from 43 countries. Out of this vast field, three winners were announced with Yong Ju Lee of New York–based firm E/B Office taking first prize for his project Vernacular Versatility.
French designer Maison Edouard François has presented designs for The Gardens of Anfa, a project consisting of three residential towers, a low-rise office building, and several ancillary structures all situated within a large plot of parkland in Morroco. The four largest components of the design are clad in various flowers that pour down curved, irregular facades. The peripheral buildings are rectilinear and appear largely free of the organic attire found on their taller neighbors.
4 West Burton Place
Through April 5
Judy Ledgerwood’s Chromatic Patterns is a site-specific work that transforms the lower galleries of the Graham Foundation’s historic Madlener House in Chicago. The house was designed by Richard E. Schmidt and Hugh M. G. Garden and built in 1901–02. Judy Ledgerwood is a Chicago-based painter and educator. She is the recipient of numerous awards, including The Richard H. Driehaus Foundation Award, an Artadia Award, a Tiffany Award in the Visual Arts, a National Endowment for the Arts Award, and an Illinois Art Council Award. This exhibition surrounds the visitor in vibrant colors with a vibrant floral motif that almost mimics the house’s prairie style ornamentation. This installation examines the effect of paint on architecture, specifically the wall covering’s ability to produce new effects and feelings about a space. In this work, Ledgerwood uses ornamentation to change visitors’ perception of the ornamentation in the Madlener House’s lower galleries, highlighting the divergent ways that pattern, color, ornamentation, and surface have been coded, gendered, repressed, and embraced in art and architecture.
Social media was abuzz recently over the reports by eavesdrop, the WSJ, and other major papers about the biggest recession scab over Chicago: the failed Spire designed by Santiago Calatrava. That Irish pie in the sky developer apparently found someone to bail the project out of its foreclosure. Everyone was all, “It’s back on!” Dear readers, until they start pumping the water out of the big hole in the ground, Eavesdrop is betting against this one.