|Brought to you with support from:|
A room-filling parametric design makes its way from the classroom to Austin’s famous music festival.
When Kory Bieg and his students at The University of Texas at Austin School of Architecture began working on Caret 6, they had no idea that it would wind up at this year’s South by Southwest (SXSW) music and arts festival. But the rippling, room-filling installation soon took on a life of its own. Within months, Bieg’s undergraduates—who had little previous exposure to digital design—had designed and fabricated Caret 6, and assembled and disassembled it twice, first at the TEX-FAB SKIN: Digital Assemblies Symposium in February, and then at Austin’s most famous annual gathering in March. Read More
Since 2010, New York–based artists and theorists Gregory Sholette and Olga Kopenkina have invited people around the world to imagine “a past whose future never arrived.” Through their ambitious installation, Imaginary Archive, participants can interact with both real and fictional “printed matter, small objects, artist’s books and self-published narratives” to envision alternative political and cultural histories.
The upcoming 2014 Venice architecture biennale, Absorbing Modernity: 1914-2014, will question the notion of national identity in architecture and investigate the degree to which national styles have been “sacrificed to modernity.” To the credit of the Venice curators, they asked national pavilions to investigate ways in which this “seemingly universal architectural language… in significant encounters between cultures… can find hidden ways of remaining ‘national?’” Clearly the internationalization—and some would say flattening—of culture is one of the more complicated forces in contemporary culture.
It has been close to three years since a gunman detonated a bomb in Oslo and then stormed a small summer camp off the coast of Norway, killing 77 people and cementing a record as the worst mass shooting in modern memory. The Swedish artist Jonas Dahlberg recently won a competition, Memorial Sites After 22 July, to create an official memorial at the sites of the 2011 Norwegian massacres.
After the Architecture Billings Index (ABI) posted positive gains in January, the question everyone was asking was, “What comes next?” Today, the AIA’s monthly report answered that question with a bit more good news. The ABI was measured at 50.7 in February, which is up slightly from a January score of 50.4. So, how did this happen? The change was due to strong numbers posted in the South (52.8) and the West (50.5). But dragging the group down, the Northeast and Midwest both scored below 50 with scores of 48.3 and 47.6, respectively (any score below 50 indicates a decline).
Consider it a mile-long step in Philadelphia’s ongoing architectural renaissance. Local landscape firm Andropogon recently received approval for the plans to re-work a vacant stretch of land beside the western banks of the tidal Schuylkill River. The goal is to convert the plot located between Grays Ferry Avenue and 58th Street into public green space that provides riverfront access and recreational opportunities for local residents.
The New York Times is hosting a series of seminars at this weekend’s Architectural Digest Home Design Show. As part of the program AN‘s very own Bill Menking will be joined by Mark Hutker of Hutker Architects, Dan Lobitz of Robert A.M. Stern Architects, and Karen Stonely of SPAN Architecture to discuss evolutions in contemporary domestic architecture. The quartet will take the stage at Pier 94 on Saturday, March 22 at 3:00p.m. for an hour-long discussion. See you there!