If you’ve passed by One Bryant Park in the past month or so, you may have noticed what looks like a kind of leafy-green Stonehenge clustered in the lobby of the Bank of America building. The three monoliths and twenty-five foot tall archway are made of galvanized steel frames seeded with thousands of ferns, mosses, and lichens, an installation designed by a team from Wallace Roberts & Todd, led by designer Margie Ruddick and sculptor Dorothy Ruddick. The piece is meant as a reminder of the building’s green cred, as the Cook + Fox tower achieved LEED Platinum. Unlike the original Stonehenge, we don’t have to wonder how this one was built. In fact, you can watch it being assembled in the above time-lapse clip, which compresses the entire 42 hours of installation into a mere 30 seconds. Watch as the mysterious shruboliths rise before your eyes, and check some photos after the jump. Read More
Long-named Seattle firm Olson Sundberg Kundig Allen Architects (OSKA) announced this week that it will be changing its name to Olson Kundig Architects, effective January 1. The OSKA name has been active since 2000, but with Scott Allen leaving the firm to create an independent design studio, and Kirsten Murray and Alan Maskin becoming partners in 2008, it was apparent that they should reflect the changing tides of leadership. The firm is now led by the five owners; Jim Olson, Tom Kundig, Rick Sundberg, Kirsten Murray and Alan Maskin. Read More
David Rockwell’s star turn at the Oscars last year won the designer considerable plaudits, so he’s been asked to reprise his role, according to UPI. “We loved the look and feel that David created for the Oscar show last year,” one of the producers said. “David is so creative and has such a great big-picture approach to set design,” said another. The well-known interiors ace has done considerable amount of work on Broadway as well as the Kodak Theater where the Oscars are taped, so really, it’s like a homecoming.
If you’re reading this, you probably have at least a passing interest in architecture and an equivalent understanding of its power to shape and influence the world. But what about those of us living in a world of our own? What about those of us on the autism spectrum? It turns out architecture can play an even more important role in their lives than for us average Joes, according to a Newsweek article (via Archinect) that explains the unexpected attraction of children with autism to SketchUp, Google’s free online drafting program. It turns out that for those on the spectrum, for whom verbal and interpersonal communication has often been challenging, the precision of the computer and the visual nature of SketchUp allow them to express themselves in new ways. Google has been exploring this world for a few years now, as the video above shows, and there is even hope it could help find careers for these aspiring architects. We’ll certainly welcome them into the field.
After making nary a peep about his proposed Beverly Hills museum since last April, Eli Broad is again making it clear that he wants the project to move forward. And that he wants it to be much bigger. According to the LA Times, a plan sent last month to the Beverly Hills Planning Department calls for nearly 50,000 square feet of exhibition space (including a 6,100 square foot outdoor area for sculpture), up from the 25,000 previously anticipated. According to the story he’s also included Santa Monica as a possible contender for the museum, for which he would create a $200 million endowment. And now the cities are jockeying for position: Kevin McKeown, a Santa Monica city councilman, told the Times, “I’ll do everything I can to make this happen.” Meanwhile Cheryl Burnett, the city of Beverly Hills’ spokeswoman, issued a statement saying, “While we recognize that the Broad Foundation has many options. . . . There’s no better place than Beverly Hills to showcase this world-class contemporary art collection.” Let..the..fireworks..begin.
In the late 1960s, the New York architect Stan Ries was consulting on design and photography for the art nouveau exhibit Hector Guimard at the Museum of Modern Art, when the director approached him with an unusual opportunity to photograph the entire design collection. Given two days to decide between architecture and photography as a career, he chose the latter. “With photography, the creative cycle is much shorter, and you don’t have to have a client,” he said. “I can make the photograph and I can suit myself.” Read More
Last night CANSTRUCTION LA, organized by the Society for Design Administration, announced the winners of its 2009 competition at 5900 Wilshire Boulevard. All 60,000 cans—from anchovies to pumpkin pie filling— used to build the amazing structures will go directly to the Los Angeles Regional Food Bank, as will over $7,700 in donations. The structures will be on display at 5900 Wilshire through this Sunday. Check out this fantastic teaser video for the competition, which shows a clever can making its way from the supermarket to the venue. And here’s a video of winning team Gensler putting together their entry. All 10 participating teams produced stellar constructions, but a few stood out. They were: Read More
We first found out about this from our friends at Planetizen. Apparently California has awarded Berkeley-based Calthorpe Associates a $2.5 million contract to devise a set of detailed growth scenarios for the state. The effort, known as “Vision California,” will investigate land use and transportation investments in California and it will also include merging the state’s existing regional plans from organizations like the Association of Bay Area Governments (ABAG) and the Southern California Association of Governments (SCAG). Does this mean coordinated regional planning? In California? They’re all TALKING to each other? Could it really be?? Stay tuned…
On Monday, we reported on the Bloomberg administration’s continued vociferous resistance to Superfund listing for the Gowanus Canal. While the main complaint by the mayor was that the Superfund stigma would poison the area for development for decades to come, we did not mention—at least not this time—that a major concern is also that the city could be held liable for some portion of the Superfund cleanup because of a number of polluting properties on the canal. That seems all the more likely now—as does the potential for listing—as the Post reported yesterday that the city has been sent a notice for its liabilities. According to the tab, “The city’s responsibility comes through previous/current ownership of an asphalt plant, incinerator, a pumping station, storage yard, and Department of Transportation garage.” In an interesting new twist, the Navy was also served with a notice for at least nine “facilities where the Navy directed and oversaw government contractors which owned and/or operated facilities adjacent to the canal.”