Launching last Tuesday, Dave Eggers’ one-time-only Panorama newspaper celebrated the good old days of investigative journalism with a muckraking piece on the Bay Bridge. Its “above-the-fold” piece, “Unparalleled Bridge, Unparalleled Cost” (which, unlike the rest of the issue, is available online), is a massive 22,000-word exploration into the bureaucratic issues that have caused the new Bay Bridge to be delayed for years and go from an original estimate of $1.8 billion to a final cost around $12 billion. Read More
To get a brief taste of a world short one more smart design magazine, type ID Magazine into the search field. You might get i-D with a bunch of nude blondes on the cover or id magazine at the ready to discuss transgender issues in Oregon, but you will not easily find I.D., the magazine that has covered the art of design and the design of the everyday for more than 50 years, winning five National Magazine Awards in the process. While nobody who wanted to know the new brand names in the making dared miss I.D.’s Annual Design Review every July/August (since 1954!), it was really the steady hand and sharp eye of its most formidable editors Julie Lasky and, before that, Chee Pearlman that made I.D. a force of good in design. Lasky left last February to join the website Change Observer and continue championing innovative design. The rest of us will just have to turn the page.
Among the winners at last night’s ceremony for United States Artists (USA) were architects Neil Denari, Laura Kurgan, and architect/activist Rick Lowe. The $50,000 unrestricted awards are given each year “to ignite the creativity that makes this country great,” according to the organization’s website. USA was started in 2005 with seed money from the Rockefeller, Ford, Prudential, and Ramuson foundations to support artists in the wake of dwindling public funding for the arts.
They praised Denari as a “leading voice in the pedagogy and practice of contemporary architecture,” and commended him for showing that “progressive ideology is buildable.”
Kurgan’s work employs “data network information and uses it as a visual device to inform and educate the general public on social issues and their physical implications to the built environment.” Read More
On Friday I posted a video about the Ocean Tower in South Padre Island, Texas, also known as the Leaning Tower of South Padre Island. It is, or was to be, a 31 story condo. Regrettably, after topping out one side of the foundation sank more than a foot into the sand, construction was halted, and on Sunday the structure was imploded. At 400 feet tall, it was the tallest concrete structure to ever be imploded, according to the demolition contractor, Controlled Demolition of Phoenix, Maryland. The above video, and many more like it on youtube, capture the magic moment.
The Chicago office of SOM has designed a modern take on the menorah, which recently took top prize in a charity competition sponsored by Steelcase. The solid wax menorah, which was created by Colin Gorsuch, burns so that the eight inch square frame is revealed with the passing of each night of Chanukkah. Read More
Metaphorically speaking, so much of the development that has happened over the last decade has been built on loose sandy soil. Here, however, is a literal example of this very disheartening state of affairs: The Ocean Tower in South Padre Island, Texas—designed by the Brownsville-based Walker & Perez Associates—was to be a 31-story condo, promising startling views of the Gulf of Mexico and proximity to the most exclusive neighborhoods in the popular vacation destination. But after topping out last year construction was halted because one side of the building sank 14 or more inches into the underlying clay stratum. Major cracks appeared throughout the tower’s base, and now the structure is slated to be imploded this Sunday. The eloquent commentary on the above video gives voice to what we have all been thinking but afraid of saying while the myriad of architectural projects have been crumbling around our heads.
On December 2, Werner Sobek, IIT professor and founder of Werner Sobek Engineering and Design, delivered the third annual Franzen Lecture for Architecture and the Environment at the Cooper Union. Sobek, who is also head of the Institute for Lightweight Structures and Conceptual Design (ILEK) at the University of Stuttgart, discussed experiments at the institute to develop an inflatable-fabric-structural-envelope-system-prototype, or “sausage” to be economical. Our eyewitness reports that after much exposition about inflatable fabric membranes, New York architect Toshiko Mori, who moderated the discussion, offered that she had sat on Werner’s inflatable sausage, because he wanted her to test the resistive properties to make sure it could withstand the pressure. Tittering spread through the audience, said our witness, who admitted that he lost track of the discussion. Yes, folks, this is what passes for randy double entendre in the academy.
Whoah, Dude… The LA Times reports that a group including skateboarding legend Tony Hawk is backing a proposal to build a neighborhood skate park about 40 yards from LA’s Watts Towers. The colorful towers, made of twisting steel and shards of ceramics, among many other things, were built by Italian immigrant Simon Rodia between 1921 and 1954. They’re arguably South LA’s most important landmark. According to the story the skate park—whose circular bowls are reminiscent of the towers’ plans—is being pushed by councilwoman Janice Hahn and the Wasserman Media Group, an L.A. sports management and marketing company. And “Although no formal plan has been submitted, a conceptual plan has been drawn and fundraising is already underway, with an early boost from Hawk.” Most in the Towers’ camp seem irked by the idea, fearing excess noise and distraction. “It sounds like it would be great for Watts, but not near the towers,” said Michael Cornwell, chairman of the Committee for Simon Rodia’s Towers in Watts. Should be interesting…