Robert Irwin’s “Scrim veil—Black rectangle—Natural light”
The Whitney Museum of American Art
945 Madison Avenue
New York, NY
Through September 1
It has been 36 years since Robert Irwin, now 84 years old, debuted his Scrim veil—Black rectangle—Natural light installation at the Whitney Museum of American Art. This summer, the legendary installation, designed specifically for the fourth floor of the Breuer building, returns to the museum. As the title suggests, Irwin’s minimalist installation is composed of three simple elements: a black line that runs along the length of the gallery walls, natural light that enters through the museum’s iconic trapezoidal window, and a white translucent polyester scrim hung from the ceiling that slices through the space. These elements divide the space into various geometric forms and create a disorienting experience. As visitors circle the gallery and daylight moves across the room, the perception of space is shown to be less definite than one might previously have imagined.
Non-profit ArtPlace America has awarded creative placemaking grants to 54 recipients who were selected from more than 1,200 applicants. Totaling $15.2 million, the grants will support art projects in 44 neighborhoods across the United States, as well as a statewide project in Connecticut. Grant amounts range from $33,000 to $750,000, with the average grant at approximately $280,000. The idea behind the grants is to assist in turning urban communities into more welcoming and prosperous places for present and future residents through art and design projects.
The winners of AIA Chicago’s Small Project Awards are on display through August 22 at 23 E. Madison St. “Not everyone needs a skyscraper,” reads the awards program’s tagline. The third annual Small Firm/Small Project Awards recognize quality in small Chicago architectural firms (nine or fewer licensed architects and interns) and small local projects. Projects were honored in four categories: Additions/Remodeling, Kitchens, New Construction, and Small Objects.
[ Editor's Note: The following is a reader-submitted letter to the editor that ran in print edition, AN10_07.24.2013. Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email firstname.lastname@example.org. ]
I have been writing to publications I respect in hopes of influencing the way the profession is covered. I sincerely believe that the use of “star architects” or worse, starchitects”—which is not a word—undermines serious discourse regarding architecture and urbanism. An argument could be made that the use of any popular expression or jargon undermines the seriousness of the message; I believe it is a problematic, derogatory term that is both insulting to the architects described and to the profession in general. It doesn’t serve any real purpose except to denigrate a few individuals and to signal the “hip” or “in-the-know” sense that the journalist has of himself, except that now it communicates that the user is out-of-date. If nothing else, the expression starchitect has passed its shelf life. Unfortunately, it has begun to spread to mainstream culture along with its toxic effects.
A yardstick is a straightedge with markings at regular intervals used to physically measure lengths in imperial units of up to a yard (three feet). It is also a standard for making a critical judgment. This measuring device was placed in once-forbidden zones of the World and Cold Wars that have since been abandoned, by Jane and Louise Wilson, the British fraternal twin artist duo who have a show on view at 303 Gallery.
In 2005, the doors to the New South China Mall first opened, promising a new age of Chinese consumerism and signaling the rise of the middle class. Located outside Dongguan, an industrial city located in the rapidly-growing Pearl River Delta with a population comparable to New York’s, the nearly 10 million-square-foot mall was the largest in the world in terms of leasable space. The developer, Chinese instant noodle tycoon Alex Hu, expected 100,000 daily shoppers, but the crash-strapped factory workers who populate the nearby metropolis never bothered to make the 2.5-hour trek to the overgrown shopping center, and so 8 years later 99 percent of the mall’s 2,350 retail outlets are still vacant. In the wake of this failure, a new developer, the Dongguan Minying Real Estate Development Company, has hired California-based architecture firms 5+Design and SWA to design yet another mega-sized mall in the rapidly growing city, this time with a few important adjustments that the team hopes will make their project a success.
In 2011, a major expansion to Edmonton, Alberta’s Quesnell Bridge generated an ongoing effort to enliven the landscape surrounding the overpass, which connects the northwest and southwest portions of Canada’s fifth largest city. A resultant public art commission from the Edmonton Arts Council for Los Angeles–based multidisciplinary design-build fabricators Ball-Nogues Studio called for an engaging installation along the south side of the North Saskatchewan River, which sees a live load of 120,000 vehicles each day.
While brainstorming the project, it was apparent to the firm’s principal and designer in charge Benjamin Ball that the areas immediately surrounding the bridge were not carefully considered by passengers. “It was a sort of no-man’s-land between the transportation infrastructure and the landscape,” he recently told AN. Drawing inspiration from the mundane—sand piles, gravel, and detritus from the trucking industry—and the majestic—talus and scree formations enveloping the base of surrounding cliffs—Ball and the studio’s cofounder Nogues applied their knowledge of sphere packing to echo the angle of repose of natural and man-made mounds. Read More
St. Louis-based McCormack Baron Salazar, whose CEO Richard Baron is a Detroit native, would first build the three- to four-story townhouses and apartment buildings along Atwater and Franklin Streets, between the Dequindre Cut Greenway and Riopelle Street. The site borders the Detroit Riverwalk and Tricentennial State Park. If that goes well, the firm could develop a second phase to add 200 rentals or condo units, as well as more retail and restaurants.
Taking the podium at Pier 6 in Brooklyn Bridge Park, New York City Representative Nydia M. Velázquez introduced new legislation, called the “Waterfront of Tomorrow Act,” to protect and fortify New York City’s 538-miles of coastline. The bill would instruct the Army Corps of Engineers to come up with an in-depth plan to stimulate economic growth and job creation, update the ports, and implement flood protection measures. Sandwiched between Red Hook Container Terminal and One Brooklyn Bridge Park, a large residential development, the pier was an appropriate place for the Congresswoman to announce legislation that addresses the city’s needs to bolster its shipping industry while also taking steps to mitigate flooding and ensure the resiliency and sustainability of its residential neighborhoods, parkland, and businesses.
The Northeast Ohio Sustainable Communities Consortium is striking back against a wide-ranging problem that has scarred few regions more than this corner of the Midwest: sprawl.
The non-profit is a collaboration between city, county, and regional government entities, as well as private foundations and academic institutions. It is funded by a $4.25 million grant from the federal Department of Housing and Urban Development, along with $2.4 million in local matching funds.