My In Detail article in the current issue covers Rafael Moneo’s Northwest Corner Building at Columbia University. In addition to filling the final vacancy in the 1890 McKim, Mead & White master plan, the building had to bridge a subterranean recreation center with a 120-foot clear span. In answer, Moneo—along with executive architect Davis Brody Bond Aedas and structural engineer Arup—designed the building’s steel framing system as one big truss, with diagonal members bolstering the perimeter moment frame. The majority of the gravity loads, however, are supported by three gargantuan trusses that run the length of the building four levels above the street. These trusses are so big and heavy that Turner Construction had to assemble them on site, on a shed built above the sidewalk, and then slide them into place. The above stop-action video was also assembled by the construction manager, documenting its elegant solution to this seriously heavy erection.
Today we got an email from the fine folks at Archphoto announcing that one of its trio of photographers, Paúl Rivera, has been featured in the current issue of the Japanese architecture magazine, A+U. The featured work was of the MASterworks award-winning TKTS Booth, including the above photo. In addition to being an unexpected and breathtaking view of the structure and surrounding environs, it made us realize something we hadn’t yet about the much-talked about closure of Broadway in the square: While all those cars whizzing by may have been a pedestrian and congestion nightmare, they sure brought wonderful life to the countless photos that have come to define the Crossroads of the World.
Saturday night’s Beaux Arts Ball was a smash! Hundreds of architectural enthusiasts and even the Dosa guy from Washington Square Park trekked to Brooklyn to attend the Architectural League’s annual benefit for their exhibition and lecture programs. Read More
Part of Ferris Bueller’s Day Off (1986) renown as a classic truancy film and Chicago landmark travelogue is the über-modernist glass and steel house with the disaster-inviting garage from which Ferris launches the priceless 1961 Ferrari belonging to friend Cameron’s father. The house (and garage), of course, is a metaphor for Cameron’s sad and lonely home life. As Ferris, the budding architectural critic, explains to his vaguely suicidal foil, “The place is like a museum. It’s very beautiful and very cold, and you’re not allowed to touch anything.” Read More
We just got our invitation to the Municipal Art Society’s annual MASterworks awards. Contained therein are the heretofore unannounced winners, as well. (You can find all four after the jump.) Sadly, the party is invite only, but it’s at the new glassy, glamorous Sheila C. Johnson Design Center at Parsons, so if nothing else, you can wander by Tuesday night and press your face to the glass, making puppy-dog eyes at we revelers therein. It’ll be the perfect Oliver Twist/recession moment. If you’re lucky/pretty, we might even sneak you in the side door. Read More
Construction projects are dropping like flies everywhere you look, falling in the water deader than Air France Flight 447. It’s gotten to the point that when a major milestone is met on a significant piece of architecture there is cause not only for rejoicing, but commentary by the architectural press. And lo, our latest great happiness comes (yet again) from the Arabian Desert: In the city of Dubai, United Arab Emirates, work has completed on the structural frame of O-14, an office building somewhat redolent of a block of swiss cheese. Designed by the New York City firm Reiser + Umemoto, the structure makes a significant departure from the otherwise glass-curtain walled edifices of this arid city by the sea. It’s exterior is composed of a perforated concrete bearing wall, which does double duty as a shading device, protecting the building from the blazing middle-eastern sun. For a full low down on O-14′s uncommon framing system, as well as more construction photos, see our 2008 feature on concrete.
As promised, here’s Sara’s inaugural Eavesdrop ALERT. Have at it.
CA Boom, which grandly bills itself as “North America’s Only Multi-Discipline Non-traditional Design Show,” will be exhibiting for the sixth time over the last weekend in June at a larger venue this year in Beverly Hills. That very same weekend, Dwell Magazine will return to the Los Angeles Convention Center with its own heavily branded trade show, Dwell on Design, billed less grandly as “The West Coast’s Largest Modern Design Event.” An embarrassment of riches or a conundrum for vendors who can’t be in two places at the same time? Read More
The Architectural League’s Beaux Arts Ball 2009 this Saturday night has a dress code, but not the kind you might expect. “No stilettos please,” warns the invite, because in addition to the standard drinks and dancing, this ball features a vast factory where guests will be “building, binding, stitching and printing.” Read More
We know you love the gossip. AN aims to satisfy that itch in print, online, East Coast, West Coast, whatever, wherever, whenever. So here comes Eavesdrop to our blog so you can get it faster, feistier, anywhere you are. Plus, we will be posting Sara Hart’s online-only EAVESDROP ALERTs. But the real fun begins in the comments section, where you can lay on your own gossipy tidbits. And Sara will be sure to respond.
For Whom the Buell Tolls
There are some whispers coming from the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University’s GSAPP. Our ears immediately perked up, because we never hear anything much from that stone corner of the academic groves. Founded in 1982, the center’s first director was Robert A.M. Stern, who was followed by Gwendolyn Wright, Richard Buford, Joan Ockman (who stepped down about a year ago), and Reinhold Martin, who currently holds the post. The whispers have it that Professor Martin is changing the center’s mild mission to a more politically left-leaning agenda. Some female members of the 12-person board of advisers are also miffed that he’s held boys-only dinners, like a recent bash with board members Peter Eisenman, Stern, and GSAPP Dean Mark Wigley. Could another Penguin Club be in the making?
Silver Lake’s newest restaurant is certainly unexpected. First of all Territory is a Barbecue joint, not exactly a So Cal specialty (luckily the owners are from North Carolina and Texas, so they’re legit, and they serve some of the best pulled pork and ribs we’ve had in LA). Second they sell rare and vintage records; and third is the architecture part: it’s located inside one of the strangest buildings in LA. The bright green restaurant is fun, and relatively normal, on the first floor, wth a pleasant patio for noshing with fellow hipsters. But above rises a tall green appendage that makes half the building resemble a lighthouse. One of the owners, chef Curtis Brown (who only uses his grandmother’s recipes), isn’t sure why the building was designed that way when it went up years ago. But he theorizes that it may have originally been a seafood restaurant, hence the nautical theme (it’s most recent incarnation was as a pizza joint.)