Curbed LA reports that Julius Shulman’s house (above) in Laurel Canyon has been put on the market for $2.495 million. Shulman passed away this July, and his daughter Judy Mckee has been taking care of the house since. The steel frame three-bedroom, three-bath home, located at 7875 Woodrow Wilson Drive, was designed by famed Modernist architect Raphael Soriano. It was declared a Los Angeles Historic-Cultural Monument in 1987, so at least its exterior can’t be altered. According to Redfin, the realtor is RE/MAX of Valencia.
The documentary Between the Folds is a brisk study of the intersection of intelligence and aesthetics in origami. The film, by the first time writer and director Vanessa Gould, gives an overview of the field, looks into the methods of folding, and interviews some of the big paper players of the past 50 years. Even with the film’s minor faults, Gould deserves enormous credit for producing a film that will fascinate everyone from precocious kids to high-minded architects. The film, the first on the subject in English, explores the combination of art, mathematics, diagrams, computational power, inspiration, and raw desire to create held within a simple piece of paper. Read More
The redevelopment of Lincoln Center took another step forward today with the opening of the David Rubenstein Atrium. The space, redesigned by Tod Williams Billie Tsien Architects (TWBTA), includes two 21-foot high vertical gardens, skylit oculi, and a fountain to create a tranquil atmosphere in the passage way. Read More
As automakers vie to release the next generation of plug-in electric cars, many eco-conscious drivers have wondered about the lack of charging infrastructure in dense urban environments. Unlike in, say, London, where charging points are being planned within one mile of every citizen by 2015, New Yorkers have heard little about curbside electric pumps. Well, if you’re looking for a place to plug in your GM Volt, one company’s vision of the future has arrived. Read More
And so it begins. MGM Mirage’s 67-acre, 18 million square foot, $7.8 billion CityCenter, one of the biggest developments in the history of mankind, officially opened today. It includes buildings by Cesar Pelli, Daniel Libeskind, Rafael Viñoly, Helmut Jahn, KPF and Norman Foster. We can’t wait to put together our commentary. Here are some initial thoughts after our first day here: Read More
The British artist Richard Woods is known for using patterns from historical sources such as Tudor architecture and the designs of William Morris in his Pop inflected works. His new installation at Lever House, entitled Port Sunlight, wraps the ground level elements at Gordon Bunshaft’s mid-century masterwork in vibrant panels, and while there isn’t a snowflake in sight the effect is festive. Read More
In the above video, lighting designer Leni Schwendinger takes us on a light walk. Inspired by the Professional Lighting Designers Association’s LightMapping events, Schwendinger guides us through the nighttime streets of Greenwich Village, using her keen eye to observe and interpret the urban lighting conditions. What she reveals is a nuanced way of experiencing the city—New York or any place where electric light and the built environment can be found—after the sun goes down and is not to be missed. Enjoy.
Launching last Tuesday, Dave Eggers’ one-time-only Panorama newspaper celebrated the good old days of investigative journalism with a muckraking piece on the Bay Bridge. Its “above-the-fold” piece, “Unparalleled Bridge, Unparalleled Cost” (which, unlike the rest of the issue, is available online), is a massive 22,000-word exploration into the bureaucratic issues that have caused the new Bay Bridge to be delayed for years and go from an original estimate of $1.8 billion to a final cost around $12 billion. Read More
To get a brief taste of a world short one more smart design magazine, type ID Magazine into the search field. You might get i-D with a bunch of nude blondes on the cover or id magazine at the ready to discuss transgender issues in Oregon, but you will not easily find I.D., the magazine that has covered the art of design and the design of the everyday for more than 50 years, winning five National Magazine Awards in the process. While nobody who wanted to know the new brand names in the making dared miss I.D.’s Annual Design Review every July/August (since 1954!), it was really the steady hand and sharp eye of its most formidable editors Julie Lasky and, before that, Chee Pearlman that made I.D. a force of good in design. Lasky left last February to join the website Change Observer and continue championing innovative design. The rest of us will just have to turn the page.