Dennis Crompton and Michael Webb plugged into the London launch of the Archigram website on Monday from New York City via a Skype connection to Westminster University. The two Archigrammers were meant to be present at the launch, but the Eyjafjallajökull volcano grounded their planes and kept them from joining Peter Cook and David Greene, who was scheduled to be at the event. So Crompton walked the assembled Londoners through the website from his Skype-enabled computer screen in Lower Manhattan. Read More
Developer Bill Davies has engaged Philip Johnson/Alan Ritchie Architects to investigate possibilites for the Old Main Post Office Building on West Van Buren, according to a report in the Sun-Times. Davies aquired the massive structure from the city at auction, and speculation has been rife as to what could be done with the building, which is built over several north/south rail lines. Ritchie declined elaborate on the plans. In addition to the future of the Post Office, we were left wondering how long Johnson’s name will remain attached to the firm. He passed away in 2005.
Update (4/21/10): Three more firms have been confirmed: Snohetta, Rafael Viñoly, and L.A.’s Frederick Fisher. This is shaping up to be a pretty diverse crew.
The SF Chronicle reports that the Berkeley Art Museum/Pacific Film Archive has sent out letters to ten architecture firms, asking them to submit qualifications to design their new home. Adding to the three that have already been sussed out (Bernard Tschumi, Tod Williams Billie Tsien, and Will Bruder), we have confirmed a fourth: Ann Beha, whose Currier Museum of Art in New Hampshire has been well-received. Read More
A band of students from SCI-Arc and Caltech have been selected to compete in the DOE’s Solar Decathlon, to be held on the National Mall in Washington, DC, on October 2011. The team will go head to head with 20 other student groups from all over the world—including Canada, Belgium, China, and New Zeland—to determine once and for all, or at least for the next two years, who can build the most livable and sustainable sun-powered residence of 500 square feet or less. Read More
Wellington “Duke” Reiter, the president of the School of the Art Institute, has announced he is stepping down and returning to Phoenix, according to Crain’s Chicago Business. Reiter, an architect and former Dean of the College of Design at Arizona State University, arrived at SAIC in 2008. In his brief presidency, he oversaw the opening of the new Sullivan Center Galleries in the old Carson Pirie Scott building as well as curricular reorganization in a sluggish economy. In an email to students and faculty Reiter said he wanted to return to his practice: “I have decided to return to my ongoing work linking the fields of art, design and sustainable urbanism. These issues have always been my passion and I look forward to devoting my full attention to the creation of sustainable city models on a global basis.”
The NY Times this weekend reported on the status of one of our favorite LA structures: LAX’s UFO-like Theme Building. It looks like the ugly scaffolding which has adorned the parabolic edifice for the past couple of years is finally down, and the structural retrofit of the building (originally designed in 1961 by Paul Williams and Pereira & Luckman) is just about finished. The building underwent the procedure after a 1,000-pound chunk fell off one of the upper arches and landed on the roof of a restaurant. In addition to a sparkling new paint job, the Theme is now reinforced with a 1.2 million-pound tuned mass damper that sits on flexible bearings. The $12.3 million project was completed by Gin Wong Associates architects and Tower General Contractors. For those interested in unique LA experiences we recommend checking out the observation deck and the Encounter restaurant.
The Remington Arms factory in Bridgeport, Connecticut is a spectacular 1.5 million-square-foot structure of 13 interconnected buildings stretching over 76 acres. Now its future is imperiled. Long a monument on the city’s East Side, it was originally built by the Remington Arms-Union Metallic Cartridge Company beginning in 1915 to fill an order for one million rifles and 100 million rounds of ammunition to supply czarist Russian armies. Later, the building turned out bayonets, Colt automatic pistols, Browning Machine Guns, and automatic rifles. In 1920, General Electric purchased the property, and produced thousands of small kitchen appliances in the plant, but GE slowly pulled manufacturing from the building, and closed it entirely in 2007. The company claims to have looked for development opportunities for the shuttered factory, but concluded that it is “functionally obsolete (and) inappropriate for modern uses.” Now GE plans to demolish the structure, leaving a huge vacant property in Bridgeport—a city that can ill afford more dereliction. Read More
It’s hard to remember that the phenomenally influential Archigram only worked together as a group for two years: 1962–1964. But all six members (four are still living) carried on extremely active practices on their own, sometimes in combinations with other members, and they produced an amazing body of work. The University of Westminster has embarked on an archival project to assemble this creative output in digital format and make it available online. Though this monumental task is far from complete, the university has amassed almost 10,000 images, and will go live with the website on Monday at 7 p.m. London time at a special event. I have been planning on flying over for the occasion, and, should Iceland’s volcanic eruption permit, will be in Westminster to report on it next week.
DIAMONDS AND PEARLS
The cocktail reception for the Driehaus Prize, celebrating classical architecture and traditional urbanism, was held in the hoity-toity vaulted Cathedral Hall at the top of the University Club, a setting fit for a classicist or anyone wishing to recreate scenes from Dead Poets Society. The Trib’s Blair Kamin was there for a minute, along with oodles of Notre Dame students and recent grads sporting ill-fitting suits, engagement rings large and small, and strings of pearls. Definitely not a Jil Sander crowd. This year’s recipient, Rafael Manzano Martos, took the stage to give some remarks but most guests seemed to be oohing and ahhing over the fantastic views of Renzo Piano’s Modern Wing. Piano is the modernist even classicists love, secretly!