Multidisciplinary teams are working to rethink the grounds surrounding the Eero Saarinen-designed Jefferson National Expansion Memorial, better known as the St. Louis Arch, to improve its connectivity with the city and the riverfront. An editorial in the St. Louis Post-Dispatch is calling on the teams to substantially rework I-70, which creates a barrier along the park’s western edge. Read More
Peter Lang called this morning with the sad news that Superstudio member Alessandro Magris has died in Florence, Italy. Born in 1941, Magris joined the group in 1970 after graduating from the University of Florence, and was responsible for the general organization of the Superstudio office. He continued a practice long after the demise of Superstudio, specializing in the restoration of historical monuments and residential and commercial renovations. He is the brother of Roberto Magris, also a member of Superstudio, who died in 2003.
It may be the original glass house in New York. Many years before Richard Meier’s Perry Street glass towers opened up domestic rituals to the public’s gaze, Donald Judd was living and working in one of the finest cast-iron buildings in Soho. The huge windows opened up his minimalist aesthetic to the public beginning in 1968, when he purchased the building and practically defined the “loft” look of New York for the public. Now openhousenewyork is offering a rare visit for a small group on March 11, with a tour of the building and meal catered by Christina Wang of the French Culinary Institute featuring “Swedish and Mexican” hors d’oeurves—Judd’s favorite. To reserve your place, contact OHNY.
The past ten years have seen an impressive amount of economic growth and infrastructural development in India, and the nation is becoming more and more a well established market for American architectural talent. This trend doesn’t seem to be changing as we embark on a new decade. One sign of that is the September 2009 opening of an office in Mumbai by structural engineering firm Leslie E. Robertson Associates (LERA). Founded in 1923 in New York City, LERA has contributed its services to many of the city’s iconic structures (such as the World Trade Center) and has designed buildings all around the world, but this will be its first foreign office. A release by the firm cited a “growing workload” and the need to “facilitate client relations” as key reasons for the opening. LERA will join a number of other American architecture firms that have recently opened branches in the subcontinent, including HOK and Perkins Eastman. See some of the projects LERA has worked on after the jump.
The Environmental Protection Agency balked at the Bloomberg administration’s controversial proposal to clean up the Gowanus Canal, favoring its own Superfund program in an announcement today, as had been expected. In a statement, regional administrator Judith Enck said that, after much consultation with concerned parties, the EPA “determined that a Superfund designation is the best path to a cleanup of this heavily contaminated and long neglected urban waterway.” The Bloomberg administration opposed the designation for fear it would stigmatize the waterway and drive off developers who were planning projects on the polluted canal’s shores. Read More
Jennifer Siegal’s Prefab Showhouse has been sitting on Venice’s Abbott Kinney Blvd since 2006, giving clients a preview of what they can get if they invest in a work by her firm, OMD (Office of Mobile Design). Well it’s no longer there. It was recently transported via semi and (once in the desert) robotic tank (yes, robotic tank) to Joshua Tree, where it has found its place as an off-the-grid guest residence for film producer Chris Hanley. The 720 square-foot steel frame structure, with a high sloping ceiling and a steel support chassis, uses solar panels for electricity and also has tankless water heaters, radiant heat ceiling panels, and translucent polycarbonate glazing. It’s not too far from one of our favorite desert houses, Taalmankoch’s iT House, in what is becoming a precious little off-the-grid architecture community. Oh, and if you go, make sure to check out one of our favorite bars in the world, Pioneertown’s Pappy and Harriet’s. Read More
Two years ago, the Brooklyn-based Center for Urban Pedagogy (CUP) asked housing advocates and community groups what educational tools they needed the most. The topic of affordable housing was at the top of the list, so designers set to work devising a handy way to help New Yorkers comprehend the much-debated subject. “Affordable housing is a term that has been thrown around for a long time,” said CUP staff member John Mangin. “A lot of people are suspicious of it, it is complicated, and the technical meaning behind it is not always apparent when you hear the word.” Read More
When I first encountered the work of the architect and painter Anthony Candido, it was moving—or rather, the dancers whose costumes he had splashed with black paint were moving across the floor in a work choreographed by Nancy Meehan. The irregular black strokes and drips seemed to both follow and impel the dancer’s movement, melding abstract thought and nature through gesture. Candido’s current exhibition, The Great White Whale Is Black at Cooper Union in New York, more than fulfills the promise of the costume designs, for it offers a rich body of work spanning five decades of an extraordinary career. Read More
Just when things were looking bleak for print, here comes new bi-monthly European publication Panorama, which has already been billed by one blogger as Europe’s answer to the Architect’s Newspaper. The printed (yes, PRINTED!) glossy broadsheet is published by the makers of Future Arquitecturas, a magazine on international competitions. A one year subscription will cost £15.00 in Europe and £17.00 in the rest of the world. We found its Facebook page here. No response yet from the pub, but it appears Panorama began last year, and is published in both English and Spanish. According to the RIBA bookshop, the January issue included an interview with Spanish architect Carlos Ferrater as well as stories on the new Dallas Theater Center, on plans for the new home of the National Archives of France, and Andalusia’s tallest building, The Towers of Hercules. We’re so proud of our little printed sibling.
Love Nicolai Ouroussoff or hate him, Alexandra Lange’s takedown, “Why Nicolai Ouroussoff Is Not Good Enough” on Design Observer, is a highly engaging read. The design community seems to tire of its most visible critic after a few years, and Lange begins her piece by revisiting Michael Sorkin’s takedown of then Times critic Paul Goldberger from the mid 1980s. Many of us recall a similar fatigue that set in during Herbert Muschamp’s time on the job. Lange, a frequent contributor to AN‘s “Crit” column, hits Oroussoff with a three pronged attack, with sections subtitled, “He Doesn’t Seem To Live in New York City” (a jab at his globetrotting), “He’s Slippery” (on vagueness of his writing), and “He Doesn’t Care” (an accusation that he’s passionless). She is anything but passionless: “When I see a terrible building, or even just one with large, windy, unmanageable public spaces, I get mad,” she writes. The popular press could always use more voices with such informed conviction.