An earth-formed concrete amphitheater designed by Paolo Soleri may be demolished later this summer. One of only a handful of structures built by Soleri, the open-air theater (known as the “Paolo”) is on the campus of the Santa Fe Indian School, in Santa Fe, New Mexico. The school commissioned Soleri to design the theater in 1964, and though it has been used for graduations and concerts since that time, the school now believes that it costs too much to maintain, and says it brings drunken crowds onto the campus during events. Read More
The almost abstract series of prints by Brazilian photographer Bruno Cals could show race tracks, prisons, railroads, or meadows. But what Cals has captured through his lens are in fact some of the world’s most seductive new buildings. In an exhibition on view through July 31 at 1500, a new gallery in New York with a focus on Brazilian photography, what resembles swells of water in Prada turns out to be the facade of Herzog & de Meuron’s Prada store in Aoyama, Tokyo. Read More
Americans do like soccer, contrary to what many around the world believe. American architects, though? Hard to say.. But even for the most soccer-agnostic architects, there are four good reasons to watch — or at least glancingly pay attention to — this year’s World Cup in South Africa. Four of the 10 stadia designed or renovated for this year’s quadrennial World Cup really are worth checking out beyond the context of international soccer matches. These stadia will be long-lasting legacies of the World Cup; that’s good news for people who want to check these structures out, but potentially bad news for the cities that have invested hundreds of millions of dollars in what may become massive white elephants. And here they are, AN’s favorite four!! Read More
As Kermit once declared, “It’s not easy being an architect.” From the 2-feet-too-tall M Cube to the near-destruction of old masters, there seem to be problems around every corner. The story of Clark Stevens is doubly tragic, which Architizer ran today. You see, like many a sad architectural story, Stevens was working on one of his many glorious prairie houses when the recession hit and the client canceled it, and not only that, but there was a considerable squabble over fees, which client did not realize would grow as the size of the project did. After months of struggle a settlement was reached, about the best Stevens could hope for. A little while later, Read More
We’ll see you in Chicago at the show—while you’re there, remember to pick up a copy of our latest Midwest edition, hot off the press! Until then, we offer you a sneak peek of our favorite finds from this year’s contract furnishings market:
Bram Boo Bench, VanerumStelter
Belgian designer Bram Boo’s bench fosters socialization, rest, and work all in one piece of furniture. Four seats arranged in a square create four desktops and multiple ways to face others. The bench is available in red and black.
If last week’s story on the apparent shortcomings of the Office of Urban Affairs may have shaken your hopes about the Obama administration’s commitment to cities, planning, and urban policy, fear not. As we tried to point out, these things are happening, just not necessarily at the White House office whose name is synonymous with it. Case in point, two major announcements were made this week concerning sustainability, one at the GSA, the other at HUD.
Design East of La Brea, a.k.a. de LaB, is throwing its first ever fundraiser on Saturday, June 26, and you’re invited. A redux of 2008’s City Listening, City Listening II will feature local design writers (including AN‘s very own Sam Lubell) reading selected stories about Los Angeles. There will also be a silent auction of art work by de LaB members, food, drinks, and special guests. To put the cherry on top, the event is being hosted at downtown LA’s beautiful Spring Arts Tower. Tickets are on sale now (here) and if you purchase yours by tomorrow you’ll get a discount!
In a selection process with more leaks than the Titanic (or, ahem, the Gulf of Mexico) the LA Times reports (thanks to a number of anonymous sources) that Eli Broad is favoring Diller Scofidio + Renfro for his new contemporary art museum. In a previous leak the Times reported the narrowing of firms to Diller Scofidio and Rem Koolhaas’s OMA. This of course follows the leak that we first reported in March: that Broad was favoring downtown for the museum instead of Santa Monica. Of course none of this is official. In fact Broad hasn’t even formally announced a shortlist or a location. And he’s still waiting for city approval to lease the Bunker Hill site for $1 per year for 99 years (the LA CRA now owns the site, just next to the Walt Disney Concert Hall). But all this insider information is giving Washington politics and Wall Street banking a run for its money. Man, this Broad guy really knows how to play cities, and the media, doesn’t he? He should become a businessman or something. Meanwhile, is any firm hotter than Diller Scofidio + Renfro?
LA’s City Planning and Building and Safety departments, which we could not reach last week, have finally spoken up on the now-imperiled M Cube in Venice. To remind you LA City Council on Thursday rejected designer Mark Baez’s request to allow his floating modular, glass-clad, cube shaped apartment building an exception to remain two feet above the Venice Specific Plan’s requirement of 30 feet. Baez asserted that building inspectors informed him too late that the building was too tall, that his contractor bungled the height, and that the city was nitpicking over a height limit that other buildings are able to surpass. Baez may now resort to tearing down the building instead of going through with the costly changes. City planner Kevin Jones and building and safety investigator John Kelly beg to differ. Read More
On Friday, at Rebuilding a Sustainable Haiti—a public symposium on planning strategies for the country’s future hosted by New York’s Institute for Urban Design—a common sentiment united nearly all of the panelists onstage, as well as those seated in Cooper Union’s packed Rose Auditorium: the scale of destruction from the January earthquake demands a transformation, and not merely a replication, of Haiti’s built environment. “Perhaps a better title for the symposium is ‘Building a Sustainable Haiti,’” Garry Pierre-Pierre, editor and founder of The Haitian Times, said in his opening remarks, which provided a background of Haitian politics from 1986 to the present and stressed the corrupt nature of the state. Read More