If you’ve ever left the C or G trains at Hoyt Schermerhorn Station and gotten the urge to dance, we now think we know why. Turns out, that’s the very same station Martin Scorsese chose to shoot MIchael Jackson’s music video for his 1987 hit “Bad.” Well, to honor the deceased pop star (who has gotten a lot of play locally despite few real connections), local City Council rep Letitia James has proposed either installing a plaque or perhaps appending Jackson’s name to the station in some way, reports NYPolitics. But the Post says the MTA has told James “to ‘beat it.’” Undetered—she’s one of the people responsible for holding Atlantic Yards at bay—James is collecting petitions to see MJ through. And if that’s not enough Jackson action, Archinect has extended the deadline for its memorial competition through Wednesday.
Some of the greatest architects happen to be Jewish, such as Frank Gehry, Louis Kahn, and Robert A.M. Stern. Some are unabashedly so, and none more than Daniel Libeskind. The Polish-born accordion prodigy of two Holocaust survivors, Libeskind made his name designing for the Chosen People, beginning with his first and arguably best work, the Jewish Museum Berlin. Others have followed, such as the Felix Nussbaum Haus, the Danish Jewish Museum, the Wohl Center at Bar-Ilan University in Israel, and, most recently, the Contemporary Jewish Museum in San Francisco. As if that weren’t enough, Liebeskind has now designed a mezuzah for that same museum. Read More
Curbed directed us to a travesty in the Village today, albeit an unsurprising one. It appears NYU, in constructing a new building for the law school, damaged the shell of the Provincetown Playhouse, which it had promised to preserve. We say this is unsurprising because, as we recall and Andrew Berman of the Greenwich Village Society for Historic Preservation again confirmed, this is precisely what preservationists feared would happen. Read More
PACKING UP CAMP
Now that Donald Fisher’s CAMP project in San Francisco is officially dead, talk is swirling about where the Gap founder’s art collection will go. The whispers have focused on one obvious suspect: SFMOMA, which has already begun planning a 100,000-square-foot expansion that could get even bigger. One rumor has it that the museum is talking to the city about acquiring an adjoining fire station and building a new one elsewhere in return, in order to offer the Fishers their own digs. SFMOMA director Neal Benezra coyly parried questions with the comment: “We welcome the opportunity to partner with the Fishers to find a home for their collection as part of an expanded SFMOMA campus.” Read More
He had my wrists now, instead of me having his. He twisted them behind me fast and a knee like a corner stone went into my back. He bent me. I can be bent. I’m not the City Hall.
Leave it to Raymond Chandler to come up with architectural descriptions that pack a wallop. Excerpts of the taut prose that would define a whole genre of American fiction are brilliantly paired with Catherine Corman’s photographs of the L.A. of the 1930s and ’40s in her new book, Daylight Noir: Raymond Chandler’s Imagined City (Charta, $40). The evocative black-and-white images taken by Corman–who is the daughter of horror-movie maven Roger Corman–linger with great deliberation on architectural details like an arch or a building corner, turning each page into a world of suspense. With a poetic forward by Jonathan Lethem: “If architecture is fate, then it is Marlowe’s fate to enumerate the pensive dooms of Los Angeles, the fatal, gorgeous pretenses of glamour and ease…” Altogether, a thoroughly enjoyable way to “read” a building.
There is a lot to like about Chicago’s Quincy Court, an alley turned public space outside the Mies van der Rohe-designed Dirksen Federal Building that opened this summer. The General Services Administration (GSA) initiated the project to help beef up security around the federal campus, and they can certainly be praised for hiring a design firm to reimagine the space, in this case Rios Clementi Hale of Los Angeles, instead of just bolting a bunch of bollards into the ground. And while the design has a certain whimsy, which may appeal to some, we’re having a hard time getting over the giant plastic palms. Read More
Rare drawings by major architects are on display at Edward Cella Art + Architecture, a new gallery at 6018 Wilshire Blvd, across from LACMA. Highlights include Frank Lloyd Wright’s sketch of an unrealized ocean-front house for Ayn Rand, the semiliterate guru of the loony right; a color pastel rendering by Richard Neutra of the Tremaine house in Montecito, and floor plans of the Empire State Building. Carlos Diniz, the LA illustrator, created a presentation drawing for Minoru Yamasaki, showing how tenants might exploit the unbroken floor plan to create an interior townscape. The most surprising feature of the exhibition is Berlin Underground, a suite of twenty drawings by Lebbeus Woods. Commisioned by the Aedes Gallery of Berlin in 1988, a year before the Wall came down, they imagined a subterranean link between the two halves of the divided city. Woods’ tortured vision evokes alien life, lurking beneath the surface and bursting into view at the Alexanderplatz. On view until October 10 and after the jump. Read More
LA architects Taalman Koch have taken their prefab sensibility from projects like the Off Grid iT House in Pioneertown to, of all places, The Americana at Brand, Grove-developer Rick Caruso’s latest lifestyle center/historic town recreation/playland in Glendale. The project, created for marketing and event company Sparks Exhibitions, is a temporary demo space for the new Palm Pre on the Americana’s large central lawn. The 12×20 structure (with a 12×16 deck) was constructed in about 12 hours on site. It was made with aluminum framing, swiss pearl walls, galvanized steel roof, and redwood floors, all prefabricated off site and tested at Spark’s factory. “When it got to the Americana it was completely ready; we didn’t even need a tape measure,” said Taalman Koch principal Alan Koch. The structure’s next stop, on Monday, is The Grove itself, where it will stay for two weeks. Read More