A couple of months ago we introduced you to the W Hotel in Hollywood, a collaboration of some of the leading design talent in LA. One of those firms, Sussman Prejza, just sent us a video that shows off their all-important fiery red and multi-colored “W” signs, seen throughout the building. In addition to the behemoth 35-foot-tall W on top of the hotel, the firm designed a slew of animated signs, which sparkle thanks to LED’s, red and/or crystalline filters, and faceted, laser-cut acrylic surfaces. The signs vary from 2.5 to 5.5 feet tall and are programmed with their own dedicated control computer, 10 network switches, 61 power supplies and over 24,000 LEDs. And you thought all that Hollywood sparkle was simple, didn’t you?
We recently reported on the defacement of John Hejduk’s Kreuzberg Tower and Wings in Berlin, the architect’s poetic 1988 project built as part of the IBA program. After an international outpouring of angst over the developer’s “renovation” of the building—in just two weeks, more than 3,000 people signed an online petition, with testimonials penned by architects including Peter Eisenman, Steven Holl, Thom Mayne, and others—the building’s managers, BerlinHaus GmbH, have now said they will meet with the design community to take public opinion into consideration, and perhaps rethink their plans. Read More
The competition to improve the grounds and urban connectivity at the St. Louis Arch site has attracted attention from some major talents in architecture, landscape, and engineering. The list of competitors has been trimmed to five: the Michael Van Valkenburgh-led team, the Weiss/Manfredi team, SOM Chicago/Hargreaves/BIG, the Behnisch-led team, and PWP/Foster + Partners/Civitas. The winner will be announced in late September.
The last five families were moved out of the Harold Ickes Homes at the end of March, one of the latest clusters of high rise public housing the city is clearing as a part of the Chicago Housing Authority’s “Plan for Transformation.” Dozens of highrise towers have been demolished across the across the city, opening vast tracts of land for mixed-income and in some cases mixed-used development. While few would dispute that the large-scale warehousing of the poor in these projects helped to create major urban problems, the nearly total erasure of these areas seems as blunt as the urban renewal tactics through which they were originally built. Read More
If you want to understand just how under-appreciated California architect Edward Fickett is just try finding a picture of any of his work online, and then compare that task with finding something by his contemporaries Richard Neutra and Rudolph Schindler. Fickett, who died in 1999 at the age of 83, was no slouch. To name a few of his accomplishments, he designed the passenger and cargo terminals at the Port of Los Angeles, Edward Air Force Base, Dodger Stadium, a bevy of hotels and restaurants, mansions for hollywood stars, and some 60,000 light and airy tract homes known as the “Fickett Houses.” Read More
Los Angeles’ Permanent Supportive Housing program got a much-needed emergency shot of funds this week: a $5.2 million pledge from the Corporation for Supportive Housing (CSH) and Conrad N. Hilton Foundation.
Though Los Angeles has more homeless people than any other city in the US, only in the last few years has it begun to catch up with other cities’ level of services. 2005 saw a city-wide push to build supportive housing, a model borrowed from New York that combines affordable housing with services to help residents deal with mental illness, drug abuse, and disabilities.
Top architecture firms helped fill out the new supportive housing landscape, with innovative projects such as Michael Maltzan’s 95-unit, radially-arranged New Carver Apartments, Pugh + Scarpa’s 46-unit Step Up on Fifth facility in Santa Monica, and Lorcan O’Herlihy Architects’ 82-unit Skid Row Housing in downtown Los Angeles.
In the latest issue of the paper, Lebbeus Woods pays tribute to his friend and colleague Raimund Abraham, who died last month. Here, we gather together a survey of the visionary architect’s work, both built and—perhaps more importantly—unbuilt, for as Woods recounts of Abraham, “Building, he believed, necessarily violates nature’s wholeness, and must be done with a full awareness of consequences.” Click the image above of Abraham’s best known building, the Austrian Cultural Forum in New York, to begin the slideshow. (Special thanks to Stefan Heßling for generously sharing his images of Abraham’s musikstudio in Germany.)
You can also watch Abraham’s last lecture, delivered at SCI-Arc the night of March 3. He died in a car accident on his way home.