Construction began last month in Natchitoches, Louisiana, on the Louisana State Sports Hall of Fame and Regional History Museum. “What do sports and regional history have in common?” you might ask. Trahan Architects certainly had to ponder this question when figuring out an elegant way to combine the disparate program elements under one roof. In the end they took inspiration from Louisiana’s geomorphology, basing their layout of interior spaces on “the fluid shapes of the braided corridors of river channels separated by interstitial masses of land.” See exactly what is meant by this in the images after the jump. Read More
We’ve been following Chicago’s Olympic bid rather closely of late, and not only because we’re on the way to inaugurating a Midwest edition of the paper. First, there was SOM’s intriguing proposal to create “sustainable,” “low-impact” Olympics that would have few legacy costs by using temporary facilities, an approach the IOC apparently favored. Then there was the impact of that plan, which still called for the demolition of some buildings—as well as hundreds of trees in Washington Park—most notably at the Walter Gropius-designed Michael Reese hospital campus. Outcry from preservationists led the city to delay demolition, which made time for the preservationists to develop alternative plans. Olympic opponents may be catching another break now, as, ironically enough, the very things the IOC purportedly liked about Chicago’s bid-lite may also be its undoing. Read More
While the recession has put a damper on development along San Francisco’s Octavia Boulevard, the mayor’s office has reached out to Douglas Burnham of Envelope A+D to come up with something cool to temporarily fill the two vacant lots that front Hayes Green at the intersection of Octavia and Fell.
Burnham’s plan sounds like a lot of fun. He plans to transform the space into a mini-shopping, dining, and entertainment destination called PROXY–using a series of modular units that will be recyclable in two or three years when things ratchet up again. The vision includes a group of pop-up stores, a food court served by “slow food” carts, an art gallery, and a courtyard for projecting outdoor movies. Design-wise, the spaces will make their transient nature apparent, revealing their infrastructure (e.g., wiring, water storage) and their modular assembly.
AN contributor Christina Chan sends this wee report from Irvine:
Pretend City is populated entirely by kids–this mini replica of a city is Irvine’s newest children’s museum. The 28,000-square-foot facility, which just opened its doors to visitors, has taken over a decade to come to fruition. Philanthropists Alexandra Airth and Sandra Peffer are behind the new mini-metropolis. The museum includes interactive learning exhibits geared for kids up to eight years of age.The city includes a farm where little ones can learn about the food they consume, a ATM for financial learning, a café with mock ovens and menus, and a beach that will teach about the effects of pollution. And for budding architects, there is even a construction site where kids (and perhaps grown-ups, too) can build structures with wooden planks.
Europe’s ban on incandescent light bulbs went into effect today. A New York Times report filed yesterday from Brussels brought home the air of ambivalence that has accompanied the prohibition, relating tales of some Europeans jumping eagerly on the compact fluorescent (CFL) bandwagon, others racing out to stockpile the old bulbs before retailers run out, and still others wondering, “Why are we switching?” The european ban can be seen as a bellwether for a similar phasing out that will begin to take place here in the U.S. in 2012, which I wrote about in the editorial for our 2008 Lighting Issue. Just to recap, while there is no argument in terms of the energy savings that incandescent replacement technologies such as CFLs offer, they do come with their own problems: they cost more, come with embedded electronics, contain mercury, and, most important for designers, they do not render color as well. And, let’s not forget, in certain places incandescent light bulbs’ inefficiency is a boon.
Just a reminder that everyone has until Tuesday, September 1, to make their submissions to the Redesign Your Farmers Market competition launched earlier this month by us, GOOD, The Urban & Enviromental Policy Institute at Occidental College, and the LA Good Food Network. They’ve updated the submission guidelines, so be sure to check ‘em out, as well as three proposals that have already gotten the thumbs up.
Friend of AN and Slought Foundation executive director Aaron Levy sends the following dispatch from his “Repurpose!” event from last weekend:
When the Into the Open exhibition moved in to the National Constitution Center and the Slought Foundation in Philadelphia in July after stints in New York and before that Venice, where it was last year’s Biennale entry (curated by myself, Andrew Sturm, and AN founding editor William Menking), we decided we wanted to do some community outreach in the spirit of the civic activism promoted by the architects and designers in the exhibition. And so, with the help of the National Constitution Center, the Slought Foundation, and the Community Design Collaborative, we presented “Repurpose!,” a one-day community workshop and design competition highlighting the creative possibilities of urban revitalization in the Mantua neighborhood in West Philadelphia. Read More
We were surprised and delighted Monday upon reading in Page Six (okay, on Curbed, since we only read the Post when we’re feeling kinky) that one of our favorite designers, Winka Dubbeldam of Archi-Tectonics, will be designing a new club in Amsterdam (you know what that means!) for her fellow Dutchwoman Amy Sacco of Bugnalow 8 fame. Not only is this not the best time for clubbing, but now our dear Winka was cooler than ever, even that nifty condo of hers (aren’t they all?) down on Greenwich Street. We wrote Winka with a whole list of queries about renderings, locations, and lurid nightlife tails. Sadly, all we got back was this, presumably in reference to our dreams of a cool, crazy, possibly tropical design: “Not yet :-)” For now, then, we’re left with our bated breath to keep us warm on those cold MePa nights. Do save us a spot on the guest list, won’t you Winka?
He may have lost Atlantic Yards in Brooklyn and Grand Avenue in Downtown LA, but at least Frank Gehry won’t have to forfeit half the proceeds from his jewelry line designed for Tiffany & Co. Yesterday, a judge threw out a case from Culver City-based Circa charging it was owed a fee for a 2003 agreement it struck with the Santa Monica designer for half the profits from any jewelry deal, though it was apparently rescinded a year later, though the two sides differ on this point. Gehry later entered into a direct deal with Tiffany, excluding Circa and its proprietors, Fred and Anthony Nicholas, though people at the company claim to have introduced the architect to New York jeweler. “I couldn’t understand why he wanted so much money for doing nothing,” Gehry told NBC LA outside the courthouse following LA Superior Court judge Jane Johnson’s decision not to hear the case. Maybe this explains the tagline for Gehry’s Tiffany line: “Beauty Without Rules.”