We get a lot of Twitter followers every day (not to brag—but are you one of them?) and one particularly caught our eye today for its clever name, @formfollowshome. Turns out to be a simple blog, Form Follows You Home, the kind of no frills operation that would make Mies proud. All the blog is is a nice little catalog of one of our favorite things in the world: architecture videos. We’d seen quite a few of these, but this one of John Johansen taking Connecticut Public TV on a tour of his one-of-a-kind home was a particular standout. We got a tour ourselves, but here is proof for everyone to see that the man is a genius. After the jump, a two-parter with another grandmaster, Oscar Niemeyer, done by so-cruel-its-cool Vice magazine of all places. Read More
In April, a seven foot tall presentation drawing of the AT&T building was purchased by the Victoria and Albert Museum in London for $71,000, one of the highest prices ever paid for a “modern architectural drawing,” according to a release. The Philip Johnson drawing was sold through the Wright auction house in Chicago, which has become a specialist in selling architectural materials. The V&A will show the piece in an upcoming exhibition on postmodernism. It is one of only a handful of works by an American in the museum’s 35,000 piece architecture collection.
The building is famous for its “Chippendale” top, which, when it opened in 1984, signaled the ascendency of postmodernism and the return of historical styles and classical references to the architectural vocabulary.
The drawing is part of a larger archive of Johnson’s work, which includes thousands of drawings, plans, and photographs of AT&T, Pennzoil Place, PPG Place, and the Chrystal Cathedral. The owner of the archive wishes to remain anonymous, according to the release.
Deep-pocketed house-hunters on the prowl for an architectural icon this summer are in luck: The critically acclaimed Lawson-Westen House, designed by Los Angeles architect Eric Owen Moss, is on the market for the first time. The 5,100-square-foot Brentwood home remains the architect’s largest residential project and is an oft-cited example of the spatial subdivisions and geometric shifts that characterize much of LA’s modern architecture. Read More
A hot night in an organic garden sometimes smells like steaming mulch. But a hot night in a Brooklyn organic garden will more likely smell like beer. At least that’s the first impression one gets at the Berlin-cool Roberta’s in Bushwick where there’s a restaurant in front and an Alice Waters-funded greenhouse outback atop the shipping-container home of Heritage Radio Network.com, and more particularly of “Burning Down the House,” a weekly podcast by Curtis B. Wayne, a Cooper Union/Harvard-educated architect turned radio host and budding East Coast counterpart to KCRW’s Frances Anderton in LA. His Wednesday night live coverage is architectural improv, ranging from trashing Prince Charles over the Chelsea Barracks fiasco in London to discussing local garbage circulation issues. Wednesday night, I was the guest talking about a full array of random architectural topics from the 28th Annual Awards for Excellence in Design and the Beekman Tower to the power of landscaping and William Makepeace Thackeray, although I am not sure that the mic was still on for that last bit. Listen and find out here at Burning Down the House.
Kent State University has named Terry Schwarz the director of the Cleveland Urban Design Collaborative (CUDC). A satellite of the College of Architecture, the CUDC provides urban planning and design services to underserved communities and neighborhoods. Schwarz has worked at the studio since 2000, creating, among other projects, the Shrinking Cities Institute, to investigate urban vacancy and declining population, and Pop Up City, an initiative to animate underused land with arts activities. Schwarz has a masters in city and regional planning from Cornell, and has lectured and published widely.
The Urban Design Studio in Louisville has focused its mission on sustainability, according to Broken Sidewalk. The University of Kentucky College of Design, based in Lexington, recently withdrew its involvement in the studio, leaving the planning program at the University of Louisville as the primary partner. The Studio will also expand it’s collaboration with AIA Central Kentucky raise awareness of contemporary design in Louisville.
Central Park Conservancy founder Elizabeth Barlow Rogers and Friends of the High Line founders Joshua David and Robert Hammond will receive this year’s Jane Jacobs Medals, presented by the Municipal Art Society and the Rockefeller Foundation. Rogers founded the Central Park Conservancy in 1980 and served in the dual position of president and park administrator till 1995. Read More
I finally got around to reading Robert Sharoff’s fascinating Chicago Magazine piece on the life and work of Harry Weese, the architect of one of my favorite works of modern of architecture, infrastructure, and urban design, the D.C. Metro. The piece is packed with 20th century Chicago architectural history, compelling biography, and insightful analysis of Weese’s work. Sharoff draws on Robert Bruegmann’s forthcoming book on the architect, and both make the case that Weese should be considered one of the preeminent figures in Postwar American architecture. Like his friend Eero Saarinen, he seemed to reinvent himself with each new project, pushing modernism in new, diverse directions and offering an alternative to Miesian orthodoxy. Sadly, his prolific career was brought to a premature end by alcoholism, but even so he made an indelible mark on the American landscape.