Once again our friend Stanley Saitowitz—San Francisco architecture’s answer to Meryl Streep— took home the most honors at the AIA SF’s annual awards, held at the San Francisco War Memorial & Performing Arts Center last Thursday. Saitowitz took home prizes for his elegant, and relatively affordable, Tampa Museum of Art, his screen-obsessed Costa Rica house, and his effervescent Toast Restaurant in Novato, CA, which the jury described as “like walking inside a loaf of bread…..like swimming in sparkling champagne….” . Other big winners included Jensen Architects, noted for their SFMOMA rooftop garden and Walden Studios in Sonoma; EHDD, which took home awards for its UC Merced Science and Engineering Building and its Pritzker Family Children’s Zoo in Lincoln Park, IL; and Min Day, which took home prizes for its L Residence and its Community CROPS Center, both in Nebraska.
We don’t usually track our emails from the National Hardwood Lumber Association (NHLA) very carefully. But today we learned via one of their offerings that Sarah Palin will be the keynote speaker at the NHLA’s annual convention, which will be held from October 13-16 in Vancouver. So what does Palin have to do with an organization formed to “establish a uniform system of grading rules for the measurement and inspection of hardwood lumber?” Here’s what they say: “The hardwood industry has been successfully self-regulated for more than 110 years. Governor Palin supports a free enterprise system with limited government involvement and understands that industries, such as ours are a great example of America’s pioneering spirit. We are pleased and honored to welcome her as Keynote Speaker.” There you have it. God Bless America.
On Tuesday, SFMOMA will reveal the final contenders for the city’s most prestigious project of the moment, the extension of its 1995 Mario Botta building. But imagine an alternate universe, where an open competition would invite a broad range of concepts from established firms and fresh talent alike. This parallel world could be experienced a couple of weeks ago, during a final review for an architecture class at CCA. Read More
Just by looking at the mind-boggling New Norwegian National Opera and Ballet in Oslo, an architectural cliff on the edge of a fjord, you might think there’d be a lot of dense archibabble floating around at the firm Snøhetta. We have been paying closer attention to them out here in San Francisco, after hearing rumors that they are in the running for the SFMOMA extension in partnership with locals EHDD. Read More
Chicago may be better known for NeoCon–that’s the design show, not right-wing political philosophy–but the contemporary and modern art equivalent, Artropolis, appears to be holding ground with another solid run at the Merchandise Mart over the last weekend. Artropolis, the Midwest‘s answer to Art Basel, is comprised of three fairs: Art Chicago; NEXT, an invitational exhibition of emerging art; and the International Antiques Fair. AN’s Midwest Eavesdrop took a spin around the preview party to peep who turned out for the free booze and what was showing at the fairs. Read More
An important part of Richard Meier’s design process is his use of scale models—usually beautifully crafted of wood—to consider a physical form in its broader context. In-house model makers are often asked to fabricate multiple iterations of projects, and the firm is famous for its elegant presentation models, such as the one for his extraordinary gridded skyscraper (designed with Steven Holl, Charles Gwathmey, and Peter Eisenman) for the World Trade Center competition. Fortunately, Meier has not only kept many of his models, some going back 40 years like the Smith House in Connecticut, but also a spectacular series of working models for the Getty Center (above). These are kept in Meier’s model museum—a loft space in Long Island City that is opened to the public starting tomorrow, May 7, through August 27 (the museum is closed to the public during the winter months, due to the climate’s impact on the models). Tours can be arranged through Richard Meier & Partners Architects at 212-967-6060.
According to the Los Angeles Business Journal, downtown LA’s long-delayed Grand Avenue project is going to, er, keep being delayed. Related, the developer, has asked the city for an extension to its deadline to begin construction on the $3 billion Frank Gehry-designed behemoth. The way things stand now, if they don’t get the pile drivers working by February 2011 LA will take their baby away. Related wants until February 2013, a period of time they’ll presumably spend with their fingers crossed, waiting for the condo market to climb back out of the hole it’s fallen into. Also caught up in this mess is a parcel of land that billionaire philanthropist Eli Broad wants to use to build his very own art museum. Could this cultural component be a bargaining chip that will invoke the city’s leniency? Well, Related sure hopes so.
Once again the Society for Motion Pictures About the Built Environment (SMIBE) has dared filmmakers to document the constructed world around them, with its second annual short film competition (see our take on last year’s competition here). This year’s theme, “Personal Infrastructures” (everybody loves the word infrastructure these days, right?) spurred some great work, including First Place winner “Ice Carosello” by Matthias Löw, which captures the creation and enjoyment of an ice carousel (yes, a spinning block of ice in the middle of a frozen lake) in Sweden through time-lapse photography, accompanied by light techno background music. Now we REALLY want to visit one of these things. Our favorite of all was Augmented (Hyper) Reality: Domestic Robocop by Keiichi Matsuda, who explores the blurring line between humans and cyborgs as an animated human (or is it a robot?) digitally scans everything in his kitchen to make a cup of tea. Reality is coming, and we are all turning into iPads.