It looks like design history is in the air here in Chicago. The Chicago Design Museum is in the middle of a Kickstarter campaign to launch an exhibition looking back at 100 years of graphic arts. Chicagoisms just opened at The Art Institute—a meditation on Chicago’s architectural history and mythology that builds off a previous exhibition of unbuilt work reviewed here.
Now another exhibit glances at Chicago’s design history to better assess its present and future.
After a continuous 36-hour concrete pour last weekend, Boston’s Millennium Tower is ready to rise above the city skyline. The day-and-a-half-long pour of 6,000 cubic yards for the Handel Architects–designed project is being called a “record concrete pour” by local press—and it probably is, at least in terms of hours spent pouring. But if you crunch the numbers, as AN did, the pour in Beantown reveals that the tower’s concrete took its sweet, sweet time to flow. We’ll explain.
At this year’s SXSW Festival, engineering took center stage in the documentary DamNation (directors Travis Rummel & Ben Knight), which won the Documentary Spotlight Audience Award. It begins with America’s rash of dam-building under FDR when these mammoth structures were considered man-made wonders. Hoover and Grand Coulee are the large-scale examples, but there were about 80,000 smaller dams built across the country.
New York City Mayor Bill de Blasio has been promising to “preserve or construct” nearly 200,000 units of affordable housing since his days as the most unlikely of mayoral contenders. Since stepping into City Hall, the mayor has repeated that pledge nearly every chance he gets. But while the affordable housing plan is one of his central policy issues, it’s still not clear how the city can hit the mayor’s magic number. That should change this week when de Blasio’s housing team releases their detailed plan of action. Before that plan is released, however, AN asked some of the city’s leading architects, advocates, and planners what they hope to see in the team’s path forward.
We heard this morning that Fred Schwartz—one of the most independent, passionate, and even fearless voices in the New York architecture world—passed away last night. Frederic Schwartz Architects was well known for its waterfront park planning and various 9/11 memorials (Fred died at 9:11p.m. last night).
The historic Niels Esperson Building has lit up the Houston skyline since 1927, but far below the tower’s neo-Classical cupola, a basement space connecting to a series of tunnels meandering underneath the city has remained out of the spotlight. Now, the building’s basement gets to play catch up in the fame game with a $2.5 million renovation spearheaded by architectural firm Page.
After a long and heated fight to save Brooklyn’s Long Island College Hospital from demolition, the site’s future as a medical center has been cemented. But along with the full-service hospital could come two residential towers that are significantly taller than anything in the predominantly-brownstone Cobble Hill neighborhood.
The AIA’s Committee on the Environment (COTE) has announced the winners of its annual sustainability awards program. Now in its 18th year, the COTE awards celebrate green architecture, design, and technology. According to a press release, the winning projects must “make a positive contribution to their communities, improve comfort for building occupants and reduce environmental impacts.”
Each of the ten winners will be officially honored at the AIA’s National Convention and Design Exhibition in Chicago later this year, but, in the meantime, here’s a closer look at the 10 winners.
In January Louisville Mayor Greg Fischer implored local designers and developers to propose ideas for 250 of the city’s several thousand vacant lots. Last week they announced four winners, which included gardens of dye plants for local textile production; a Habitat for Humanity–style homeownership program; environmental remediation via lavender fields; and meditation gardens made of recycled materials.
While much of the work introduced at Milan this year played it safe—distinctly conservative colors, forms familiar from the 1950s, cautious use of materials—some architects’ designs took, shall we say, a bolder stance. But: Was it a better one? You, ever-opinionated reader, shall and no doubt will be the judge of that. Among the boldest of the bold designs this year were four pieces presented by Zaha Hadid.