Margaret Russell, the editor-in-chief and vice president for brand content at Elle Decor, has been named editor-in-chief of Condé Nast’s Architectural Digest. She will succeed Paige Rense who has edited Digest for nearly 40 years.
Russell has made Elle Decor a credible rival for Digest, and is respected for her taste and discerning eye. Digest remained virtually unchanged for much of Rense’s long tenure there, so many expect Russell will update the magazine’s image as well as bring new architects and designers into its pages.
The magazine’s offices will relocate from Los Angeles to New York. Russell will take over in September.
More than six months after January’s catastrophic earthquake, Haiti’s need for new infrastructure remains an urgent challenge for the many nonprofit groups seeking to rebuild nearly 300,000 structures across the country. Among them is Plan International, a children’s development organization that has worked in Haiti since 1973. Having mobilized in the wake of the earthquake to build transitional schools, among other reconstruction projects, this summer Plan completed a cluster of six classrooms in Jacmel, in the country’s southeastern region, as the first step toward an ambitious goal of building 80 classrooms throughout Haiti by September. Read More
Every rose has its thorn, including those supposed holy grails of sustainable products. CFLs contain mercury. Biofuel competes with farmers for topsoil. Now high performance windows, particularly those of the double-pane, Low-E variety, have become the bane of suburbia, as they can apparently melt your neighbors home—or at least their vinyl siding. That was the news from a surprising report on Boston’s Channel 5 news, sent to us by Infared New England, who tests for these sorts of things. It turns out that under the right circumstances, the windows work as magnifiers, focusing light on nearby buildings like a rascally child picking off ants. At least two area women have suffered the consequences, and there are plenty of similar videos on YouTube. So let this be a warning to you about the risks of vinyl siding next time you consider using it on a project. (Okay, let’s be honest, if you’re reading this, god forbid such a thought ever crossed your mind. Still, it’s pretty crazy, the unintended consequences of this business of ours. Eh, Frank?)
Philadelphi’s Reading Terminal Market is one of the nation’s oldest continuously operated enclosed food markets, opening in 1892 in the ground floor of the F. H. Kimbal-designed terminal. Like those in New York, Boston, and elsewhere, the enclosed market was seen as a way to get hawkers, hucksters, and dry goods carts off the street, where they were deemed unsightly and unhygienic. The Reading Terminal Market thrived for decades before declining during the era of White Flight, though it was revived in the 80s as an upscale venue for prepared foods and artisanal and organic products. With the current craze for the latter, as well as the return of residents to the city, the market is as popular as ever, necessitating an expansion designed by local firm Friday Architects/Planners. The plan, announced—yes—Friday, involves the reorganization of the aisles to make room for more stores as well as additional retail space on what is currently an office mezzanine. Work is expected to begin early next year and be completed withing six to eight months. You can peep the plans after the jump. Read More
Back in April we took a sneak peak at CO Architects’ $107 million renovation of the Natural History Museum of Los Angeles County’s 1913 building. The project is finally done, and includes major seismic and structural upgrades, new exhibit installation, as well as the uncovering of original details like the ceramic-tiled exterior dome; an original stained glass skylight; and original marble walls. The museum re-opened a couple weeks ago, but only now released a whole batch of great pictures (courtesy of Tom Bonner). And they’re worth looking at. We especially appreciate the floating
dinosaurs animals hung from the ceiling via carefully placed wires just below large skylights. Enjoy! Read More
We get a lot of Twitter followers every day (not to brag—but are you one of them?) and one particularly caught our eye today for its clever name, @formfollowshome. Turns out to be a simple blog, Form Follows You Home, the kind of no frills operation that would make Mies proud. All the blog is is a nice little catalog of one of our favorite things in the world: architecture videos. We’d seen quite a few of these, but this one of John Johansen taking Connecticut Public TV on a tour of his one-of-a-kind home was a particular standout. We got a tour ourselves, but here is proof for everyone to see that the man is a genius. After the jump, a two-parter with another grandmaster, Oscar Niemeyer, done by so-cruel-its-cool Vice magazine of all places. Read More
In April, a seven foot tall presentation drawing of the AT&T building was purchased by the Victoria and Albert Museum in London for $71,000, one of the highest prices ever paid for a “modern architectural drawing,” according to a release. The Philip Johnson drawing was sold through the Wright auction house in Chicago, which has become a specialist in selling architectural materials. The V&A will show the piece in an upcoming exhibition on postmodernism. It is one of only a handful of works by an American in the museum’s 35,000 piece architecture collection.
The building is famous for its “Chippendale” top, which, when it opened in 1984, signaled the ascendency of postmodernism and the return of historical styles and classical references to the architectural vocabulary.
The drawing is part of a larger archive of Johnson’s work, which includes thousands of drawings, plans, and photographs of AT&T, Pennzoil Place, PPG Place, and the Chrystal Cathedral. The owner of the archive wishes to remain anonymous, according to the release.
Deep-pocketed house-hunters on the prowl for an architectural icon this summer are in luck: The critically acclaimed Lawson-Westen House, designed by Los Angeles architect Eric Owen Moss, is on the market for the first time. The 5,100-square-foot Brentwood home remains the architect’s largest residential project and is an oft-cited example of the spatial subdivisions and geometric shifts that characterize much of LA’s modern architecture. Read More