NeoCon may not have the hipster cachet of ICFF or the design world glamour of Milan’s Salone, but every year I come away from Chicago’s Merchandise Mart having seen a lot of great products, and am reminded of the vast size, scope, and importance of the show. And as the way we work and the way we live become increasingly inseparable, design trends in the contract and residential markets are becoming similarly intertwined. Further, many Midcentury classics, now popular in the residential market, were first developed for the contract market. In addition to the great products we featured in our preview, here are a few more standouts from the show.
Antenna Workspaces, Knoll
The big news from Knoll was the Antenna Workspaces (above) collection by Antenna Design. The desk system is built around a table base with clean lines. A variety of box storage, drawer units, and panels can be attached to the center rail. The system looks particularly good when used with Knoll archival surfaces, such as the natural rattan and grass fabrics used in the NeoCon showroom. Read More
Forget school-top farms for privileged Manhattan children. You want something truly radical? How about taking over abandoned lots in Detroit so poor single mothers can make a living growing organic produce. That is in part the focus of Grown in Detroit, a new documentary about how the Motor City, on both the large and small scale, is trying to become the manure city. The film is currently screening at a few locations in town as part of the Detroit Windsor International Film Festival. For those of us not in the shrinking city, though, there’s an ingenious option to stream the doc on its website, albeit on a pay-what-you-will basis, which is almost as clever as the idea to turn Detroit into one giant, happy farm.
LACMA’s new Resnick Pavilion by Renzo Piano doesn’t open until October, but the museum has given visitors a few chances to look inside. The results, which we took advantage of last week, are impressive. The single story, open-plan space feels raw, exposed, and much more comfortable in its skin than its neighbor, the Broad Contemporary Art Museum (also by Piano, by the way). Here are some of my snaps of the new building, which is fitted with an installation by Walter De Maria (called The 2000 Sculpture) made up of hundreds of repetitive plaster shapes that make up a mesmerizing grid, really bringing out the best in this new building. Read More
The simmering opposition to the New Domino plan from the local community and especially its City Council rep has been well-noted, but the reaction from the design community has been more muted. And while the approval from the City Planning Commission, and the forthcoming showdown at with Councilman Steve Levin mean the project is pretty much headed for an up-or-down, maybe slightly tweaked if not entirely scrapped vote, design writer Stephen Zacks had made a bolder proposal, calling for the plan to be scrapped not because it is too dense and under invested, but because it is not visionary enough. “These unique sites are opportunities to generate new forms of urbanism and orders of magnitude greater revenue, instead producing the high volumes of similar units that are now languishing on the market,” Zacks declares in a letter to the Council (in full, after the jump). He has a few ideas of his own, something called Domino University, but is also soliciting them from others. Feel free to leave them in the comments section, or on his Facebook page. Read More
What’s the cliché? You can dress up a pig but it’s still a pig? I can’t remember. Some terrible former governor, who will not be named, used the line a lot. Anyway! The Great American Tower, the newest addition to Cincinnati’s skyline, was recently topped off with a giant tiara inspired by Diana, Princess of Wales. The glitzy tower could be the ugliest building in the Midwest. It’s a toss-up as to whether the Royal Family will add this to its rather lengthy list of regal embarrassments—oh Fergie!—or delight in the ghastly tribute. After all, the tower will be the tallest in the city, surpassing the Carew Tower, which reigned supreme since 1930 with its beautiful art deco interiors. The tiara’s (and building’s) design cred go to Gyo Obata, the “O” of HOK. Eavesdrop wonders why Gyo did not look to local royalty, like former mayor Jerry Springer. A skyscraper inspired by guests throwing chairs at one another could be interesting! Read More
How to make the Danish Pavilion at the Shanghai Expo truly a national symbol? Add some bike lanes, of course. Bjorke Ingles, head of BIG Bjorke Ingles Group and designer of the pavilion, takes us on a tour, via Archinect. (Be warned, though. Instead of soundtracking this with the Raveonettes or Kashmir, whoever put this together went with arguably the worst song ever, “I Got a Feeling” by the Black Eyed Peas. You may want to mute your sound before hitting play.)
Terrible music aside, why is Scandinavian architecture so much fun?
An earth-formed concrete amphitheater designed by Paolo Soleri may be demolished later this summer. One of only a handful of structures built by Soleri, the open-air theater (known as the “Paolo”) is on the campus of the Santa Fe Indian School, in Santa Fe, New Mexico. The school commissioned Soleri to design the theater in 1964, and though it has been used for graduations and concerts since that time, the school now believes that it costs too much to maintain, and says it brings drunken crowds onto the campus during events. Read More