While it may sound a tad like a movie starring Kirk Douglas, Ennead Architects is the new official name of the firm formerly known as Polshek Partnership. The change, according to partner Todd Schliemann, who has been with the firm since 1979, is meant to reflect the collaborative and dedicated spirit that has long suffused the practice’s philosophy, founded in 1963 by James Polshek, now 80, and that will now be even more pronounced. Polshek retired from active duty five years ago, and there was some confusion, according to Schliemann, about who had designed which projects. Read More
The high-end cotton label Supima is planting its flag—or rather, a field of cotton plants imported from Texas—under the High Line this summer, in a public outdoor event space designed by Brooklyn’s Konyk Architecture. Dotted with movable cotton-bale seating and set atop a plywood “walkable mural,” the space will host a variety of events beginning the week of July 15 and continues through New York Fashion Week in September, just in time for those cotton bolls to bloom beneath Neil Denari’s soon-to-liftoff HL23. Read More
On Wednesday, SFMOMA held a press preview of its new exhibit, “Calder to Warhol: Introducing the Fisher Collection,” which takes up the top two floors and features whole entire rooms of Calders, Ellsworth Kellys, Chuck Closes, Agnes Martins—a smorgasboard of modern masters, each a few steps from the next. Downstairs in the main lobby, however, there was the opportunity to get to know a different group of artists—the four candidates that are up for the job of designing the SFMOMA’s new extension. Read More
Could REX’s massive office/condo/hotel/art center finally be alive? We heard from Joshua Prince-Ramus that a “big announcement” about the project was coming, and now word arrives that Kentucky Governor Steve Beshear, Louisville Mayor Jerry Abramson and the project’s developers have called a press conference for 10:00 AM tomorrow. Has financing been secured? Is the project being scrapped? We’ll know more tomorrow morning.
Hats off to Braden Klayko, the brains behind Broken Sidewalk and an AN contributor, who even when he isn’t blogging is still most in-the-know person about architecture, planning, and development in Louisville. Thanks for the tip.
UPDATE: Another tipster says the developers have secured a HUD loan for the project. Will the program be altered to meet the terms of the loan?
NeoCon may not have the hipster cachet of ICFF or the design world glamour of Milan’s Salone, but every year I come away from Chicago’s Merchandise Mart having seen a lot of great products, and am reminded of the vast size, scope, and importance of the show. And as the way we work and the way we live become increasingly inseparable, design trends in the contract and residential markets are becoming similarly intertwined. Further, many Midcentury classics, now popular in the residential market, were first developed for the contract market. In addition to the great products we featured in our preview, here are a few more standouts from the show.
Antenna Workspaces, Knoll
The big news from Knoll was the Antenna Workspaces (above) collection by Antenna Design. The desk system is built around a table base with clean lines. A variety of box storage, drawer units, and panels can be attached to the center rail. The system looks particularly good when used with Knoll archival surfaces, such as the natural rattan and grass fabrics used in the NeoCon showroom. Read More
Forget school-top farms for privileged Manhattan children. You want something truly radical? How about taking over abandoned lots in Detroit so poor single mothers can make a living growing organic produce. That is in part the focus of Grown in Detroit, a new documentary about how the Motor City, on both the large and small scale, is trying to become the manure city. The film is currently screening at a few locations in town as part of the Detroit Windsor International Film Festival. For those of us not in the shrinking city, though, there’s an ingenious option to stream the doc on its website, albeit on a pay-what-you-will basis, which is almost as clever as the idea to turn Detroit into one giant, happy farm.
LACMA’s new Resnick Pavilion by Renzo Piano doesn’t open until October, but the museum has given visitors a few chances to look inside. The results, which we took advantage of last week, are impressive. The single story, open-plan space feels raw, exposed, and much more comfortable in its skin than its neighbor, the Broad Contemporary Art Museum (also by Piano, by the way). Here are some of my snaps of the new building, which is fitted with an installation by Walter De Maria (called The 2000 Sculpture) made up of hundreds of repetitive plaster shapes that make up a mesmerizing grid, really bringing out the best in this new building. Read More