LA architects Taalman Koch have taken their prefab sensibility from projects like the Off Grid iT House in Pioneertown to, of all places, The Americana at Brand, Grove-developer Rick Caruso’s latest lifestyle center/historic town recreation/playland in Glendale. The project, created for marketing and event company Sparks Exhibitions, is a temporary demo space for the new Palm Pre on the Americana’s large central lawn. The 12×20 structure (with a 12×16 deck) was constructed in about 12 hours on site. It was made with aluminum framing, swiss pearl walls, galvanized steel roof, and redwood floors, all prefabricated off site and tested at Spark’s factory. “When it got to the Americana it was completely ready; we didn’t even need a tape measure,” said Taalman Koch principal Alan Koch. The structure’s next stop, on Monday, is The Grove itself, where it will stay for two weeks. Read More
Thirty-five years ago in Austin, Texas, Willie Nelson forged an historic accord between the hippies and the rednecks. Today, some 200 miles to the north in Arlington, Texas, Gene and Jerry Jones, owners of the Dallas Cowboys, are forming a similar pact, this time between the artists and the jocks. The Jones family has kicked off an ongoing initiative to commission contemporary artists to create site-specific installations for the newly completed Cowboys Stadium. The initial blitz of 14 works includes pieces by such art world luminaries as Franz Ackermann, Annette Lawrence, and Oafur Eliasson. See more after the jump.
Dwell and inhabitat’s REBURBIA competition last month drew hundreds of schemes for making the suburbs more sustainable, and now they want your votes to pick a “readers’ choice” winner from the 20 finalists. (The official winners will be picked next week by a jury, and featured in Dwell’s December/January issue). Read More
Plans for a $175 million expansion project for The Autry National Center of the American West in LA’s Griffith Park have been shelved. The expansion was proposed for the Autry’s Southwest Museum of the American Indian (the Center’s other two cultural facilities include the Museum of the American West, and the Institute for the Study of the American West). But according to the LA Times, its approval hinged on the Autry making a commitment to support the museum as a fully functioning art institution. And in a letter delivered to members of the Los Angeles City Council today, the Autry stated that such a commitment “would be irresponsible” and that it was withdrawing its proposal. As pointed out by Curbed LA, the Autry had put forward a contemporary-style proposal by architect Brenda Levin last spring, which would basically have doubled the museum’s size, from 142,000 square feet to 271,000 square feet, including exhibition and visible storage space for the collection. To see a walkthrough of the plans with Levin, visit here. The Autry says it will still care for the Southwest’s Native American art collection and historic building, and that they will convert Autry storage space into more galleries.
Having lost its political fight to preserve most of Admiral’s Row in the Brooklyn Navy Yard, the Municipal Art Society has hit upon a novel idea and is now focusing its energy on the developers who are vying to redevelop the old naval officers’ houses into a grocery store. The RFP was recently released for the project, and through that process, MAS is hoping to persuade prospective builders where the Army National Guard and the city were not. “We hope that our experience and information will be helpful to responders looking to create an exciting new development at Admiral’s Row that combines both new construction and the preservation of the incredibly-significant historic buildings,” Melissa Baldock, a preservation fellow at the MAS, recently wrote on the group’s blog. The effort seems like fighting a nuclear submarine with cannon balls, but who knows. In these cash-strapped times, a developer might look favorably upon some pro-bono design work and the imprimatur of one of the city’s leading civic groups.
With the LA City Council banning multi-story supergraphics, digital billboards and some freeway signs last week (thanks Curbed, as always for the juicy details), we’ve suddently gotten nostalgic for these building-sized ads. So we thought we’d put together (ok, it was just me) some of our favorite mega-billboards from recent times, including the most ridiculous, of course. We encourage you to post your own favorite billboards here. C’mon people, let’s find some good ones! Here are some of our faves (oh, and check out our next issue to read about how the billboard ban will affect architects): Read More
When CAD rose up in the ’80s and began replacing hand-drawing as the preferred means of rendering architecture-to-be, practitioners began decrying the death of the field. Obviously that was not the case, but in our increasingly digitized age/culture/lives, where sexy renderings predominate (to the cost of real architectural discourse, some might say, and probably rightly) on blogs and, uh, architectural websites and beyond, videos are becoming an increasingly important component of the process of placemaking. Or at least competitionwinning, as the above video by SPF:architects shows. Read More
Or a puzzle. At least that’s what New York mag said the would-be-architect said to Parade mag this weekend. To be more precise:
Architecture is like play to me. As a boy, you play with Tinkertoys, Lincoln Logs, Legos, and you get interested in how things are made, like cars and drills and all that. Years later you come back around to what interested you as a boy. Now, if I have something that I’m dealing with that’s causing me a lot of stress, my mind goes to architecture. I walk around the yard and start thinking about what I need to do to the house structurally. It’s similar to puzzles in that way, like a crossword puzzle or anything else I can put my mind into. It’s a relief for me.
From Germany via Dangerous Minds comes this stunning 3-D architectural illusion: A square building appears possessed, its facade rippling, segmenting and mutating. Giant hands manipulate the building’s surface and then dissolve. A wave ripples through the building’s bricks as if it were shivering. Read More
AN is sponsoring a new competition put together by Good magazine, the Urban & Enviromental Policy Institute at Occidental College, and the LA Good Food Network called Project: Redesign Your Farmers Market, which asks designers and non-designers alike to improve upon the current model for farmers markets. Entrants will have until September 1 to design a new venue, product, distribution method, or marketing mechanism to increase returns to farmers and access to healthy foods for consumers. It’s all about helping local farmers give us more good food. What could be better than that?? Check out more here. Read More