While it’s doubtful anyone would think of Ireland as a design powerhouse, a new show at the American Irish Historical Society on New York’s Upper East Side suggests the Emerald Isle deserves a second look. Curated by Brian Kennedy, the show includes furniture, ceramics, accessories, jewelery, a wall installation, as well as some models and sketches, and is an engaging crash course in Ireland’s emerging design scene. While there’s no one overriding style, an interest in organic shapes and natural materials is common in much of the work. Read More
Friday night, Frank Gehry‘s Manhattan IAC Building was transformed into the canvas for a fantastical display of light by London-based artists seeper. The video projection plays off the distinct angles of the IAC Building to create the illusion of three-dimensional transformation and playful animation.
“Our aim is to recreate a Victorian sense of magician-ship,” said Evan Grant, founder of seeper.com, in a press release. “I love the IAC building, its stunning lines and immediate reference to water. It looks as if it’s about to set sail on the Hudson. The opportunity to make this structure take on a new ‘seeper’ form is an honor and a challenge.”
Seeper has undertaken other projection mapping projects across the globe, but this New York example represents one of the most ambitious projection mapping displays in the United States. The event marked the end of the Vimeo Festival, a celebration of global creativity.
In late September, the Swiss furniture company USM unveiled three fall colors for their iconic Haller shelving and storage system. First selected in the 1970s, the reissued orange, brown, and beige colors offer warmer options for the system, which is probably most often seen in black or white. A sunny yellow option was unveiled last year. An installation of the new colors on view at USM’s showroom at 28-30 Greene Street in New York. Read More
Last night at Material ConneXion Italian door manufacturer Lualdi unveiled its first collection of doors designed by U.S.-based architects. Dror Benshetrit’s lacquered red Davina door stole the show with a diagonally folded design that makes the door appear slightly ajar when closed. Read More
This weekend marks what would have been the 100th birthday of legendary LA photographer Julius Shulman, on 10/10/10. To commemorate the event there are no less than three major events happening around the city (and probably more that we don’t know of). This includes a symposium celebrating his legacy at Woodbury University this Saturday, a MAK Center tour of the famous houses he photographed this Sunday, and a show of his early, personal work put on by his gallerist, Craig Krull, opening on October 16. Get ready to celebrate our favorite cranky shutterbug, who happens to be the best architectural photographer LA has ever seen.
Open House New York’s annual weekend of free tours is this weekend, on October 9 & 10. You may have waited too long to book many of these tours, but there are still some with space available on Saturday and Sunday. Open House New York was started in 2001 by architect Scott Lauer, and has quickly become America’s largest architecture and design event. It has opened spaces like the magnificent Jefferson Market Library tower to public tours (a full listing may be viewed on the OHNY website). And if you want to help this fantastic organization, come to their annual Weekend Launch Party! This year it will be on the top floor penthouse of the I.M. Pei-designed Centurion apartment tower in midtown Manhattan. The tickets are only $50, and can be purchased online or at the door. See you there!
The Daily Beast features a very interesting article about LA’s “Culture King” Eli Broad. The writer, LA Weekly’s Tom Christie, details Broad’s incredible spending spree on culture (not to mention on education and science), from the Broad Stage in Santa Monica to his new museum downtown, putting him in the company of other legendary—and, um, challenging— LA philanthropists like Norton Simon and J. Paul Getty. While art world figures like Michael Govan take their shots, few architects appear willing to talk on record about the intrusive client (Broad calls himself “strong willed” in the story). But one of them is Thom Mayne, who doesn’t pull many punches, although in the end seems to have an affinity for Broad. As for their failed partnership on the downtown museum, Mayne gets in a little dig: “We worked for a while, and we just reached a mutual understanding that we weren’t going to work together… It’s my city, and I didn’t want to produce a building I wasn’t proud of.”. Another revealing tidbit “I think he’s crazy as a loon half the time, and I don’t agree with him. But I have great admiration for him, and I actually like him.” For his part Broad gets in a slap at those who criticize his style: “Why don’t they join in the L.A. cultural life, rather than [sit] back and [offer] commentary?”
Ancient art once again finds itself an inspiration for new solutions. Borrowing principles from the art of Japanese paper folding, USC School of Architecture grad Tina Hovsepian invented Cardborigami, a temporary and ultra-portable shelter that can be used by the homeless or those stricken by natural disasters. The shelter is made from standard corrugated cardboard, a lightweight and cost effective material. Incorporating a consistent pattern of x’s and parallel lines, Tina created a structure that can fold down for portability, but also open up to create the makeshift “walls” of the shelter. Read More
The School of Missing Studies and Slought Foundation have recently returned from a “photo safari” to Petrova Gora in Croatia, one of many languishing memorials from the socialist era of the former Yugoslavia. Conceived in 1981 by Vojin Bakić, a Croatian sculptor who won many state-funded commissions, working with the architect Branislav Šerbetić, the project was designed as a 12-story-tall social center, set on the site of a Partisan field hospital used during World War II. Finally completed in 1989 as a monument to Yugoslavia’s resistance fighters, the memorial was used as intended for only a brief period before the Balkan crisis erupted. The wars that ensued scattered refugees around the region, and practically erased the political cause this structure was meant to embody. Read More