In addition to their scholarly and artistic value, many historic houses and period rooms are the rescues of the nascent preservation movement. On view since 1938 at the Museum of the City of New York (MCNY), two 1880s Aesthetic Movement rooms from the Rockefeller Mansion on 54th Street are finding new homes at the Metropolitan Museum of Art and at the Virginia Commonwealth Museum. Read More
What better way to see LA than the way she was intended, by car. My colleague Sam Lubell was kind enough to chauffeur me around the city from time to time–when he wasn’t, the buses were surprisingly nice, far more so than in New York, I must admit. While Sam drove, I did my best to take a few pictures. Read More
After Mike the Poet finished his set Thursday night, I found Benjamin Ball of Ball-Nogues Studio still in the crowd. He had been the second to last presenter, mostly talking about the firm’s work, and he was now taking compliments from admirers and shooting the breeze with friends. I, never not working, asked about the teepee in Woodstock he’d mentioned, though Ben was more interested in chatting me up about the paper, Venice, and my bowtie. Soon enough, a group of us found ourselves in the lobby, but the drinks being overpriced, we hit the street. Read More
Though I already gave Mike the Poet pride of place, he was far from the only show in town Thursday night at Postopolis! LA. When I walked into the conference room–things had moved inside because the roof bar had been buffeted by a freezing wind all day–I saw a cluttered screenshot from World of Warcraft, something that had my inner-geek (aren’t we all?) terribly excited. Read More
Thursday night was my first at Postopolis! LA, and while I saw lots of cool presentations from cool people, I couldn’t help but start with the most unexpected, unusual, and exciting. Mike the Poet is a tour guide by day and a spoken word poet/rapper/genius by night. (Here‘s a nice profile from the LAT.) And while it’s true that discussions about gentrifying vampires and planning for World of Warcraft is cool, can you really top a dude rapping about urban density? Or SOM!
Since the Obamas moved to Washington, we’ve been waiting for the administration to make good on its promises for new government policy on architecture and planning. There may be hope yet: While the president spends his days in Europe with politicians, Michelle has been making the rounds of innovative social centers. Building Design caught the first lady with Ivan Harbour and Richard Rogers at their Maggie’s Centre in Hammersmith, London. Let’s hope she was as impressed with the architecture of the centre—promoted by its co-founder Charles Jencks—as with its innovative programming for women with cancer.
Postopolis! LA is onto the second day of its second year now, and from the looks of the streaming video, things are off to a great start. But the fun doesn’t really start until tomorrow. Why? Because that’s when we arrive!
I’ve been invited to join the media panel Sunday, along with my beautiful Cali colleague Alissa Walker. Not exactly sure what we’ll be talking about–*gulp*–but it’s something along the lines of print-web integration/the future of media/doomsday/etc. After all, I was invited on Twitter. Read More
Architect and friend of AN Jeremiah Joseph writes in with this report of the March 27 WORKac lecture, “Shovel Ready,” at Parsons.
Amale Andraos and Dan Wood, of the 2008 PS1 Warm-Up pavilion fame, tag team presented their work to a standing room only crowd. With a range of projects, from buildings to urban proposals, the duo showed the office’s penchant for both intelligence and wit. Like many young offices most of WORKac’s work is still in the realm of unbuilt projects, but with five competitions already completed in 2009 this office has no intention of waiting around casually for the work to knock on their door. Read More
The Venice biennale was founded in 1895 in one of La Serenissima’s few green spaces, the Giardini di Castello. It has occupied a random series of buildings in the park, which include national pavilions (the Belgians built the first in 1907 and the U.S. joined the party in 1930) and an undistinguished hall called the Italian pavilion since the late 1930s. Today the organization that operates the biennales (art, architecture, film etc.) announced plans to change the name of the Italian pavilion in the giardini to the Palazzo delle Esposizioni della Biennale and upgrade its aging infrastructure. While these changes will be welcome by the public, the spaces are all being designed by artists, not architects. Read More