The 2010 Venice architecture biennale closed on Saturday—at least for media representatives, as journalists were required for the first time to turn in their press passes and enter as public citizens (tickets, $25). I hated giving up that pass as it allowed me access to the exhibitions both at the Arsenale and in the giardini, home of the national pavilions. Though Venice is hardly a major military installation there are canals in the area that are off-limits to civilians; a water taxi driver informed my group that only a special permit would get us into the canal so I produced my press pass and he said “va bene” and he drove us up the canal. The power of the press! Read More
The comparison shopping set up of the “What you get for…” column in the New York Times Real Estate section is often a stroke of editorial genius. This week’s price point is an affordable $275,000, which gets you a charming frame bungalow in Nashville, a handsome one bedroom loft in Philadelphia, or this Midcentury Modern two bedroom in Madison, Wisconsin, designed by William Kaeser. According to the Times, the house is located in a residential neighborhood called Sunset Village about two miles from downtown and within walking distance of shops and restaurants. The house retains many of its original details, including mahogany paneled interiors, so the right buyer could turn it into a serene yet cozy modern hideaway.
Yesterday, John Hill, arguably the city’s most prolific architecture critic, finished up one of his latest projects, entitled “31 in 31.” In addition to his usual flood of posts, Hill is chronicling one building every day in August, in preparation for a new guide book. The buildings are scattershot, ranging from the new Crocs super store in the West Village to One Bryant Park, but most of them are new and, in a way Hill always seems to manage, representative of precisely what has been going on in the city recently—not comprehensive, but authoritative. It’s a rundown worth running down, but one building in particular caught our eye: the rather unassuming Wilf Hall at NYU. Read More
It has not been a good day for Gary Barnett and his Extell Development. First, the Post‘s ur-real estate columnist Steve Cuozzo gave Barnett a hard time for delays at his skyline-bursting Carnegie 57. (How come Tony Malkin didn’t complain about this one, by the way?) And this evening, Borough President Scott Stringer has announced he is giving the project his ULURP thumbs down. What more does everyone want? Barnett has promised to build a school, to up the affordable housing from 12 percent to 20 percent, and he has hired one hell of an architect. But this is far from enough apparently, given Stringer’s strongly worded announcement. Read More
Our friends at Morphosis just moved into an interim location (as posted on their website) at 3440 Wesley Street in Culver City. The firm has been hesitant to give many details about their upcoming space, a former commercial building right next door that they say they are remodeling, merely stating that it will “be sustainable” and “bring back the integration of the shop with the studio space.” But when we checked out the location we were surprised to find the approximately 13,000 square foot building razed except for the north and east walls. No one mentioned that they were constructing a new building! Read More
Talk of William Pereira’s Geisel Library, the well-known symbol of UC San Diego, has been abuzz online because of its Snow Fortress doppelganger in Inception, which has so far totaled close to half a billion dollars in ticket sales. Built in the late 1960s, this textbook example of Brutalism perfectly encapsulates the hostile, uncommunicative theme of Inception. Critics of the style say Brutalist architecture disregards the history and harmony of its environment. Thus, the Snow Fortress, featured at the film’s climax, is a symbol of disregard for preordained fate. Read More
The popularity of speed dating is proof positive: people enjoy the sweaty-palmed feeling of being sized-up by a stranger so much that they figure, Why limit myself to only once in a night? Following that logic, the Van Alen Institute is offering young designers the same opportunity to offer themselves up to a critical appraisal multiple times in a row: Their second round of Design Speed Dating is scheduled for Saturday, September 11. Accepted applicants will rotate around a series of professional designers and critics, spending a half hour with each one and receiving constructive feedback on their portfolios. Interested? The Van Alen Institute is seeking emerging talents through an open call. Submit your digital portfolio in PDF format, no larger than 5MB, and no longer than 10 8.5”x11” single-sided pages, to email@example.com.
Nothing much to report from yesterday, as it was a day of formal openings when very little was in fact open to the press or public. It was mostly a day of introductory speeches by biennale directors and city and government officials. Frank Gehry presented some models, made a few brief remarks, and then everyone headed for the hallway, where we had our first free prosecco and great little appetizers. Journalists and media types stood around asking about where the best parties were to be had in the coming days (more on this later). Read More