Architect Frank Lloyd Wright is the single subject of the Milwaukee Art Museum’s new exhibit. Organic Architecture for the 21st Century, which celebrates the 100th anniversary of Taliesen, Wright’s Spring Green home and studio, also marks the debut of 33 never before seen drawings by the Wisconsin native. The show implores visitors to take a fresh look at Wright and his works, both built and unrealized, and how he envisioned architecture as something that had an essential relationship to context, time, and the people who lived or worked there. Sustainability, which we often think of as a 21st century innovation, is in keeping with many of Wright’s designs, especially those for a newly suburban America, including the outdoor arcade for the proposed Arizona State Capitol, Phoenix (above).
Organic Architecture for the 21st Century explores the idea that the famously outspoken architect was a visionary who foresaw trends including the use of mass produced materials, utilization of natural light, and attention to the surrounding environment. In addition to covering his major works, like Fallingwater, the Johnson Wax factory, and the Unity Temple, the exhibit also showcases plans for Living City, a culmination of Wright’s work and his utopian vision for suburbia.
With over 270,000 square feet and costs projected at $50 million, the Botswana Information Hub is ambitious on many levels, both literally and figuratively. The winner of an international competition, the SHoP-designed research campus brings green technology to the Gaborone, Botswana.
The sinuous structure merges into the landscape, with various levels seeming to kinetically lift from the earth. An “energy blanket” roofscape blends solar and water re-use systems into the sweeping composition. Gregg Pasquarelli tells AN all about it.
SOM Chicago has been selected to master plan a new technology, university, and residential city outside Danang, Vietnam. FTP City, named after a growing telecommunications company, will cover 445 acres, and included buisness districts, a town center, residential neighborhoods, and a university campus. Unlike nearby single communities being developed nearby, the SOM plan calls for a diverse, mixed-use community, according to a statement from the firm.
Last night we enjoyed a sold-out lecture at LACMA by the force that is Danish architect Bjarke Ingels. At age 36 the founder of BIG (Bjarke Ingels Group) has accomplished more than most architects do in their lifetimes. How does he do it? We’re still trying to figure that out. Here are a few theories: 1.) He acts on every smart and/or crazy impulse and actually follows through. 2.) He marries utopian ideas with pragmatism 3.) He’s an amazing speaker and marketer. 4.) He seems to have more energy than just about anyone.
Take for example, the video (after the jump) of Ingels riding a bike through his spiral-shaped Danish Pavilion at the Shanghai Expo. What better way to show off his architecture and his boundless energy. Genius. Stay tuned for our interview with Ingels, coming soon…
Mies Bashing. For all the glory of Modernist Chicago, there are still those who mourn the loss of the White City‘s Beaux Arts influence. Historian David Garrard tells WBEZ of the “sterile” Daley Center‘s ruinous effect on The Loop. One has to wonder what he’d make of Time Out Chicago’s “Fifteen Fanciful Ways to Fix Navy Pier.”
Tiiiimmmmbeeeeerrrrr! Meanwhile, at another Navy locale…Chuck Schumer is hopping mad about contorting being done by the U.S. Army to get out of repairing the 158-year-old Timber Shed at Brooklyn’s Navy Yard. The Brooklyn Paper reports that the senator is pressing army brass, which still has control over the building, to fix it or get out of the way and let the city do it.
For Sale: Beach front property, water views, lively neighborhood. WSJ reports that the land where Coney Island‘s famed Thunderbolt roller coaster scared the bejesus out of generations of New Yorkers can now be had for $75 million to $95 million.
Way Head Start. NYC Department of Buildings launched their Junior Architects and Engineers Program this week at PS31, reports NY1. (The news clip, starring fifth grade Frank Lloyd Wright fan Thomas Patras, is just too cute to pass up.)
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Bent stainless steel benches in Philly’s SEPTA station are designed to stand the ultimate urban test.
A subway bench never proves itself on the first day. That was one of the things that interested the designers at Veyko, a Philadelphia-based metal fabrication shop, when they set out to compete for a federally-funded Art In Transit commission to design benches for Philadelphia’s 8th Street SEPTA station.
The Brooklyn-based Chilean artist Ivan Navarro will take to the floor at the Amory Show tonight, as well as to the walls at the Paul Kasmin Gallery on West 27th St. and 10th Ave. “The Armory Fence” installation outlines the entirety of the gallery’s booth as a humming neon riff on a conventional suburban fence. At 23 by 36 feet it cuts quite a substantial swath of real estate at the fair. At the gallery, neon wall sculptures inspired by some of the world’s most famous buildings suggest a disco take on the familiar icons, but a second glance reveals a deeper sense of gravity, with words like “surrender” or “abandon” subtly etched atop the glass.
Tightening the Greenbelt. Per Square Mile explores why greenbelts fail to hold back city sprawl. Using London and San Francisco as examples, Tim De Chant writes that perimeter actually parks attract suburbs to form outside their borders.
Role of a lifetime. The AIA has awarded Portland U’s Sergio Palleroni the Latrobe Prize for his research on the role of architects in future public interest projects. A Portland Architecture interview plays well with De Chant’s article above, as Palleroni casts a critical eye on Portland’s sprawl.
Going, Going. The list of the top seven endangered buildings in Chicago was today released by Preservation Chicago. Curbed Chicago pounced on list an hour after it went online. At the very top is a relative youngin': the 1975 Prentice Tower (by Mies student Bertrand Goldberg), whose uncertain fate AN‘s Julie Iovine covered in a recent issue.
Bids 4 Bush… Bids for yet another NYC waterfront property are begin accepted by the New York Economic Development Corporation Crain’s reports, and this one comes with a 99-year ground lease. The 130,000 square-foot property sits on Gowanus Bay at Bush Terminal in Sunset Park Brooklyn.
Last week, we came across illustrator James Gilliver Hancock’s series of playful block elevations titled “All the Buildings in New York.” It turns out this impulse to sketch block upon block of New York’s architecture has been around for quite some time. In 1899, the Mail & Express newspaper company published a graphic journey down Manhattan’s Broadway in a book called A Pictorial description of Broadway now archived at the New York Public Library.
The stroll down Broadway 112 years ago reveals just how much New York has evolved over the past century. As the NYPL says, “The result, as you can see here, is a 19th century version of Google’s Street View, allowing us to flip through the images block by block, passing parks, churches, novelty stores, furriers, glaziers, and other businesses of the city’s past.”
The dialogue between architects and artists in New York is one of the great-if often over looked- strengths of practice in this city. In fact, many architects visit New York not to see the latest building, but the exhibits in its galleries and museums. It has been the case, at least since MOMA’s epic modernism exhibit of 1932 and later Frederic Kielser’s Endless House series of exhibitions that the conversation between architects and artists in this city is endlessly complex and without equal in any other city.