A sprawling Frank Lloyd Wright masterpiece could be yours for a cool three mil. Curbed Chicago digs up the listing for Chi-town’s Coonley House in the historic Riverside neighborhood. The original clients apparently buttered up Wright, who, flattered, gave the house extra attention to detail.
More than four years after opening its Renzo Piano-designed expansion, The Morgan Library & Museum has given its 1906 McKim, Mead & White building a loving restoration, expertly executed by Beyer Blinder Belle. In addition to cleaning the mosaics and marbles, the Museum has opened two new spaces to the public, Pierpont Morgan’s vault and the serene North Room, formerly the director’s office. The renovation allows more of the museum’s permanent collection to be displayed, and allows curators to better display those objects, thanks in large part to the exacting lighting design by Renfro Design Group. Read More
California State Route 75 is getting a whole lot snazzier. The 2.5-mile-long San Diego–Coronado Bay Bridge is set to undergo the “largest interactive green energy lighting project in North America.” An international team led by London-based artist Peter Fink (FoRM Associates) and lighting designer Mark Major (Speirs + Major) plus the LA-based office of engineering consultant Buro Happold have won a worldwide contest to illuminate the iconic, swooping girder bridge, opened in 1969. Read More
The rumors about Gordon Bunshaft’s landmarked Manufacturer’s Hanover Trust Bank building being transformed into a big-box retail store have been flying around for a while now. In March, Vornado Realty Trust reportedly entered talks to buy the five-story building at 510 Fifth Avenue. Now, we’ve turned up a rendering by 3-D illustration firm Neoscape showing the building as the type of landmark only your high school daughter could love: a Forever 21.
But wait, it gets worse. Until this month the building has been occupied by Chase Bank, and while the changes made to the building for security reasons were lamentable, at least we could rest easy knowing that its site-specific Harry Bertoia sculpture—a 70-foot screen composed of 800 bronze plates—was safe. But not anymore. An AN tipster clued us in today: “Half of it is laying on the otherwise vacant 2nd floor. So far, all I’ve got from Chase is an assurance ‘it’s not going in the dumpster.’”
We confirmed the awful truth:
Between Frank Lloyd Wright’s private homes, Louis Sullivan’s original skyscraper, and Henry Hobson Richardson’s asylum, Buffalo, New York has more famous and historically important architecture than most cities in the country. Now Buffalo is working hard to churn out its own starchitects—starting in high school. The new Architecture and Design Academy at the International Preparatory School at Grover celebrated its grand opening this week on Buffalo’s west side. Read More
A couple of weeks ago, AIA San Francisco wound up its annual “Architecture and the City” festival with a nice jolt of inspiration. In an event at SPUR, organized in conjunction with GOOD Magazine, designers presented solutions to real-world problems. All of the conundrums were interesting and meaty: The California Public Utilities Commission, for example, wants more people to install solar hot water (Civil Twilight’s proposed marketing campaign included bright-yellow outdoor showers for surfers), and the Santa Clara Valley Transportation Authority wants to get more people to take public transportation in bus-phobic Silicon Valley (Brute Labs suggested a new service based on the corporate shuttle model). But the most poignant of all the problems was posed by retirement-home developer AgeSong: “To create a forgetfulness-friendly city and environment where many seniors in the early and more moderate stages of forgetfulness can live safely and happily.” Read More
AN recently took a sneak peak at late night preparations for the fifth annual Canstruction LA, a charitable design competition—whose pieces are currently on display in the lobby of 5900 Wilshire Boulevard— that taps teams of architects, designers, builders and engineers to create large-scale sculptures using canned goods (and even a few water bottles) that will eventually be donated to the Los Angeles Regional Foodbank. What we found was a furor of activity, many boxes of pizza, and a bit of competitive banter among teams. Read More
Lurking under the High Line has been a bit more fun since Building Fashion began its series of architecture-and-fashion installations in September, erecting a new collaboration every two weeks as a means of reusing the former onsite Sales Tin of Neil Denari’s HL23 condos. On Thursday, Brooklyn firm Snarkitecture and fashion designer Richard Chai will unveil the fourth project in the series, a cave carved by hand from architectural foam. Designed to give shoppers the feel of a glacial cavern, the pop-up shop will feature men’s and women’s fashions displayed on shelves, niches, and hang bars embedded in the foam. Read More
Construction continues at Santiago Calatrava‘s bold Margaret Hunt Hill Bridge in Dallas after it’s signature arch was topped off in June. The cable-stayed bridge is one of three planned as part of the Trinity River Corridor Project, which aims to redevelop the Trinity River and its floodplains, improving traffic flow, increasing parkland, and providing flood protection for the region.
Jean Nouvel feels like his MoMA Tower has been put under the guillotine. The starchitect behind the lopped-off Midtown Manhattan proposal told CBS News this weekend that “It’s very French to cut the head, eh?” His 75-story tower would have rivaled the Empire State Building for supremacy over the New York skyline, standing 1,250 feet tall, but met significant opposition from neighbors worried the tower would drown their street in shadow.
City Planning Commission officials voted earlier this year to allow a shortened version of the tower – chopping off 200 feet of the Pritzker Prize winner’s design. Nouvel’s vision has been sent back to the drawing boards, but he says it’s “not in his character” to feel discouraged. Be sure to check out AN‘s cameo appearance at the end of the interview.