Tobias Wong, the so-called “bad boy” of design, has his first solo show at SFMOMA. The honor comes posthumously, as Wong died in 2010 at the age of 35. Henry Urbach, SFMOMA’s Helen Hilton Raiser Curator of Architecture and Design, developed the exhibit, which features over 30 works by the late artist/designer.
Wong’s designs, which he commonly referred to as “postinteresting” and “paraconceptual,” often played with the subversion of today’s consumer culture and the obsession with wealth and the toys that often accompany it, as well as post-9/11 American anxiety and its material manifestations.
INABA has won a competition to design a permanent art work for the new concert hall in Stravanger, Norway. Called Skylight, the approximately 43 foot tall helix-like form will be visible to city through the transparent glass cladding of the five story great hall. At night colored, artificial light will animate the form and indicate cues like curtain calls. During the day it will reflect natural light throughout the space.
Take a look at the responses to our March 17 event, BetterHomeBuilding, at SPF:a Gallery in Culver City. The VERY lively panel of architects and developers discussed (often at top volume) how to improve large-scale home building in Southern California, and how to get architects more involved.
Participants included legendary architect William Krisel; Leo Marmol of Marmol Radziner Architects, Zoltan Pali of SPF: architects; Neal Payton of Torti Gallas and Partners; Harlan Lee of Lee Homes; Frank Vafaee of Proto Homes; and Brian Geis of Brookfield Southland.
In Bloom. Spring has sprung! Time to go to the cemetery! There’s no place like Cambridge’s Mount Auburn, the Bronx’s Woodlawn, Brooklyn’s Greenwood, Philly’s Laurel Hill, or Chicago’s Graceland at the peak of spring. Check out great 19th and 20th century architecture alongside exquisite horticulture in full bloom. Need more convincing? read Rebecca Greenfield‘s interview with Keith Eggener in The Atlantic. Eggener, author of Cemeteries, describes these verdant grounds as America’s first parks .
A Shade of Green. The Philadelphia Inquirer‘s Inga Saffron takes on the very notion of LEED certification with the completion of the city’s massive 20-acre Pennsylvania Convention Center right in the heart of the city. While she gives the Center props for trying, she ultimately finds the silver rating dubious.
Revolving Door. The endless parade of potential buyers that have been sweeping up and down the central stairs of the Chelsea Hotel continues to grow, though the NY Post says that the hotel may finally have found a buyer in the W Hotel magnate David Edelstein.
Shell Shucked. A charming article in The Dirt looks at the history of the humble East Coast oyster and the role it can play in cleaning up polluted waterways if reintroduced.
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Sliding blackened steel walls create functional space in an art collector’s loft.
When Philadelphia-based Amuneal Manufacturing Corp. won a bid to fabricate a set of large movable residential walls designed by New York-based Elmslie Osler Architect (EOA), they had a lot of experience to draw on. As experts in the field of magnetic shielding, they work routinely for aerospace and scientific research industries, while the company’s custom fabrication branch handles everything from retail fixtures to large-scale public art installations. For EOA’s project, a gut renovation of a 2,200-square-foot Soho loft, Amuneal began with the architects’ drawings of large sliding doors needed to reveal or conceal parts of the apartment.
Shigeru Ban‘s Tokyo office is developing temporary housing structures for those displaced by the natural disaster in Japan, reports Archinect; click here to help support the project. Stateside, AIA president Clark Manus issues a statement encouraging U.S. architects to do all they can to support Japanese recovery efforts.
The New York Times covers Forest City Ratner‘s plan to use prefab building components for a 34-story apartment building at Atlantic Yards in Brooklyn. Engineered by Arup and designed by SHoP, the units should be pretty high-end as far as modular housing goes, but construction workers argue that the prefab approach will mean less jobs.
The Frank Lloyd Wright Building Conservancy trumpets the news that twelve of the master’s houses are currently on the market (starting at $800k for the Arnold and Lora Jackson House in Beaver Dam, WI), via Design Crave.
Acorn Media announces that the acclaimed BBC “Genius of Design” series is available on DVD. The five part documentary focuses on the highlights of industrial design throughout the twentieth century and beyond.
Microsol Resources’ Tuesday night presentation of Z Printers at Cooper Union was notable for scale of output, both small and large (very large). The 3-D printers produce a powder-based model where all unused excess material gets recycled within the machine. The copier makes tiny models with extraordinary precision. The prices run from $15,000 to $65,000. But a panel of four presenters said the printer’s primary advantage is speed, allowing for new models to be created within 24 hours.
Two firms made notable presentations. Xavier De Kestelier, an associate partner at Foster + Partners, veered from the script a bit when he showed a video of a cement printer being developed at Loughborough University in the UK. That hanger sized 3-D printer makes modular units that can be adapted as building components. Then, Wesley Wright, a designer with Pelli Clarke Pelli, brought the conversation back to the Z Printer, which he said has become an integral part of the firm’s design process.
The firm has four machines operating round the clock. Sketching right onto the models during the review process is not uncommon. In a video, no less than the maestro himself, César Pelli, intones on the importance of model making in general and on 3-D printers in particular. Wright has graciously, and exclusively, shared his video with AN. We nabbed the Foster/Loughborough video from YouTube.