Starchitect Richard Meier is now in the Judaica business, sort of. He recently designed a limited edition menorah and series of mezuzahs for The Jewish Museum in New York. The menorah is based on the Meier Lamp, a piece that was originally commissioned by the Israel Museum in 1985. And just in time for Hanukkah (which begins December 1st), this limited edition menorah can be purchased through The Jewish Museum Shop.
No property is safe from this economy. The futuristic house from Woody Allen’s sci-fi comedy “Sleeper”, which is actually located just outside Denver, is being foreclosed on. The house, built in 1963 by architect Charles Deaton, who also designed Kansas City’s Arrowhead Stadium, has its foreclosure auction scheduled for tomorrow. According to the Wall Street Journal, Denver entrepreneur Michael Dunahay, who purchased the house in 2006, is delinquent on the nearly $2.8 million outstanding balance of his $3.1 million mortgage on the house. So who will buy the amazing spaceship-like abode? Allen’s co-star in the movie was LA preservation hero Diane Keaton. So maybe? Just maybe she’s interested?
More cave-itecture under the High Line. Architecture firm Leong Leong and fashion designer Siki Im have teamed up for the fifth and final installation in the Building Fashion series of pop-up collaborations beneath Chelsea’s High Line Park. Picking up where Snarkitecture and Richard Chai left off, Leong Leong has turned the former Sales Tin for Neil Denari’s HL23 condos into another amorphous cave-like interior—only now you’ll have to take off your shoes before entering. “We wanted to radically transform the interior,” explained principal Chris Leong. “We wanted to breakdown the traditional pop-up experience.” To do this, the firm oriented the store around a parabolic, foam-covered ramp and hung clothes seemingly at random from the walls and ceiling, which were sculpted with the same soy-based spray-foam. Read More
At Artek’s 75th anniversary dinner last week, we heard the news that the Finnish furniture company had acquired the entire share capital of compatriot company Aero Design Furniture (ADF) from owner Juhani Lemmetti, allowing Artek to begin selling the full Ilmari Tapiovaara family of furniture owned by ADF. An admirer of Artek founder Alvar Aalto, Tapiovaara also used architecture as the foundation for his work and his pieces will be a great complement to Artek’s line. With the launch of Artek USA earlier this year and expansion in Europe and Japan, the company is poised to help the Tapiovaara collection find new admirers as well. Read More
In case you didn’t watch the World Cup this year, orange is the official color of the Netherlands. And it’s the inspiration for a week of Dutch design events in San Francisco starting on November 14 called Seeing Orange. The week will feature Dutch creativity that includes not just architecture (hi Rem and friends..) but design, fashion, graphic arts, and so on. One of our favorite events is a bike tour (makes sense.. have you ever been to Amsterdam?) of Dutch design highlights led by architect David Baker and urban planner Robert Bregoff. The tour will visit places like My Dutch Bike, which sells handmade Dutch cycles and gear, Hedge Gallery, which features art by Dutch designers, Propeller, showing off sleek Dutch furniture and accessories, and several other destinations. Another highlight: UN Studio founder Caroline Bos will talk with CCA students and faculty about the firm’s “Deep Planning” techniques. Sounds mysterious, but great. The full list of events is here. No word yet on whether there will be any of those great Dutch pancakes, but we’ll keep you posted..
The World Architecture Festival is in its third year of existence, and, despite the worldwide recession, seems to have more attendees, trade show participants, and strong projects in its awards program. In what is surely a sign of the times, however, there seem to be many more strong projects in the “future” category than completed buildings. As it has been for the past three years, AN was the event’s American media sponsor, and this year I juried projects in the category of “Future Health and Education Buildings.” Read More
Last night in a presentation at Hunter College, Farshid Moussavi revealed more details about her design for the new Museum of Contemporary Art Cleveland, including a first look at the plaza designed by Field Operations. Rows of trees will seperate the mirroed black museum from an adjacent development site, and geometrically patterned pavement will pick up on the forms of the building. Read More
UPDATE — November 10, 2010 — The good news is Moss reopened today after resolving a reported tax bill of around $150,000. It seems that for now the store is safe. The bad news is your credit card may not be.
“Design Hates a Depression“—that was the verdict delivered by Murray Moss, owner of the eponymous store and gallery space in Soho, at the beginning of last year. It seems that he was right. As of Friday morning, the store had been seized for nonpayment of taxes. For now, the arbiter of design retail in NYC and beyond is the property of the State of New York.
We hear from our friends at Curbed LA that Kevin Southerland, a principal at LA firm Assembledge+, has left to form his own firm, architecture 350. And while we’re very fond of Southerland’s work, and of sustainable architecture, we’re a little overwhelmed with the name, which, according to his new site, “refers to the parts per million amount of carbon dioxide that a global consensus of scientists has deemed sustainable for human life to carry on as we know it.” Whoah. The name is relevant because we’ve reached 382, which seems like a very very concerning statistic. Does this mean that life as we know it is about to end? Meanwhile we look forward to seeing what the firm comes up with. They’ll be located on Doheny Drive in Beverly Hills, and will focus on (of course) sustainable, contemporary residential projects.
Architectural designer Catie Newell is one of the many artists, architects, and designers that is using the landscape of Detroit as a field of study and its abandoned structures as raw material for building. In her latest installation, Salvaged Landscape, she uses the charred debris of a house, located across the street from the iconic ruined Central Station, to create a new series of walls and passage ways, animated by points of light streaming through gaps in the irregular forms.
The National Preservation Conference landed in Austin, Texas, last week under the banner “Next American City, Next American Landscape.” Exploring preservation’s role in the future of the country’s urban, suburban, and rural landscapes, the 2010 conference showed that preservationists aren’t all stuck in the past. (In fact, they’re pretty savvy when it comes to new media. Check out the NTHP’s Austin Unscripted on their website, Twitter, and YouTube to see how preservation can appeal to a new generation.) The opening plenary was held at the Long Center for the Performing Arts, which is sited to take advantage of the unobstructed views of downtown Austin. Read More