Another week, another architect-designed liquor bottle. This time around, Paris-based architecture duo Jakob + MacFarlane—who made headlines over the summer with their tubular “Turbulances” project in France—have joined up with the manufacturer of their nation’s most popular pastis to create a pair chiseled, glass decanters.
The set of slender, carved-glass carafes, commissioned by Pernod Ricard, is color-coded and sculpted to represent the “authenticity” of the beloved aperitif. The pair—consisting of a clear, ice-like container for water and an opaque, yellow one for the liqueur—are packaged together in a punctured, swiss cheese–shaped box.
As Harris County voters prepare to make their decision on the fate of Houston’s iconic Astrodome, some lucky locals will have an opportunity to bring home a piece of the historic stadium this Saturday. In preparation for the stadium’s pending rebirth as the “New Dome Experience” (or its possible destruction), the building’s managers are tearing a page out of Minneapolis’ playbook as they put sections of the stadium up for sale.
A limited quantity of seats, genuine sections of AstroTurf, furnishings, concessions equipment, and various memorabilia—including the space helmets worn by the grounds crew for the stadium’s opening 48 years ago—are up for sale at the Astrodome Yard Sale and Live Auction at Houston’s Reliant Center on November 2.
The Swedish Transport Administration launched a conceptual design competition in 2011 for a new bridge in Skuru, Sweden. The competition received great national and international response, including one fanciful proposal by Danish firm, Bjarke Ingels Group (BIG). The competition brief stated that the new bridge should adhere to high aesthetic standards and coincide with the existing bridge and the surrounding valuable cultural and natural landscape. Ingels deploys his characteristic hedonistic sustainability to bring nature onto the bridge itself.
You might know Renzo Piano as the architect behind many of the world’s leading museums, but get ready to meet Renzo Piano, wind-turbine expert. Testing has commenced on Renzo Piano’s small-scale wind-turbine blade at the Molinetto Test Field near Pisa, Italy. Piano’s turbine blade resembles a dragonfly’s wing and incorporates elements from the insect that promote stability in flight in order to allow the turbine to tolerate gale-force winds.
Frank Gehry and Foster + Partners have been selected to design the third phase of the mixed-use Battersea Power Station development in London, which includes a retail pedestrian street that serves as the entryway to the complex. Gehry and Foster will collaborate on the High Street section, and each firm will design residential buildings on the east and west sides, respectively.
This will be Gehry’s first building in London. He will approach the project with the “goal to help create a neighborhood and a place for people to live that respects the iconic Battersea Power Station while connecting it into the broader fabric of the city.”
The iconic Battersea Power Station has captured the imagination of everyone from furniture designers to rock stars. Take a look below at AN‘s roundup of 12 of the most amazing Battersea Power Station photos.
The 11th edition of NeoCon East, the sister show to Chicago’s summer contract furniture fair, was held October 16 and 17. Despite the government shutdown that legally prevented some GSA employees from attending, more than 7,000 visitors attended the show at Baltimore‘s Convention Center to peruse the wares of over 250 exhibitors. Keynote addresses from Michael Graves—who launched a new collection of textiles with cf stinson—and Suzanne Tick were augmented with ongoing educational seminars.
Designed in collaboration with San Francisco–based industrial design firm Mike & Maaike, the freestanding benching system (above) is designed with steel and MDF for both durability and flexibility. A center deck can support video and computer monitors, storage, and LED lamps with a concealed four-circuit, eight-wire raceway.
In Brooklyn, a new temporary public artwork brings the asphalt plane of 4th Avenue to a playful, three-dimensional life. On the avenue’s concrete median between 3rd and 4th streets, the New York City Department of Transportation’s Urban Art Program has chosen work by artist Emily Weiskopf for its latest public art installation.
Unparallel Way is a 120-feet-long sculpture comprised of two parallel aluminum strips in the same bright yellow as the double traffic lines guiding vehicles driving on adjacent roads. In a clever distortion of those painted stripes, Weiskopf’s parallel lines sweep from the ground at irregular heights, creating parabolic curves that rarely match.
The Village of Cold Spring, New York is set within a beautiful landscape along the Hudson River. Strewn about the bucolic landscape are the ruins of the West Point Foundry, begun by President James Madison for metal and brass production after the War of 1812. The 87-acre site housing the foundry was listed on the National Register of Historic Places in the spring of 2011 and now, with partial funding assistance from a Preserve America grant and in collaboration with Scenic Hudson, Mathews Nielsen Landscape Architects has enhanced the historic locale as a sustainably-designed preservation park. Last week, the West Point Foundry Preserve Park officially opened to the public.
Just when we thought the idea of a new football stadium in Los Angeles was completely dead, this just in. The Pasadena Star News reported that the City of Industry is planning to begin grading land for its proposed $800 million stadium, developed by Majestic Realty and designed by architect Dan Meis, who now works for Woods Bagot.
A new condo tower designed by Chicago-based Adrian Smith + Gordon Gill was announced late last year, but details of the super-tall tower have been scant. The 88-story tower at 215 West 57th Street will be one of New York City’s tallest buildings, reaching up to 1,550 feet. That means it will top the Empire State Building’s measly 1,454 feet and come in second only to the 1,776-foot-tall One World Trade Center. (If you’re paying attention to the spire / antenna semantics game ongoing at One World Trade, AS+GG’s new tower would beat its midtown rival by a little over 200 feet.) Adrian Smith is no stranger to designing soaring skyscrapers—he designed Dubai’s Burj Khalifa while working at SOM, still the tallest tower in the world. The architects declined to comment further about the tower.
After a thorough search to identify a live/work project site in New York City, Artspace selected the former Public School 109 in East Harlem, a distinctive five-story building with copper-clad cupolas and decorative terrace cotta designed by Charles B.J. Snyder in 1898. The newly renovated building will include 90 units of affordable housing for artists and their families and 10,000 square feet of non-residential space for non-profits and community organizations. Continue reading after the jump.
California Republicans (yes, there are a few, we think), your leader has arrived. After a multiyear battle, Mitt Romney has finally gotten permission to tear down their existing beachfront house and build an 11,000-square-foot mansion in La Jolla. Although it was approved in 2008 by the California Coastal Commission, neighbors were able to stymie the project—questioning whether it exceeded square footage allowances—until commissioners upheld their approval. According to the Los Angeles Times, the home is more than four times larger than the median house in the area. (As is this house by Zaha Hadid also planned for La Jolla.) It’s proof that Mitt truly loves the earth. And exploiting resources on top of it.