Every architect has a mental file of unusual client requests, but few, if any, have been asked to make a wall dance. Yet, in essence, that’s what San Francisco architect Christopher Haas created—not for a client, but for a collaborator, Alonzo King, the San-Francisco-based choreographer. For King’s LINES Ballet company’s spring season that premieres April 15-24 at the city’s Yerba Buena Center for the Arts, Haas created a wall that performs, but not as a soloist. Read More
After years of waiting, as of this past weekend Silver Lake residents can finally enjoy the “Meadow,” a 6-acre swath of grassy land adjacent to the Silver Lake Reservoir and west of Silver Lake Boulevard that’s been fought over and delayed for several years. It was determined that the Meadow could be opened to the public because the Reservoir itself will soon be replaced as a drinking water source by underground storage tanks north of Griffith Park (plus restless neighbors fearing outsider encroachment and the destruction of local habitats finally relented). We finally had a spare second to check it out today, and were very impressed.
Heckling Hadid. The New York Times reports that the city council in Elk Grove, California is reconsidering its Bilbao moment. Once upon a time before the recession, the community hoped a community center designed by Zaha Hadid would bring acclaim to the suburban city. Now as plans are being reconsidered, the council only sees a “squid” or an “animal from another planet.”
LA on HL. Usually found prowling around the west coast, Christopher Hawthorne, architecture critic for the LA Times, has found his way to New York and takes a look at HL23, that condo tower perched above Manhattaned beloved High Line by LA architect Neil Denari.
Gimme (Smartly Planned) Shelter. It turns out that when Rolling Stones keyboardist Chuck Leavell isn’t rocking out, he’s pondering smart growth. Smart Planet relays a recent event at the National Press Club where Leavell and co-author J. Marshall Craig talk transportation, sustainability, and community growth.
Ennis House Blues. Curbed reports that Frank Lloyd Wright’s 1924 Ennis House in LA just can’t seem to find a buyer since it was put on the market in 2009. Originally listed at $15 million, the price has steadily dropped to its current $5.9 mil.
Join Julie Iovine, executive editor at The Architect’s Newspaper, tomorrow (Tuesday) evening for a compelling discussion with architect Rafael Viñoly at the Museum of the City of New York at 6:30pm. The topic for the night, “What Comes After Postmodern Architecture?”, will tackle the state of New York City architecture.
The recent building boom in New York City has radically altered the look and feel of the city and added considerably to the list of starchitects currently reshaping New York’s iconic skyline. It has also helped redefine boundaries of the eclectic pluralism of postmodern architecture. How do we label the current architectural style of the last decade? Is there a post-postmodern?
Reservations required. Call 917-492-3395 or purchase tickets online through MCNY. Tickets: $12 for non-members, $8 for seniors & students, $6 for museum members.
On March 31, the Wright auction house gingerly dipped into controversy with its sale of 23 lots of office furniture from Chandigarh even as the Indian government launched a belated international campaign to recover the pieces designed by Pierre Jeanneret for the masterwork by cousin Corbusier.
NYC DOT: Pedestrian-on-Pedestrian Crashes Alarmingly Frequent (Transpo Nation)
Children’s Museum out, Walmart in at Grant Park (Yo Chicago)
My Toddler Will Become America’s Next Great Architect (McSweeney’s)
Celebrities Who Look Like Houses (Curbed)
The first panel of this week’s conference at Columbia’s GSAPP, “Permanent Change: Plastics in Architecture and Engineering,” got down to business a few minutes late on Thursday morning. After a brief welcome, Dean Mark Wigley ceded the floor to Michael Bell, the first speaker in the line-up for “The Emergence of Polymers: Natural Material–Industrial Material.” But the pace picked up as Bell and subsequent presenters took listeners on an intense romp through the role of plastics in architectural history, providing background for the nine panels to follow through Friday evening.