An article in yesterday’s Boston Globe, “Design for Acrimony,” detailed recent strife between the principals of Office dA, Nader Tehrani and Monica Ponce de Leon, including accusations of inappropriate withdrawals of office funds and changing the locks of the studio. The Globe reporter spoke with Tehrani, but Ponce de Leon, the Dean of the College of Architecture and Urban Planning at the University of Michigan, did not agree to be interviewed. In response to the article, de Leon sent AN this statement:
“Nader and I have been working together for a long time. The Boston Globe article is grossly inaccurate and one sided. I did not give an interview to the Globe and I did not make any of the statements attributed to me. I did not use my majority stock to terminate his position with Office dA. This a small business dispute and the matter is scheduled for arbitration before the end of the month. Despite the dispute, Office dA continues to thrive.”
Both sides agree that the matter will be settled by arbitration by end of month.
You won’t see German artist Tobias Rehberger‘s proposed Lighthouse installation at this year’s Art Basel exhibition in Miami Beach, but if the city approves the project next week, the towering beacon could be lighting up the night sky by the end of 2011. To be located in South Pointe Park at a cost of $500,000, the 55-foot tall Lighthouse is comprised of stacked cylinders and would represent Rehberger’s first public commission in the United States. [ Via The Art Newspaper. ]
Be afraid. Be very afraid. That was the theme at today’s LA symposium, Imminent Danger: Earthquake Disaster and Risk Reduction in US Cities. The UCLA-hosted event brought together seismologists, engineers, architects, assessors and others to discuss preparation for the inevitable Big One, which, as everyone agreed, is not a question of if, but when. Despite the LA Times’ questions about whether the conference’s sponsors stood to gain from spreading earthquake fear, the insights to us seemed sincere and terrifying. We’ve compiled a few of the more sobering points, which should get you caring a little more about seismic retrofits and earthquake kits. Read More
Aye, those swashbucklin’ pirates are at it again, matey! This time, though, they’re not after gold, DVDs, or designer purses, but the identities of architects. The Guardian‘s Jonathan Glancey relates that Chinese firms posing as British officers of Aedas and Broadway Maylan have been pursuing bids with false information. He points out the dangers that such a development might entail for the profession and wonders if starchitects like Zaha Hadid could be the next victims.
Design Miami is all about furnishings as art, parties, being someplace warm in December, and more parties. It’s not so much about architecture, except that the most riveting eye-grabber is often an installation by an architect. In 2006, Zaha Hadid, named Designer of the Year, created a plasticene web of wonder that ensorcelled the interior atrium of the Moore Building in the Design District. More recently ArandaLasch created tents set up closer to the action and directly in front of the convention center where Art Basel Miami Beach is located.
No soggy Wednesday morning in New York could deter park aficionados, urban planners, and assorted Olmstedians from attending a talk and book signing by Alexander Garvin and Robert Twombly. The former head of planning at the LMDC, Garvin is the author of Public Parks: The Key to Livable Communities (W.W. Norton, $59.95), just hitting the bookstores this week. Twombly’s Frederick Law Olmsted: Essential Texts (W.W. Norton, $24.95), came out this past summer.
Move over NY Times Holiday Guide… Our friends at Planetizen have come out with something wonkier: their annual top 10 list of books in urban planning, design and development. The winners were based on a combination of editorial reviews, popularity, reader nominations, sales figures, recommendations from experts and books’ potential impact. Some of our favorites include Los Angeles In Maps, a visual history of maps in LA that makes sense of the city’s crazy grids and charts development over the years; What We See: Advancing The Observations of Jane Jacobs, a collection of essays putting a fresh perspective on Jacobs’ views on topics like preservation and urban planning; and Reinventing the Automobile: Personal Urban Mobility for the 21st Century, which suggests shifting automobiles to “Ultra Small Vehicles,” which could mean far less gas use and even automated driving. Any of these would be a perfect gift for anyone who knows what FOR, CEQA, or TOD stand for..
Could 2011 be the year of the pedestrian in New York? Under the guidance of DOT Commissioner Janette Sadik-Khan, NYC sidewalks will continue their slow march into the street next year as the city launches a major expansion of its “pop-up café” pilot program across its five boroughs.
The first pop-up café tested out in Lower Manhattan this year proved successful enough that Sadik-Khan has expanded the program, planning for up to 12 sidewalk extensions.
Want a free trip to Europe? Tile of Spain has just the ticket, but you have to act fast. The tile manufacturer is offering four architects and interior designers a chance to taste the local cuisine, see a few of the local sites, take in a tile trade show, and probably learn quite a bit about the offerings of Tile of Spain. But hey, it’s a free trip right? You just have to answer a few questions, but, hurry, the deadline’s tomorrow.
Our friends at Curbed just reminded us of the latest creation at Silver Lake archi-gallery Materials & Applications: Light Frames, an installation by LA architect Gail Peter Borden. The project consists of two parts: the “igloo”-looking segment, seen above, is what Borden calls an enclosed “chapel,” built out of translucent vinyl plastic and perfect for meditation. The second is a hand-assembled dome—its triangulated metal structure completely exposed—resting at the entrance to the gallery’s courtyard. Together they resemble, perhaps, the love child of an Eskimo and Buckminster Fuller. Or at least that’s how this strange mind sees it. Read More