Fumihiko Maki was named AIA’s 2011 Gold Medal winner last Thursday, making him the 67th in that illustrious line. Maki began his career in the 1960s as a part of the group of Japanese architects known as the Metabolists who championed large biomorphic structures that could expand and change as needed. His more recent designs, such as the new Media Lab at MIT, present a decidedly fixed composition, though MIT retains the suggestion of interchangeable volumes. The concept did find its way into Maki’s thoroughly adaptable interior, as was noted during a walk-through by AN last spring.
The Whitney Museum, set on an outpost far from Manhattan’s posh Upper East Side and in the midst of the hip yet historic Meatpacking District, is forging ahead with its grand plans to make a bold architectural statement with a new building by Renzo Piano, which will sit adjacent to Gansevoort Market Historic District and the post-industrial High Line park.
It’s odd when the symbol of a building becomes more important than the structure itself. That’s certainly the case with the newly completed President’s House in Independence National Historic Park in Philadelphia. George Washington and John Adams lived there when the city was still the nation’s capitol. Unlike Independence Hall, The President’s House didn’t garner importance over time. Actually, there wasn’t a physical structure left, just ruins hidden below ground a few feet from the entrance to Liberty Bell Center and discovered in 2002.
Today Extell Development got the green light from City Council to build Riverside Center on one of the last major parcels of land at the edge of the Upper West Side. Among several concessions made to the community, the developer agreed to sink $17.5 million into Riverside Park, build a 100,000 square foot school, renovate a recreation center on West 59th Street and build 500 affordable housing units (though much of it offsite).
The 3.1 million square foot project includes a series of towers designed by Christian de Portzamparc between 59th and 61st streets and will provide as much open space as Lincoln Center, the architect told AN last year. Portzamparc worked with landscape designer Signe Nielsen to break up an existing superblock and create a view corridor that extends toward the Riverside Park. Like most mixed-use projects, the developer said public amenities, such as grocery stores and the school, would fill the base of the towers.
Since opening in 2008, The Green Building in Louisville, Kentucky has been quietly awaiting the verdict on just how sustainable the three-story adaptive reuse project really is. As expected, the 115-year-old former dry goods store designed by California-based (fer) studio announced that the project received LEED Platinum certification, becoming the city’s first Platinum building.
Have you got the Billings Index Blues? Are code approvals sucking the air out of your Christmas spirit and punch lists preempting your shopping list? Take cheer! The Architect’s Newspaper has located all the architect-worthy toys and treasures to meet your most pressing deadline of the year: Gifts for your Loved Ones (and a few clients, too).
Happy Holidays from all of us at The Architect’s Newspaper.
Architects, designers, and a few sharp Irish guys who knew someone at the door converged on the Tribeca Grand Hotel last Wednesday night when Winka Dubbeldam of Archi-Tectonics and Cinzia Fama-Agnolucci of CFA Design threw a bash in The Salon.
The Archi-Tectonics-designed space, provided a sultry backdrop to this family affair. Fama-Agnolucci’s mother kept watch from a low perch at the entrance as someone’s toddler made a beeline for Dubbeldam’s dog, who promptly snubbed her, preferring the company of a low-lying plate of hors d’oeuvres.
Shortly after street artist BLU’s installation on the wall of the Geffen Contemporary in downtown LA was whitewashed, we learn via Curbed LA what our Eavesdrop column had rumored weeks before: that another street artist, Shepard Fairey, is in the architecture news as well.
The legendary/notorious “Hope” poster creator was just chosen by the West Hollywood city council to design an art piece for the almost-complete West Hollywood Library (MDA Johnson Favaro’s really really big white structure across from the PDC with an equally big garage ) more than a year after the council un-selected him amidst controversy.
This is getting confusing… The library is also working with artist David Wiseman, whose swoopy white forms seem well matched to the building’s swoopy white aesthetic.
Robert Ivy, FAIA, is preparing to step down as Editor-in-Chief of Architectural Record to become Executive Vice President and CEO of the American Institute of Architects in Washington, D.C.
Ivy presided over Record during a time of change, establishing the magazine as the official publication of the AIA between 1997 and 2010. Next year, Architect magazine will assume the same role.
“Being editor of Architectural Record fulfilled a lifelong ambition,” Ivy said in a release. “I was privileged to serve as a steward for the publication during a fascinating time, from the challenges of 9/11 and Hurricane Katrina to the digital transformation of architecture and even of publishing.”
On February 1, Ivy will succeed former AIA chief Christine McEntee who stepped down in July to assume leadership of the American Geophysical Union.
Architectural Record is celebrating its 120th anniversary in 2011.
Many have lamented the disappearance of so many architecture book stores in recent years, chief among them the much-missed Prarie Avenue Books in Chicago. The Graham Foundation is doing their part to begin to fill that void by selling a selection of books at their stately home, the Madlener house.
Tonight, the Foundation is hosting a holiday party and book store launch, from 5-8pm. The delightful exhibition, Las Vegas Studio: Images from the Archives of Robert Venturi and Denise Scott-Brown, is also on view. Stop by and stock up. The Graham Foundation, 4 West Burton Place, Chicago.
The Architect’s Newspaper‘s main office is just two blocks from the Word Trade Center site, so we’re keeping a photographic eye on increasingly visible developments at the site. One World Trade will soon break the skyline and all throughout the site there are signs of vigor. Over the last couple of weeks, windows began to appear on some of the structures.
It’s hard not to be awed, regardless of how unfashionable that may be in an area where locals studiously observe a nonchalant protocol, as though the massive tower were just another visiting celebrity. So don’t mind us as we join the out-of-town gawkers and snap away.