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A site-specific installation at the SCI-Arc Gallery transforms a musical composition by Ken Ueno into a digitally realized built environment.
A robot, a composer, and an architect walk into a gallery. It could be the start of a corny joke, but instead it’s the captivating formula for Patrick Tighe’s new exhibition at the SCI-Arc Gallery. The composer is Ken Ueno, recipient of the Rome and Berlin Prizes, and the robot belongs to Machineous, the Los Angeles-based fabricator hired to realize Tighe’s architectural representation of Ueno’s music.
Design, desert-style. Palm Springs Modernism Week kicks off today, running through February 27, a sunny celebration of mid-century architecture and design. Find a map of all the sites included in the event at MyDesert.com.
Just press print. The Cooper Hewitt acquires a MakerBot, the open source 3D printer for crafty prototyping, reports the museum’s blog.
Consuming matters. This week Rob Walker signed off from his “Consumed” column in The New York Times Magazine–and just as he was turning his gimlet eye to architectural matters! In case you missed it, here’s his recent article about the mysterious populations of architectural renderings.
Drafted. Mattel‘s new “Architect Barbie” comes complete with black-framed glasses, a model townhouse, and a (pink) blueprint holder, reports Arch Record. Part of the “Barbie I Can Be” line, one hopes Ms. Architect is smart enough to avoid the new “Sweet Talkin’ Ken.”
At the same time that Palm Springs is celebrating all things Modern at its Modernism Week, we just came across the pretty-much-completed demolition of Beverly Hills’ 1961 Friars Club at 9900 Santa Monica Boulevard. The windowless, space age Modern building, designed by Sidney Eisenshtat, was one of several important structures by the architect, including Temple Emmanuel in Beverly Hills, Sinai Temple in Westwood, and the Wilshire Triangle Center. Read More
Green Boom. Blair Kamin takes a look at the sustainability of two billowing icons in Chicago and New York. Studio Gang’s Aqua Tower is going for LEED certification while Frank Gehry’s New York tower will not seek the USGBC’s approval but claims to be green nonetheless. Kamin notes the importance of such moves, saying of Gehry: “What he, in particular, does–or doesn’t do–can have enormous influence, not simply on architects but on developers.”
Trolley Boom. NPR has a piece on the explosion of streetcars across the country with planned or completed systems in over a dozen cities.
Bike Boom. Cycling advocate Elly Blue discusses a new study on Grist stating that bikes deserve their own infrastructure independent from autos. And not just a striped bike lane, Blue notes, but separated lanes called “cycle tracks” like one installed along Brooklyn’s Prospect Park West.
Soane Boom. The Independent reports on a planned renovation to the Sir John Soane Museum in London, that architect’s treasure trove of antiquities and architectural memorabilia from across the world. Plans include opening up a new floor that hasn’t been open to the public since Soane died in 1837.
Mega Watts. The Los Angeles Times reports that the James Irvine Foundation has granted $500,000 toward the preservation of LA’s Watt’s Towers, declaring the folk-art stalagmites “an important cultural icon.” (Photo courtesy Robert Garcia/Flickr)
Luck in School. The NY Times relays the story of Stanford quarterback Andrew Luck who has chosen to pursue a degree in architectural design at Stanford’s School of Engineering rather than head off to the NFL draft. We wish Mr. Luck, well, all the best in his endeavors, but life as an architect can make the NFL seem like a walk in the park.
Al Matisse? Variety brings us news that Al Pacino has been selected to play Henri Matisse in an upcoming film called Masterpiece detailing the French painter’s relationship with his nurse, model, and muse Monique Bourgeois. Producers will soon be looking for female leads.
Like Jane. The Rockefeller Foundation is accepting nominations for this year’s Jane Jacobs Medal honoring two living individuals who have improved the vitality of NYC and, among other things, “open our eyes to new ways of seeing and understanding our city.”
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