While at the AIA convention we ducked out for a few hours to explore New Orleans’ Lower Ninth Ward, the area most devastated by Hurricane Katrina. While much of New Orleans has recovered pretty impressively, the Lower Ninth is still in horrible condition. Countless houses have been abandoned—boarded up and rotting—and many still have rescue workers’ markings on them from the flood six years ago. Then right around the corner is Brad Pitt’s Make It Right houses, 75 of which have been completed. In case you haven’t read any design magazines lately, they’re contemporary, and sustainable, takes on local architecture from the likes of some of architecture’s biggest stars. Read More
Hollywood High. Promising to make the old Capitol Records building the jewel in a $1 billion real estate crown, developers Millennium Partners and Argent Ventures are proposing to revamp a large swath of Hollywood by clustering one million square feet of multi-use development around the famous tower. The developers told the LA Times that community input will influence the design and that the building where Nat King Cole, Sinatra, and the Beach Boys made their magic will hopefully remain an entertainment hub called Millennium Hollywood.
Race to the Finish. Philly’s Race Street Pier is now complete and gets the ball rolling on the Delaware River Waterfront‘s master plan. The new pier runs just slightly south of the Ben Franklin Bridge and park designs reinforce the span’s perspective. A single file line-up of 37 swamp white oak trees march out toward Jersey. PlanPhilly‘s got the all the details.
Midblock Crosswalk. DNA has been following the push by Midtown residents to clear the way for little known pedestrian arcades and corridors that run from from 51st to 57th Streets between Sixth and Seventh Avenues. At the moment, cars block the privately owned public walkways and residents want the DOT to make them more accessible by providing crosswalks and not allowing parking in front of them.
Buses to Nowhere. Citing a Brookings Institute report, The Minneapolis/St. Paul Business Journal noted that though 67 percent of Twin City residents can walk to a bus stop from home, only 30 percent of the buses stop near their jobs. For metro areas nationwide, New York came in last while Honolulu came in first. The report counts Poughkeepsie as part of the New York metro area. Really? Poughkeepsie?
It’s time for ICFF and the fair’s associated festivities, but our heads are still spinning from all the architecture and design goings-on in New York City over the last ten days. Among our stops were the Festival of Ideas, sponsored by the New Museum, including a lecture by Rem Koolhaas, a stop by UN Studio’s new pavilion at downtown’s Peter Minuit Plaza, and drink at Armani Casa’s new location in the D&D Building. It all started with Rem…
The 17th-century Sospiri Bridge (Bridge of Signs) in Venice connects an ancient prison with interrogation rooms in the Doge’s Palace. The bridge crosses the Rio de Palazzo that itself slices through the palace and makes a spectacular vista as one crosses the canal bridge on the Grand Canal. This vista has been rudely emblazed for at least the past five years by a giant advertising sign the wraps the palace walls and over and under the beautiful Sospiri bridge.
While our recent feature on New Orleans highlights some of the more high-profile architectural and development projects in the city, yesterday we were introduced to the other half of the rebuilding equation: the New Orleans Master Plan, which is being developed by Boston firm Goody Clancy and New Orleans-based Manning Architects.
At an afternoon panel, Goody Clancy principal David Dixon and Manning principal W. Raymond Manning shared their experiences creating a document that sets a new course for the city, from land use and transportation planning to environmental protection. “I haven’t had a single boring day here,” said Dixon, who dove head first into the city’s labyrinth of bureaucracy, inefficiency, and even racial divisions to create the gargantuan still-evolving document.
Apparently the art world hates the American Folk Art Museum building! (Who knew?!) In the wake of the news that MoMA is buying the Todd Williams Billie Tsien-designed building, two of the art world’s more prominent voices both bashed the building and argued it hastened the Folk Art Museum’s decline. The esteemed Times critic Roberta Smith called it “unwelcoming” and argued that the museum’s fate was sealed by “lackluster, visionless leadership; the weak economy; and inappropriate architecture.” Smith’s husband happens to be Jerry Saltz, the pugnacious art critic for New York, who went much further in a piece titled, “Architecture Killed the American Folk Art Museum.” He called the building, “ugly and confining, it was also all but useless for showing art.”
Not everyone agrees!
Yesterday we attended a sobering panel at the AIA convention entitled The Construction Outlook: Implications for Architecture Firms. Presented by the AIA’s Chief Economist Kermit Baker and McGraw-Hill Construction’s Vice President of Economic Affairs Robert Murray, the panel crystallized the problems that continue to plague the architecture profession. In short, while the downturn has ended, the upturn, which is indeed inching along, is coming along VERY slowly, or as Murray put it, we’re facing “an extended bottom.” Projected 2011 growth for U.S. construction starts is 1%, according to McGraw-Hill Construction. The high points are multi-family housing, which are projected to see a 22% gain, Manufacturing building, which could see a 24% gain, and commercial building, which is set to see an 11% jump. Other high points include urban infill, adaptive reuse, renovations, and sustainable design. Perhaps the biggest loser in the coming year will be public work, which is seeing cuts across the board due to debt issues. The AIA’s Billing Index has edged just barely into slightly positive territory after three years of steady declines, said Baker. Read More
MissoniHome @ DDC Design Post
181 Madison Avenue
212 685 0800
Missoni, an Italian fashion house famous for its use of colorful fabrics and patterns, has finally launched its first American “lifestyle” showroom inside New York’s DDC Design Post. MissoniHome’s product line had previously been available separately at various locations, but now design-minded consumers can browse towels, rugs, and bedding at one destination. The entire collection is housed inside a 200-square-foot showroom dressed seasonally by the Missoni Studio team.
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The winner of the second annual Tex-Fab competition explores ideas of modular assembly and material efficiency.
Earlier this year, design practitioners from across the world converged on Houston to attend Tex-Fab 2.0, a two-day conference featuring experts, lectures, and workshops. Tex-Fab is a non-profit initiative founded by Brad Bell (Brad Bell Studio), Kevin Patrick McClellan (Architecturebureau), and Andrew Vrana (METALAB) to create a network of Texas designers focused on exploring issues of parametric design and digital fabrication. The organization hopes to serve as a bridge between academia, professional design offices, and industrial fabricators throughout the country.
Ralph Lerner, architect and former dean of the School of Architecture at Princeton University, died in Princeton on Saturday, May 7, following a long battle with brain cancer.
A Fellow of the American Institute of Architects, Lerner resigned as dean at the University of Hong Kong Department of Architecture for health reasons and returned to the United States earlier this year.
As dean of Princeton’s School of Architecture from 1989 to 2002, Lerner set the school on a strong contemporary track with wide-ranging appointments among practitioners, critical historians, and theoreticians including Liz Diller, Jesse Reiser, Mark Wigley, Beatriz Colomina, Kevin Lippert, M. Christine Boyer, and Guy Nordenson. “Ralph very much put Princeton at the center of the architectural map, through the programs, exhibitions, and publications he sponsored as well as by the sheer force of his personality,” wrote Lippert, a 1983 graduate of the School of Architecture and founder of Princeton Architectural Press, in an email. Read More
You’re not supposed to judge a project before it’s completed, but last week the scaffolding came down around the highly anticipated new Poetry Foundation building in Chicago designed by John Ronan Architects, offering a glimpse of how the building is coming together. While the elegant glass box looks refined enough for a finished building, it will soon be concealed behind a perforated metal screen, creating an interstitial space between the building envelope and the street. The combination of glazing and screen should make for shifting effects of light and texture that change throughout the day and over the seasons.