Toronto’s Ryerson University announced plans this week for a bold Student Learning Center designed by Oslo-based Snøhetta and Zeidler Partnership Architects of Toronto. The 8-story structure will mix passive and active academic uses with street-level retail and will serve as the university’s front door on busy Yonge Street.
Nature’s Benz. LA Autoshow reveals a radically green Mercedes-Benz concept called Biome– it’s made of organic fibers, powered by the sun, and releases pure oxygen into the air! The system behind this model is called “Mercedes-Benz Symbiosis,” in which vehicles are seamless part of the ecosystem.
Facebook’s Exodus. According to the New York Times, Facebook is moving out — of the office clusters in Palo Alto — and into an insulated 57-acre corporate campus in Menlo Park, California, which is to be renovated by San Francisco-based Gensler. About 2,000 workers, including Mark Zuckerberg, will be moved in within next 10 months. These young 20-somethings don’t want a sleek corporate office, but something idiosyncratic and soulful, which the new campus aims for.
Code Green. Crain‘s reports that the New York City Council continues to green up the city’s building codes. A trio of bills looks to “create more energy-efficient roofs.” While the first bill requires more reflective and less heat-absorbent roof materials, the second removes building-height limitations from solar thermal equipment and electric collectors and the third bill will add heat and power systems to the list of allowable rooftop structures.
Well-spoken Vowell. Chicago magazine talks to Sarah Vowell about Chicago — and a little New York — architecture. “It’s what I do for fun: Go see buildings. I like architecture because it’s so nonverbal,” she said, and then goes on to discuss her personal relationship with the Carson Pirie-Scott Building. Vowell recently finished her new book on Hawaii called Unfamiliar Fishes.
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Unraveling strands of steel pipe create a clothing display and focal point for the tony boutique.
Flatcut, a design and fabrication firm with a studio in Brooklyn and a 100,000-square-foot facility in Passaic, New Jersey, has more than 100 machines to its name. Though it has the capabilities to mass-produce 20,000 custom furniture pieces and 50,000-square-foot facades, the firm also creates small, site-specific installations for museums and retail stores. Most recently the Beckley Boutique, a celebrity hot spot and shopping destination on Melrose Avenue, hired Flatcut to design an eye-catching design feature at its new Las Vegas outpost in the Cosmopolitan Resort and Casino.
From March 28-April 1, the Design Build Institute of America (DBIA) held a two-in-one conference for Transportation and Water/Wastewater in Kansas City, Missouri. Unfortunately, like many conferences, this one was attended more for it’s offering of mandatory Continuing Education Credits (CEU) than for anything else. Sure, it provided updates on Design-Build contracts, best practices, awards, and time for networking, but there was little innovation or excitement in the actual practice of design-build, especially with a focus on building highways, bridges, and wastewater treatment plants.
Every architect has a mental file of unusual client requests, but few, if any, have been asked to make a wall dance. Yet, in essence, that’s what San Francisco architect Christopher Haas created—not for a client, but for a collaborator, Alonzo King, the San-Francisco-based choreographer. For King’s LINES Ballet company’s spring season that premieres April 15-24 at the city’s Yerba Buena Center for the Arts, Haas created a wall that performs, but not as a soloist. Read More
After years of waiting, as of this past weekend Silver Lake residents can finally enjoy the “Meadow,” a 6-acre swath of grassy land adjacent to the Silver Lake Reservoir and west of Silver Lake Boulevard that’s been fought over and delayed for several years. It was determined that the Meadow could be opened to the public because the Reservoir itself will soon be replaced as a drinking water source by underground storage tanks north of Griffith Park (plus restless neighbors fearing outsider encroachment and the destruction of local habitats finally relented). We finally had a spare second to check it out today, and were very impressed.
Heckling Hadid. The New York Times reports that the city council in Elk Grove, California is reconsidering its Bilbao moment. Once upon a time before the recession, the community hoped a community center designed by Zaha Hadid would bring acclaim to the suburban city. Now as plans are being reconsidered, the council only sees a “squid” or an “animal from another planet.”
LA on HL. Usually found prowling around the west coast, Christopher Hawthorne, architecture critic for the LA Times, has found his way to New York and takes a look at HL23, that condo tower perched above Manhattaned beloved High Line by LA architect Neil Denari.
Gimme (Smartly Planned) Shelter. It turns out that when Rolling Stones keyboardist Chuck Leavell isn’t rocking out, he’s pondering smart growth. Smart Planet relays a recent event at the National Press Club where Leavell and co-author J. Marshall Craig talk transportation, sustainability, and community growth.
Ennis House Blues. Curbed reports that Frank Lloyd Wright’s 1924 Ennis House in LA just can’t seem to find a buyer since it was put on the market in 2009. Originally listed at $15 million, the price has steadily dropped to its current $5.9 mil.
Join Julie Iovine, executive editor at The Architect’s Newspaper, tomorrow (Tuesday) evening for a compelling discussion with architect Rafael Viñoly at the Museum of the City of New York at 6:30pm. The topic for the night, “What Comes After Postmodern Architecture?”, will tackle the state of New York City architecture.
The recent building boom in New York City has radically altered the look and feel of the city and added considerably to the list of starchitects currently reshaping New York’s iconic skyline. It has also helped redefine boundaries of the eclectic pluralism of postmodern architecture. How do we label the current architectural style of the last decade? Is there a post-postmodern?
Reservations required. Call 917-492-3395 or purchase tickets online through MCNY. Tickets: $12 for non-members, $8 for seniors & students, $6 for museum members.