Our friends at Echo Park Patch today report on one of the coolest places in Los Angeles: Southern California Architectural Salvage (formerly Santa Fe Wrecking). Located in a large warehouse in downtown LA, it’s a great place to find architectural oddities like towering teak gates from Argentina, claw-foot bathtubs, iron gates, chandeliers, or vintage doors, sinks, and toilets.
The list is pretty extensive, and the only criterion: “It has to be different from what you get at Home Depot,” says owner Jerry Hernandez. Among our other favorite salvaging spots are Silver Lake Architectural Salvage, which recently moved to Pasadena, CA, the ReBuilding Center on Portland, Oregon’s Mississippi Avenue, and the Demolition Depot in New York.
Share your favorite salvaging hot spots in the comments below and check out a few salvage photos after the jump.
Mexico City’s new Museo Soumaya (named after the deceased wife of Carlos Slim, the Mexican billionaire who owns the museum) was finally unveiled to the public late last month. The museum houses 60,000-square-feet of continuous exhibition space spread over six levels and containing over 6,200 pieces from Slim’s art collection.
Designed by Fernando Romero of the firm FREE, the building is shaped like a woman’s bustier with a cinched waist. The amorphous structure is built with 28 curved steel columns of varying diameters, each with its own contoured geometry. While the exterior mass resembles a singular object, the skin is comprised of thousands of hexagonal aluminum modules.
While the building itself is almost opaque–it has no windows–the roof of the top floor is suspended from a cantilever, letting in natural light. The result is a monumental parametric design offering a dramatic sculptural addition to the city once celebrated for its tradition and hand-painted, colorful architecture.
Curbed LA yesterday shared schemes for the zone around Diller Scofidio + Renfro’s Broad Museum, revealing renderings of two residential towers to the south and east of the project and space for a new plaza. The images sent the ever-excitable architecture community chattering. But while it’s great to get a better sense of what’s going up, as the blog pointed out and the architects have reiterated, the images don’t reveal what the design will actually look like.
On Saturday, April 23 the conceptual Dutch design company Droog and Diller Scofidio + Renfro presented “Open House,” a project that offered dialogue for possible new social and economic models to revitalize pre-existing suburban neighborhoods. The one-day event began with a symposium at Columbia’s off-site Studio-X in Downtown Manhattan, followed by a field trip to Levittown, Long Island, where nine homes from the fabled, archetypal post-war American suburb were transformed into residential marketplaces with experimental installations by designers, architects, and homeowners.
La Vie Gigapixel. It’s Paris like you’ve never seen it — even if you have been there. A super-high-def 26-gigapixel photo of the city of lights (yep, that’s 26 billion pixels) was stitched together by a team of photographers and a software company in France. Go ahead, pull up the full screen view and wander away the afternoon. We won’t tell. (Via Notcot.)
Metro Music. When Jason Mendelson moved from Tampa to Washington, D.C., the city’s subway literally moved him to song. NRDC Switchboard says that he’s creating a tune for every Metro stop across the system, each stylistically indicative of the station itself. Listen to his completed songs over here.
Biosphere 2 at 20. Not often do we design entire mini-worlds, but then, Biosphere 2 was always unique. Now two decades old, the three-acre terrarium-in-a-desert is still helping scientists figure out life’s little lessons. The AP/Yahoo News has the story.
Scraps, Glass, and Stone. Curbed found a new book by Steven Guarnaccia transforming the classic Three Little Pigs story into three little starchitect pigs where Frank Gehry, Philip Johnson, and Frank Lloyd Wright each build houses and the big bad wolf huffs and puffs (and critiques?) the walls down. (Guarnaccia also reimagined Goldilocks into a tale filled with chairs by Aalto, Eames, and Noguchi!)
With the exception of the World Trade Center, there’s probably no better place to call a press conference dealing with construction issues than Atlantic Yards. At the moment the controversial project practically guarantees a large press turnout. On Tuesday, the Department of Buildings used the site as a backdrop to launch a new safety campaign for the 7th Annual Workers Safety Week with a particular focus on getting workers to wear harnesses. Sixteen workers have fallen to their death since 2008, prompting the agency to call the campaign “Experience is Not Enough.” In addition to covering the initiative, the press also got a chance to check out progress at the stadium site from “court level.”
Tweeting Seat. Imagine if the public realm was able to reach out digitally and interact through the internet. Yanko Design spotted just such a bench by designer Christopher McNicholl which tweets about people sitting on the aptly-named @TweetingSeat. Two cameras — one watching the bench and one looking outward — continuously let curious people all over the world who is taking a break.
Second in Line. The Wall Street Journal spoke with an anonymous philanthropist and architecture fan from Iowa who is looking for the world’s second most famous architect. According to the story, the donor is willing to pony up $300 million to any city that does not hire Frank Gehry to design its art museum. “Don’t get me wrong, I like iconoclastic, swoopy structures that look like bashed-in sardine cans as much as the next guy… I’m just saying we should give an architect not named Frank Gehry a chance.” Ouch.
Presidential Pritzker. Blair Kamin reports that President Obama and First Lady Michelle Obama will be in attendance at the Pritzker Prize award dinner for Portuguese architect Eduardo Souto de Moura. It’s the first time a president sat in on the ceremonies since the Clintons dined with Renzo Piano in 1998. Also check out AN‘s exclusive Commentary and Q+A with Souto de Moura.
Safdie’s False Solution. Oren Safdie, playwright and son of architect Moshie Safdie, is making progress on the third part of his trilogy of architecture-themed plays and will be conducting a reading this evening in LA. A False Solution tells the story of of a Jewish-German architect whose resolve is shaken by a young intern after winning a Holocaust museum in Poland. (Via ArchNewsNow.)
In honor of the passage earlier this month of LA’s Baseline Hillside Ordinance (Warning: PDF), which prevents “out-of-scale” single family development on LA’s hillsides via height and FAR restrictions, we’ve dug up five of the most ridiculously gigantic homes in the city. Prepare yourself for an onslaught of square footage, bathrooms (why does the number of bathrooms always seem to double the number of bedrooms?) and opulent taste (note the preponderance of French Chateaus: will there be another revolution?) The ordinance, which goes into effect on May 9, is the third in a series of city measures to prevent McMansions and other neighborhood busters. So perhaps say goodbye to this type of development in LA. At least for now.
The foreclosure crisis has up-ended old assumptions about the relative prosperity of cities versus suburbs. In many regions waves of foreclosures have hit the suburbs hardest. In the second iteration of their “Issues in Contemporary Architecture” residency and exhibition series, MoMA and P.S. 1 will ask five teams to design interventions for five “megaregions” facing high levels of foreclosures. Like the earlier iteration, Rising Currents, the new project, Foreclosed: Rehousing the American Dream will include a residency and public workshops at P.S. 1, followed by an exhibition and public programs at MoMA. Organized by Barry Bergdoll, chief curator for architecture and design, and Reinhold Martin, director of the Buell Center at Columbia, Foreclosed “will enlist five interdisciplinary teams of architects to envision a rethinking of housing and related infrastructures that could catalyze urban transformation, particularly in the country’s suburbs,” according to a statement from the museum.
Finally. After 39 years of wandering around Los Angeles and trying to convince its landlord to sell, SCI-Arc today announced that it has bought its building in LA’s Downtown Arts District. The 1,250 foot-long Santa Fe Freight Yard Depot building, a reinforced concrete structure designed by architect Harrison Albright, stretches seemingly forever along Santa Fe Avenue. Students like to bike or skateboard inside it to get to class.
The school moved to the former rail depot 10 years ago after a 2001 renovation by architect Gary Paige. The school’s opening came when building owner Meruelo Maddux Properties filed for bankruptcy—meaning it really needed the money. The school bought the property for $23.1 million. Other homes for the school have included Marina Del Rey and Santa Monica. But now it finally has a real home.
And their edgy, coarse and lively corner of downtown, as SCI-Arc Director Eric Owen Moss has pointed out, is where it’s always wanted to be. “SCI-Arc is absolutely committed to Downtown,” he told AN in a recent interview, adding that the area is a laboratory for architectural and urban development. “We are staying Downtown. Period.”