With an invaluable series of programs on the lineup at GlassBuild America: The Glass, Window & Door Expo next month, there couldn’t possibly be another reason to attend, could there? As part of the expo, GlassBuild is collaborating with the National Glass Association’s (NGA) Glass Magazine and The Architect’s Newspaper, bringing over 150 architects to Atlanta for the opportunity to earn five (5) AIA CEU credits at Glass+Performance! Register now for a day of meaningful education and experience the cutting-edge technology and high-performance products the glass and glazing industry has to offer.
Just as soon as they were announced, deliberation has begun on the nineteen semi-finalists in the 2013 Buckminster Fuller Challenge. In the spirit of architect Buckminster Fuller’s call for revolutionary scientific design, this international design competition summons participants to innovate sustainable, long-term solutions for “humanity’s most pressing problems.” This year, the jury has chosen projects that vary in subject and method, re-envisioning current global systems or addressing specific gaps within them. Read More
On October 25th, AN’s Facades+PERFORMANCE Chicago offers participants the chance to collaborate with industry experts on practical projects to cultivate valuable skills required for the delivery of ground-breaking facade technologies. Registered architects can earn 8 AIA LU credits by selecting one of six full-day, comprehensive workshops that take place in small, one-on-one, classroom settings.
Lead by Jonatan Schumacher and Mathew Naugle of Thornton Thomasetti, the Advanced Facade Panelization and Optimization Techniques workshop is designed to discover distinctive systems for the rationalization of envelope surfaces for efficient fabrication, using a selection of plugins for Grasshopper. Participants will ascertain fundamental concepts of facade panelization, and optimization thereof, using Grasshopper’s optimization plugin Galapagos.
It has been a bumpy road for Brooklyn’s controversial Atlantic Yards development. The ten-year project-in-the-making is in the news yet again. According to the New York Times, 50 to 80 percent of Atlantic Yards is now up for grabs. Developer Bruce C. Ratner, chairman of Forest City Ratner Companies is on the hunt for an investor to buy the lion’s share of the development for a hefty sum of up to $800 million. Forest City would still hold the reigns over the future development of the project.
A campus chiller’s prime directive is to pump torrents of cool water, not to look good. But thanks to an inventive skin of dichroic glass fins and high-sheen concrete panels from Ross Barney Architects, the Ohio State University’s south campus central chiller does both.
When the project was first announced in 2010, Carol Ross Barney told AN, “Rather than just showing the pipes, we wanted to represent energy itself.”
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Gensler’s design at the University of Houston is realized in a cloud-inspired, sound-absorptive ceiling solution.
Gensler and Ceilings Plus have brought a touch of the Big Apple to the University of Houston’s recently completed Quiet Hall in the Classroom and Business Building. Gensler drew its design inspiration for a ceiling in the new building from the New York Central Library’s Rose Reading Room. The firm hired the California-based Ceilings Plus to translate its interpretation of this classical interior, which includes perforations and geometric folds, into an affordable, buildable, and installable ceiling solution.
Ceilings Plus used digital software to marry the design architect’s vision with a workable model that offered minimal joint tolerances and maintained compatibility with HVAC systems. “Since the architect was interested in doing something completely new, it was important to realize that process together,” said Michael Chusid, who works in marketing and business development for Ceilings Plus. Gensler produced three conceptual renderings in Revit, then turned them over to project engineer Robert Wochner, who developed sound-absorptive perforations and a suspension system that could support the various angles of the Quiet Hall’s multi-planar ceiling. Read More
What’s sure to become the ultimate tailgating accessory for Minneapolis Vikings football fans this year has hit the market at the Minnesota State Fair. Thanks to Duluth Pack, makers of bags and tents, the collapsed roof of the Minneapolis Metrodome has been reborn as a duffel and shell bag, appropriately part of the “Domer” collection. The stadium’s white fabric dome collapsed in 2010 under the weight of Minneapolis’ plentiful snow, the fourth time such an event has occurred.
The former record needle and clothing manufacturing building, 5 Pointz, in Long Island City, Queens, is one of the few remaining refuges for graffiti art in New York City. For the last two decades, aerosol artists have flocked to this 200,000-square-foot warehouse to exhibit their work. But now the graffiti art mecca is one step closer to being demolished and replaced by two 47 and 41 story residential towers. In spite of Queens Community Board 2′s opposition to the plan, the City Planning Commission voted unanimously to approve a special permit that would allow developer G&M Realty to build a larger structure than permitted by the existing zoning. DNAinfo reported that Queens Borough President Helen Marshall also came out in favor of the plan with the stipulation that the development include 75 affordable housing units and studio space for artists.
Astoria may soon rival its neighbor, Long Island City, as the next major residential waterfront community in Queens. In a unanimous vote, the City Planning Commission has given developer Lincoln Equities Group the green light to move forward with a $1 billion residential housing development on Hallets Point peninsula.
DNAinfo reported that the project would include 2,161 market-rate and 483 affordable apartments as well as a public esplanade along the East River, retail, supermarket, and possibly a public school in NYCHA‘s adjacent Astoria Houses campus.
On View> “Mixtec Stonecutting Artistry: 16th Century Ribbed Vaults in Mixteca, Mexico” Opens August 24
Mixtec Stonecutting Artistry: 16th Century Ribbed Vaults in Mixteca, Mexico
HGA Gallery Rapson Hall, Goldstein Museum of Design, University of Minnesota
89 Church Street SE, Minneapolis, MN
August 24, 2013 to October 13, 2013
Sixteenth century Mexico was home to buildings of extraordinary construction quality erected for the thousands of people converting to Christianity. Indigenous craftsmen utilized the most sophisticated technology and their profound understanding of locally accessible materials in an intricate system of symbiosis to collaborate with Spanish architects who were experienced with the architecture of the ribbed vault. Employing Mixtecan masonry techniques and European geometry, they collaborated to construct three churches in the Mixteca region of southern Mexico with sophisticated geometrical vaults unique to 16th century America. Through digitally scanning San Pablo Teposcolula, Santa Domingo Yanhuitlán, and San Juan Bautista Coixtlahuaca, researcher and guest curator Benjamin Ibarra-Sevilla, Assistant Professor of Architecture at the University of Minnesota’s College of Design, was able to produce scale replicas of each gothic dome.
Mixtec Stonecutting Artistry: 16th Century Ribbed Vaults in Mixteca, Mexico, on view from August 24 to October 13, 2013, reveals the complex digital scanning, documentation, and three-dimensional modeling that facilitated the research and replication of the rib vaults in the late 20th century.
Thanks to the efforts of the Los Angeles Conservancy‘s Modern Committee, ten homes from Southern California’s Case Study House program have been added to the National Register of Historic Places. Launched by Arts + Architecture magazine in 1945, the Case Study program emphasized experiment and affordability, and produced some of the most famous houses in U.S. history, including the Eames House (Case Study #8), and Pierre Koenig’s Stahl House (Case Study #22).