It turns out that sports arena architects Populous (formerly HOK Sport) have bagged not just one, but two of the biggest hypothetical projects in Los Angeles. Not only has the firm designed Majestic Realty’s proposed football stadium for the City of Industry, but they were just named by AEG as designers of its competition: The LA Convention Center’s relocated West Hall, which would be coupled with Gensler’s new downtown football stadium if that project gets approval.
Both projects, of course, have yet to receive that elusive approved status and, perhaps of greater concern, LA still has no football team, but it’s still a coup for Populous, whose Dan Meis would not comment on the company’s new commission. “We are laying a bit low on commenting on this given we have been involved with both projects,” he told AN. Still a Populous spokesperson told the LA Times, “We’re not currently performing work for a competing NFL stadium in Los Angeles,” and that the firm had Majestic’s blessing. Only time will tell if this situation gets tense.
The landmarked Standard Oil Building at 26 Broadway continues to undergo its transformation from the oil giant’s Carrère and Hastings-designed New York headquarters into a bustling school building. Last week, AN got a sneak peek at the third academic institution to be completed there, a 104,000-square-foot space occupying the building’s first, mezzanine, and second levels. It will add 677 high school seats to the Broadway Education Campus, which currently includes The Urban Assembly School of Business for Young Women (on the 4th and 5th floors) and Lower Manhattan Community Middle School (on the 6th and 7th floors).
All three schools have been designed by John Ciardullo Associates Architects, who have worked extensively with the SCA over the past several decades. Perhaps that relationship is why Ciardullo was allowed to have a bit of fun with the campus.
An internal New York Times email, acquired by AN today, announced that Michael Kimmelman would start this fall as the New York Times’ new chief architecture critic. Citing Kimmelman as “one of the paper’s great writers”, Jonathan Landman, deputy managing editor, wrote how Kimmelman started at the paper of record as a music critic and “swiftly morphed into an art critic.” And now after four years as a foreign correspondent, he will fill out his all-purpose critic portfolio as architecture critic.
The Architectural League’s current exhibition offers a glimpse of where architecture is headed. It’s Different shows the work of the six winners of the Architectural League Prize for Young Architects + Designers (formerly known as the Young Architect’s Forum). It’s a geographically diverse group working in a variety of formal veins. The six winners (with images!) are:
Thanks to a report from our friends at Curbed LA, we’ve learned that Daniel Libeskind’s proposed tower for Downtown LA may be dead in the water. Apparently its 1.32 acre site, 1340 South Figueroa, showed up on commercial sale site Loopnet in late May with a sale price of $17 million. According to Curbed the listing mentions the designs for the Libeskind tower (an angular design that includes 273 residences on 35 floors), but also that “the possibilities for this site are unlimited.” That’s not a good sign, despite the fact that the project received city approval two years ago. Let’s wait and see if yet another high profile proposed building in LA is about to go under… (KPF’s Park Fifth in Downtown LA, Jean Nouvel’s Green Blade in Century City, Etc, Etc)
It’s Parametric. ArchDaily posts an intriguing project from Bucharest, Romania: the Hexigloo pavilion designed by architecture students. Under the supervision of instructors Tudor Cosmatu, Irina Bogdan, and Andrei Radacanu, 55 students learned basic parametric design principles and over the course of one week built a striking honeycomb structure of cardboard funnels.
Spantastic. The Guardian reports the opening of the world’s longest sea-crossing bridge that spans the Jiaozhou Bay in China. After four years and roughly £1.4 billion, the bridge makes possible commuting between cities Qingdao and Huangdao in a region southeast of Beijing. Look forward to another, even longer, bridge opening in 2015 that will connect the Guangdong province to Hong Kong and Macau.
Supertallest. The Council on Tall Buildings and Urban Habitat awarded Adrian Smith an honor of lifetime achievement for his work in the realm of the supertall. Bustler highlights Smith’s work on some of the world’s tallest completed buildings: Dubai’s Burj Khalifa, Nanjing’s Zifeng Tower at Nanjing Greenland Financial Center, Chicago’s Trump International Hotel & Tower, and Shanghai’s Jin Mao Tower while at Skidmore, Owings & Merrill.
Swiss Watch. Treehugger shares news from Zurich: the city is developing a project called OpenSense that will allow buses and other infrastructure systems, including mobile phone networks, to monitor air quality.
YAP to the Max. MoMA PS 1 and the MAXXI open exhibits of the now-transatlantic Young Architects Program, featuring the winners (whose concepts are now installed in New York and in Rome, above) and the finalists.
Made of Glass. Designer Piero Lissoni utilized Glas Italia’s prime material to expand the high-end manufacturing company’s headquarters in Macherio, Italy. Azure reports that the new minimalist building is completely constructed out of glass, and looks best at night when the translucent structure becomes an illuminated box.
Blight on the London Skyline. The phallic silhouette of the skyscraper, which won the 2004 Sterling prize, continues to generate controversy. The Telegraph records Ken Shuttleworth, a former associate at Norman Foster & Partners and the designer widely credited for 30 St Mary Axe, a.k.a. “the Gherkin,” expressing regret for his design of the tower.
French Flat Iron. Architectures completes the Ministère de la Culture’s coveted Biscornet commission: a modern residential building amid Paris’ Haussmannian stock. Architecture Lab notes that the trapezoidal-structure perfectly fits the slightly set back site on the Place de la Bastille, facing both the Gare de Lyon and the Bassin de l’Arsenal. The facade’s pleated metal panels shift to reflect the light and the time-of-day, emanating a golden shadow on the historic location.
Last month rumblings started going around the leafy Armour Hills neighborhood in Kansas City, Missouri. “Those hippies are up to something,” exclaimed one the area’s more conservative residents.
Local artist Pete Cowdin, who goes by the pseudonym A. Bitterman, has created a unique outdoor experience in his front and back yards. Entitled Point of Interest, the installation takes the property of the single-family home, and transforms it into a “national park.” The installation is an interesting critique of how society views nature as somewhere outside of the built environment. “We confuse Nature for the natural world, and this has generated a kind of madness,” Cowdin said.
Architecture in Uniform: Designing and Building for the Second World War
Canadian Centre for Architecture
1920, rue Baile
Montréal, Québec, Canada
Through September 18
How did World War II impact the built environment? This new exhibit curated by Jean-Louis Cohen explores how 20th century architects contributed to the war efforts and how their work ultimately led to the modern structural and technological innovations that make some of today’s complex designs possible. WWII was an accelerator of technological innovation, and from 1937 to 1945 architects were frequently pressed to pursue the most modern solutions, which often meant the most cutting edge. Designed by New York-based WORKac, the exhibit is comprised of drawings, photographs, posters, books, publications, models, historical documents, and films that reveal how contemporary architecture left its mark on the landscapes of both the Axis and the Allied powers. Organized thematically, the exhibition focuses on wartime activity as well as architects and their projects in Canada, France, Germany, Italy, Japan, the Netherlands, Spain, the United States, and the USSR. Architecture in Uniform is part of a larger project at the CCA that examines the various roles of architecture from the Second World War to today called On the Natural History of Destruction.
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An abstract vision of the site’s future is also a high-tech marketing display.
As work at the World Trade Center site progresses steadily, a matryoshka-like replica of it has taken shape on the 10th floor of 7 World Trade. With a view of the construction below, the Silverstein Properties marketing suite occupies the same floor as the WTC architects’ annex offices, providing a tableau of the working architects as well as the completed site to prospective tenants of towers Two, Three, and Four. Scaled architecture studio Radii Inc. have been designing models of the site since its earliest phases, so Silverstein’s senior VP of marketing and communications approached Radii partners Ed Wood and Leszek Stefanski with his conceptual ideas for the diorama. “He wanted it to be big,” said Wood. “Our first questions was, ‘What are the ceiling heights?’”
Mark Handforth Plaza Project
Museum of Contemporary Art Chicago
220 East Chicago Avenue
July 8 through October 10
The formality of the plaza and entrance that Josef Paul Kleihues designed for the Museum of Contemporary Art Chicago has always stood in contrast to the institution’s experimental spirit. This summer the Miami-based artist Mark Handforth will debut four playful sculptures on the plaza and west facade of the building, including a giant brass coat hanger (above) hand bent by the artist. Other pieces, which mine Surrealism even more explicitly, include a giant streetlamp coiled like a snake, a monumental bone with a telephone handset hanging off the top, and a massive crumpled traffic cone topped with an English bobby’s hat.