Spiraling Out of Control. Salt Lake Tribune reported that the New York-based Dia Foundation‘s failure to pay the annual land fees for Robert Smithson‘s Spiral Jetty has resulted in the state of Utah’s appropriation of the artist’s famous “earthwork masterpiece.” Dia subsequently released a statement explaining that they were not aware of the pressing payment and are in negotiations with the state to ensure the water sculpture’s preservation. Artinfo digs deeper to find that the problem could have been caused by a computer or clerical error and says the Dia Foundation hopes to have the matter resolved by the end of the week.
Bad Chemistry. According to DNA, Lower Chelsea residents are fighting to stop Alchemy Construction‘s development of a 30-story tower at 31 W. 15th Street. The development firm bypassed standard zoning regulations after securing air rights from the Xavier High School, which will utilize the lower floors as new classrooms and event space. The Lower Chelsea Alliance maintains that construction of the 300-foot tall building is already causing noise and odor pollution and insist the tower will ruin the neighborhood’s aesthetic character.
Good Mixing. Further uptown, the Wall Street Journal exposes the first gourmet food truck with a one-year liquor license. The city has permitted the Turkish Taco Truck in Central Park to serve beer, wine, and cocktails as long as it provides seating and remains parked. Now introducing: better lunch breaks.
Toxicology. The New York Times reveals the National Toxicology Program‘s recent report identifying formaldehyde and styrene as carcinogens. While consumers are at minimal risk due to the low quantities in wood construction materials and plastics, respectively, the chemicals pose a serious threat to factory workers. The industry is attempting to dispute these results, but some manufacturers have already sought alternative production.
Art Institute of Chicago
111 South Michigan Avenue
June 11 through October 9, 2011
Soon after the turn of the last century, artists and designers from Central and Eastern Europe began producing radically innovative images and objects that remain remarkably fresh today. For the first time, the Art Institute has gathered over 300 objects from across departments to present a comprehensive view of works from the period. Bold graphics, such as John Heartfield’s cover and illustrations for Kurt Tucholsky, Deutschland, Deutschland über Alles from 1929 (above), and pared back design objects show some of the ways in which these artists sought to transform daily living, an experiment that historical events would quickly bring to an end.
Pasadena is celebrating its 125th Anniversary today and will continue partying all month and into the fall. Now a significant city with over 140,000 residents, it was a rural settlement when it decided to become the fourth city to incorporate in Los Angeles County on June 12, 1886. While many know Pasadena for its Rose Bowl, Norton Simon Museum, Pasadena Playhouse, and California Institute of Technology, the city is also home to “Bungalow Heaven,” a 16-block Historic Landmark District neighborhood featuring nearly 1,000 Craftsman bungalows. This month features tours of these homes and more.
The conservation group Blue Ventures won the Buckminster Fuller Challenge in a ceremony at the CUNY Graduate Center on Friday night. The group took home the $100,000 prize, edging out FrontlineSMS, Rainforest Foundation UK, and TARA Ashkar+. The project caught the attention of the judges for its work with impoverished communities along the coast of Madagascar. To solve the problem of overfishing and biodiversity, the group delved into the root causes on land, such as overpopulation and a lack of birth control (an increase in population exacerbates overfishing). The strategy was to stabilize the population and shift toward alternative economic resources. Conservation in the water depends heavily on human behavior on land.
On our way to the grand opening of the extended High Line last week, we couldn’t help but notice the lights were on at the Dream Downtown, hotelier Vikram Chatwal’s newest luxury outpost. While the soft-opening was reserved for Chatwal friends and family, the official opening later this month is sure to draw out the denizens of New York nightlife.
Inside the lobby, a glass-bottomed pool diffuses light from the building’s interior courtyard, accessed through a lushly-planted sliver at the back of the lobby. In the courtyard, a teak-heavy lounge opens up onto the pool deck complete with its own white sand beach, where Vikram himself was lounging on a plush chaise. On the roof, a still-under-wraps venue–with what the Dream is touting as one of Manhattan’s finest views–is sure to be popular. Among the amenities that will open later this year is Romera New York, which is expected to offer a 12-course prix fixe for $245. The hotel will feature 316 rooms, but some are still being finished up.
Originally designed by Albert Ledner in 1966–the same architect as the neighboring Maritime Hotel and the nearby O’Toole Building–and last used as a homeless shelter, Handel Architects has reclad the round-windowed building in stainless steel, earning the structure the nickname of “The Cheesegrater.”
Completed in 2001, the Viñoly-designed Kimmel Center in Philadelphia seems too old for growing pains, but today it’s certainly going through something of an awkward phase. In late April, KieranTimberlake released plans to revamp the performing arts center and now some of the details are emerging. BLT Architects have shared a few rendering from their renovation of the rooftop garden into an event space.
Since reports surfaced this morning that an architect died on West 13th Street in Manhattan, architects and the media have been wondering who the had suffered this unfortunate fate. Multiple outlets are now reporting that architect Danny Colvin, principal of ColvinDESIGN, an architecture and interior design firm specializing in residential projects, fell from a building in the Meatpacking District. We at The Architect’s Newspaper are saddened by the news and send his friends, family, and colleagues our sincerest condolences.
Vitra’s new ID Chair Concept by Antonio Citterio will include a mesh backrest option called Diamond Mesh, a 3-D pleated textile that allows for the air circulation of a standard mesh seat but with the comfort of an upholstered chair. Backrests are available in several heights, with optional head or lumbar supports. A complementary Silk Mesh seat upholstery is also available.
Prepared Motors. Included in recent news from BLDGBLOG, Swiss artist Zimoun installs a series of sound sculptures. Each cardboard piece, comprised of micro-mechanisms, projects subtle sound upon interaction. Watch the following video for the installation plus movement.
Renovation Take-over. The New York Times reveals that the Randhurst Mall, just outside Chicago in Mt. Prospect, plans to undergo serious renovation. The indoor mid-century shopping center will take on a new look with a $190 million renovation. Expect commercial transformation as the mall goes outdoors, for which it will destroy most original elements in favor of an open air shopping experience.
Highline 2.0. If you haven’t heard, the second phase of everyone’s favorite park, the Highline, opened this week, stretching from 20th to 30th streets through New York’s Chelsea neighborhood. The NYC Economic Development Corporation snuck onto the elevated railway before the official opening and has put together a fascinating before-and-after display.
The Design Sector. Archinect features a report from the Center for an Urban Future that specifies the capacity of New York City’s architecture and design sector and encourages its continued growth. The report reviews the “untapped potential” despite a remarkable 40,470 designers currently based in the Metropolitan area.
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An 80-foot waterfall highlights the atrium of a new mixed-use development in Boston.
Atlantic Wharf is one of the newest additions to Boston’s changing downtown waterfront area. Located on the edge of Fort Point Channel, the one million-square-foot mixed-use center incorporates a series of restored and renovated structures built there more than 100 years ago. Beneath a new 31-story office tower, an 80-foot-high glass atrium encloses the original 19th-century street grid, creating a grand entrance to the tower from Congress Street. As a nod to the site’s history and Boston Harbor views, the building’s translucent glass screen wall is designed with a canted top resembling a sail. Working with developer Boston Properties, architect Childs Bertman Tseckares Inc. envisioned another nod to the site’s maritime past in the atrium. Custom water feature design and fabrication company Bluworld was brought on board to create a feature that would span the height and width of the space.
KnollTextiles recently introduced its new Ink collection, a collaboration with Pentagram partner Abbott Miller. The collection is a study in ink on paper and features three patterns: Drip, a series of interconnected letters; Drop (pictured), a striped ink-dot pattern; and Run, a “modern toile” created by guiding small ink drops across a page. All three patterns are 52 inches wide and made with 70 percent vinyl and 30 percent recycled polyester (backing).
A sidewalk in France adds a bounce to your step. Atelier Raum Architects recently released their streetscape intervention La Ville Molle in Bourges, France, part of the city’s 5th annual Biennale of Contemporary Art. During their 2010 artist residency at the École Nationale Supérieure d’Art de Bourges (ENSA), the architecture firm developed the urban design project in conjunction with La Box, the ENSA student gallery, and the FRAC Centre (Fonds Regional d’Art Contemporain).
Situated in a medieval town square, the raised patch of cobblestone vacillates under spectators’ shifting weight. The installation is intended to alter the pedestrians’ urban experience and sense of gravity while the buoyant surface juxtaposes the apparent strength of a cobblestone plaza with the instability of walking on a balloon. Thus, the design demands contemplation on whether the traditional French city should embrace contemporary design as its modernization. (Via noquedanblogs.)