The Architect’s Newspaper‘s Sam Lubell tells us about revitalization plans for Los Angeles’ once bustling Inglewood. Architects Christopher Mercier and Douglas Pierson of (fer) Studio see a vibrant future for Market Street:
“Nobody knows about Market Street,” said Mercier. “But it already has the infrastructure to be something special.” The street is narrow, pedestrian-friendly, and lined with shops, rich plantings, small islands, and beautiful (if not well-kempt) historic buildings along its entire length. “Everyone wants to save downtown, but they don’t have the faith in what it can be,” added Pierson.
Read the entire article about revitalizing Inglewood at The Architect’s Newspaper.
A slideshow of Inglewood’s Market Street after the jump.
The Lisbon Architecture Triennale may have aspirations to international importance, but is really more interesting for what it says about the city’s potential as a regional center rather than a world city like London or New York (more on that in my next post). While most of the Triennale’s three major exhibitions take place in large public event spaces, there is one “official” ancillary event in a small commercial art gallery that has something to contribute to the world architecture scene. Read More
It’s not all glitz in Midtown Manhattan. One block of 35th Street between 6th and 7th Avenues was awarded the pernicious title of Midtown’s ugliest stretch on the appropriately named “Ugly Streets” walking tour, headed up last Friday by the Municipal Art Society‘s Frank Addeo.
Artist Jenny Odell has created a six-print series of collages comprised of cut-outs from Google satellite imagery that show the great variety present in the built and natural landscapes. By repeating the same typological elements, Odell’s collections offer astounding simplicity and beauty. Prints are available for sale on the artists’s web site. Via Lost at E Minor.
A sprawling Frank Lloyd Wright masterpiece could be yours for a cool three mil. Curbed Chicago digs up the listing for Chi-town’s Coonley House in the historic Riverside neighborhood. The original clients apparently buttered up Wright, who, flattered, gave the house extra attention to detail.
More than four years after opening its Renzo Piano-designed expansion, The Morgan Library & Museum has given its 1906 McKim, Mead & White building a loving restoration, expertly executed by Beyer Blinder Belle. In addition to cleaning the mosaics and marbles, the Museum has opened two new spaces to the public, Pierpont Morgan’s vault and the serene North Room, formerly the director’s office. The renovation allows more of the museum’s permanent collection to be displayed, and allows curators to better display those objects, thanks in large part to the exacting lighting design by Renfro Design Group. Read More
California State Route 75 is getting a whole lot snazzier. The 2.5-mile-long San Diego–Coronado Bay Bridge is set to undergo the “largest interactive green energy lighting project in North America.” An international team led by London-based artist Peter Fink (FoRM Associates) and lighting designer Mark Major (Speirs + Major) plus the LA-based office of engineering consultant Buro Happold have won a worldwide contest to illuminate the iconic, swooping girder bridge, opened in 1969. Read More
The rumors about Gordon Bunshaft’s landmarked Manufacturer’s Hanover Trust Bank building being transformed into a big-box retail store have been flying around for a while now. In March, Vornado Realty Trust reportedly entered talks to buy the five-story building at 510 Fifth Avenue. Now, we’ve turned up a rendering by 3-D illustration firm Neoscape showing the building as the type of landmark only your high school daughter could love: a Forever 21.
But wait, it gets worse. Until this month the building has been occupied by Chase Bank, and while the changes made to the building for security reasons were lamentable, at least we could rest easy knowing that its site-specific Harry Bertoia sculpture—a 70-foot screen composed of 800 bronze plates—was safe. But not anymore. An AN tipster clued us in today: “Half of it is laying on the otherwise vacant 2nd floor. So far, all I’ve got from Chase is an assurance ‘it’s not going in the dumpster.’”
We confirmed the awful truth:
Between Frank Lloyd Wright’s private homes, Louis Sullivan’s original skyscraper, and Henry Hobson Richardson’s asylum, Buffalo, New York has more famous and historically important architecture than most cities in the country. Now Buffalo is working hard to churn out its own starchitects—starting in high school. The new Architecture and Design Academy at the International Preparatory School at Grover celebrated its grand opening this week on Buffalo’s west side. Read More
A couple of weeks ago, AIA San Francisco wound up its annual “Architecture and the City” festival with a nice jolt of inspiration. In an event at SPUR, organized in conjunction with GOOD Magazine, designers presented solutions to real-world problems. All of the conundrums were interesting and meaty: The California Public Utilities Commission, for example, wants more people to install solar hot water (Civil Twilight’s proposed marketing campaign included bright-yellow outdoor showers for surfers), and the Santa Clara Valley Transportation Authority wants to get more people to take public transportation in bus-phobic Silicon Valley (Brute Labs suggested a new service based on the corporate shuttle model). But the most poignant of all the problems was posed by retirement-home developer AgeSong: “To create a forgetfulness-friendly city and environment where many seniors in the early and more moderate stages of forgetfulness can live safely and happily.” Read More