Dan Rockhill is best-known in New York as the design father of Studio 804 at the University of Kansas, where he teaches. The studio is among the most successful in the country at actually creating high-quality, sustainable, and LEED-certified buildings produced and built by students. Not only has the studio won many “green” awards for their design-build structures, but they are notable for their high design standards—unusual in sustainability studios. New Yorkers will get a glimpse of the studio’s pathbreaking work on Wednesday, November 10 from 6:00 to 9:00 p.m., when Rockhill delivers a lecture at the Dom showroom at 66 Crosby Street. Read More
While Halloween 2010 is fast fading into blurry memory and rotting pumpkins are heading curbside, these Starchi-Lanterns featuring the glowing smiles of super-personas old and new were too good to pass up. Designers Kyle May of Abrahams-May Architects and Julia van den Hout of Steven Holl put their heads together and came away with these sixteen spooky mugs.
It looks like Zaha and Gehry are having a swell time in the second row, while just above a stern Rem and Prince-Ramus are staring off in opposite directions. Kudos to those who identify all the starchitects in the comments. [ Via NY Observer. ]
Abandoned and nearly lost, the Zonnestraal Sanatorium in Hilversum, Netherlands has been meticulously restored to its former glory by Bierman Henket architecten and Wessel de Jonge architecten. In honor of their efforts, the two firms were awarded the 2010 World Monuments Fund / Knoll Modernism Prize. Alan Brake penned an article for the print edition of The Architect’s Newspaper:
Designed in 1926–1928 by Johannes Duiker and Bernard Bijvoet and completed in 1931, the sanatorium is considered a seminal work of early modernism. Though it was well known when it was built, the structure was eventually abandoned, and since then nearly subsumed by the surrounding landscape. Portions of the three-building complex were almost completely lost, so many parts of the sanatorium had to be meticulously reconstructed, including formerly mass-produced elements that had to be recreated by hand.
Vinyl fabric manufacturer Chilewich has gone from table runners to the runway. Karl Lagerfeld, creative director for Chanel, chose the company’s stencil-like Cubic lace design for the Spring/Summer 2011 ready-to-wear show at Paris Fashion Week last month. The design, currently part of Chilewich’s tabletop collection, was reproduced into a sheer cocktail dress with feather trim and was one of the last numbers to float down the Chanel runway. (A note on the architecture: The Grand Palais was dramatically transformed into a seemingly post-apocalyptic formal garden with charred black hedges and white gravel.)
It was a panel I couldn’t refuse: To moderate a talk with two architects from China about sustainability. Not that it’s a topic with which I am very familiar, but I would guess that even architects working there find much about the Chinese approach to environmental issues a mystery. I do know that the country has a $375 billion dollar construction industry devouring resources and that, at least ten years ago, a new coal-fired plant was being built every ten days. But things are changing fast and the chance to talk to Wang Degang who has his own 20-person firm in Nanjing and with Mesh Chen Dongliang who has been working for the past six years at Arquitectonica’s Shanghai office about their impressions was quite an opportunity.
Perkins Eastman confirmed today that the global practice is merging with Ehrenkrantz Eckstut & Kuhn and the firms will be consolidating their offices in New York, Washington, D.C., and China. When the merger is complete, the new firm – yet to be named – will have a total of nearly 600 employees, 500 from Perkins Eastman and 85 from EE&K. Steven Yates with Perkins Eastman says no major layoffs have taken place in the past nine months and the company is not planning any layoffs as part of the merger.
Perkins Eastman is the designer behind Times Square’s glowing red stairs and a mega-project in Queens while EE&K has been busy master planning Cleveland’s waterfront. Anyone care to take a guess at the new firm’s name?
Oh, to be a wide-eyed and optimistic student ready to enter architecture school and stake his or her claim in the world of starchitecture. A humorous take on the soul-crushing, back-breaking, pain-inducing life of an architect. Be warned, some language NSFW.
AIA/LA hosted its annual Design Awards last night at LACMA, an event that while not too full of people (that pesky recession) was full of astoundingly good projects. The AIA made us really happy, awarding AN a Presidential Award (Thanks AIA/LA President Paul Danna) for “Architectural Interpreter”. Aw Shucks.. Other notable winners included Firm of the Year Lorcan O’Herlihy Architects and Gold Medal winner Brenda Levin. Since there were a hefty number of Design Award winners, we’ve decided to pick out a few of our favorites. And so without further ado we present the first ever, completely unofficial, AIA/LA Awards Awards! Read More
My antipathy toward 200 Eleventh Avenue was partly on principle. The 250-foot condo with a garage off every unit—“just like a house in the suburbs,” chimed a spokesperson—seemed a flagrant abuse of the New Yorker code of honor to use public transportation, even if it’s an idling town car. And the stainless steel east-facing facade that houses the vertical parking lot presents a largely blank and uncommunicative face to the city. But a tour with architect Annabelle Selldorf made a quick convert of me, and an entire group of design journalists, as we traipsed through some nearly completed rooms in this 61,000-square-foot condo made for 16 duplex apartments (95% sold). Read More
If you think LA’s skyline seems a little flat, you’re not the only one. Apparently LA Mayor Antonio Villaraigosa thinks so too. According to LA Department of Building and Safety General Manager Robert “Bud” Ovrom, the Mayor was disappointed at how the skyline stood in comparison to what he saw in a recent trip to China. The city’s flat-topped skyline was investigated in a two part-series from Curbed LA. We followed up with Ovrom. Read More
Brooklyn-based artist Leeza Meksin plans to give an historic brick structure in St. Louis a new skin – or rather a new set of clothes. House Coat proposes wrapping over 800 yards of spandex around the two-story building, complete with stylized “corset-like fixtures in the back, weights, [and] leather.”