On September 11th, the Architects Forum Glass+Performance in Atlanta, Georgia presents some of the biggest names in architecture for a symposium of diverse programs, esteemed speakers, and informative dialogues, all in the name of glass. As part of GlassBuild America: The Glass, Window & Door Exposition, The Architect’s Newspaper and Glass Magazine have teamed up to develop a spectacular lineup addressing the multiplicity of uses of architectural and decorative glass. Registration allows attendees access to the exciting events of the day, including a keynote address by architect Neil M. Denari, as well as entrance to the three day GlassBuild America Trade Show Floor and five Continuing Education Units from the American Institute of Architects.
Last week Los Angeles councilman, Jose Huizar, announced the formation of a 21-member task force to help re-imagine Pershing Square, the beleaguered central park in the middle of downtown. The group includes local residents, design and architecture experts, business people, and government officials. Huizar said he hoped they could bring “a wide-range of ideas and perspectives to the discussion.” They’ll also have to develop an agenda and a timeline, and figure out how to fund the project.
AN’s distinctive Facades+PERFORMANCE conference in Chicago provides participants the exclusive opportunity to engage in in-depth dialogue with frontrunners in the architecture, fabrication, and engineering industries. On October 25th at the Illinois Institute of Technology, workshop leaders such as Sophie Pennetier, Project Engineer at SHoP, will lead intimate discussions conducive to innovation and creative problem-solving. Topics including bent glass, designing for wood fabrication in complex geometries, and integrating performance are on the lineup.
Those planning Lexington’s 21c Museum Hotel say the $40.5 million project will take longer than expected, but should come sometime in 2015.
The growing Louisville-based hotel company bought the historic First National Bank building and an adjacent structure in Lexington’s downtown last year, winning city approval for design plans shortly after. Once planned for office tenants, the boutique hotel in Lexington’s downtown apparently sustained more water damage than previously thought. New York–based Deborah Berke Partners has been tapped to design the boutique hotel. The firm also designed 21c Museum Hotels currently operating in Louisville, Cincinnati, and Bentonville, AR.
With the ongoing attacks on American interests in the past, the US Department of State’s Bureau of Overseas Buildings Operations (OBO) has moved it’s government buildings from the heart of Beirut, to the calmer suburbs of the north of the Lebanese capital, specifically Awkar. OBO is currently evaluating a group of design teams to be commissioned for the design and construction of the new US embassy in Awkar, just 7 miles north of Beirut, and in close proximity to the existing embassy. Six firms participated in Stage 2 evaluations, and the list has now been shortened to three finalists.
On September 6, 2013, Vitra announced it acquired Artek. The Finnish furniture company was established in 1935 by architect Alvar Aalto, his wife Aino, Maire Gullichsen, and historian Nils-Gustav Hahl to produce furniture that promoted modern living. Over the company’s last 80 years, it has expanded its business to include rights to Ilmari Tapiovaara’s furniture collection and collaborations with renowned designers and artists such as Shigeru Ban, Eero Aarnio, and Enzo Mari.
Artek will continue operations as a separate entity but it is anticipated the purchase will expand the furniture company’s reach further beyond Finland, where contract and residential domestic sales account for 60 percent of its business. “The international dimension, which was a clear goal already in Artek’s founding manifesto of 1935, needed to be revitalized,” said Artek’s CEO Mirkku Kullberg in a statement. “That arena is where we want to be and alliances or ownership arrangements are one way of building the future.” Read More
|Brought to you with support from:|
Designers in Indianapolis fabricate a graphic, splintered design.
Indiana-based design/build studio PROJECTiONE employs a multidisciplinary approach to its work that runs the gamut from digital to analog fabrication. Founders Adam Buente and Kyle Perry craftily bridged that gap with Synthetic Grain, a set piece for the Young & Laramore advertising agency of Indianapolis that explores the natural knotting and grain of lumber. The team used parametric software to create a graphic, 3D pattern system for an architectural screen that mimics natural variations of wood.
Working in Rhino, parallel lines—or the wood grain—were drawn and points were defined within. Each point served as a knot, around which the lines would gently curve. “Our only input for this project were those points in 3D space,” said Perry. To ready the design for fabrication, curves and cut holes for the plywood backing were generated in Grasshopper. Read More
For thousands of years, it has been widely acknowledged that glass is not only a compelling material, but is unbreakable in compression. More recently, glass as an innovative facade technology has steadily surfaced, propelled mainly by prominent international building designers pursuing transparency in building facades. At The Architects Forum Glass+Performance on September 11 at the GlassBuild America expo in Atlanta, Michael Ludvik of M. Ludvik Engineering will present about structural glass in a session titled Structural Glass: Ancient Material Modern Treatment.
To explore glass as an appealing facade material, Ludvik will provide project examples including the TKTS Booth at Times Square, the Canopies at the Lincoln Center, and the Sky Dive Dubai wind tunnels. The work is characterized by an architecturally sensitive first principles approach.
Ludvik is a structural engineer who gives particular attention to structural glass. Since graduating from the University of Sydney with a BE in Civil Engineering, he has worked as an engineer at notable firms such as Arup, Hardesty & Hanover, and Dewhurst Macfarlane & Partners. His Brooklyn-based firm M. Ludvik & Co. offers structural, glass, and facade engineering services for both architects and contractors.
Register here to hear Ludvik speak about structural glass at Glass+Performance on September 11, 2013!
On View> “Thomas Bayrle: Chrysler Tapete” Opens September 6 at the Contemporary Art Museum St. Louis
Thomas Bayrle: Chrysler Tapete
Contemporary Art Museum St. Louis
3750 Washington Blvd, St. Louis, MO
September 6, 2013 to October 27, 2013
From September 6 to October 27, the Contemporary Art Museum St. Louis and chief curator Dominic Molon present Chrysler Tapete (1970) as part of the institution’s ongoing Front Room program. One of a series of wallpaper works that German artist Thomas Bayrle has produced since the late 1960s, Chrysler Tapete features the repeated image of an automobile until its distinctiveness subsides into a colossal collectiveness. The purpose is to signify the tension between positive, shared experiences and the feeling of oppressive uniformity. Bayrle, a leader in European Pop Art—frequently referred to as Grey Pop—continues to experiment with painting, sculpture, fashion, and graphic design and currently lives and works in Frankfurt am Main, Germany. Through solo and group exhibitions, his objective is to uncover how our society of mass production and consumption influences our understanding of the world. Bayrle investigates how physical space, scale, and pattern influence the observer. Chrysler Tapete, consisting of silkscreen print on paper, has an intense visual presence that provides visitors with a new way to experience the exhibition space itself, a fitting role as the installation coincides with the tenth anniversary of the Contemporary Art Museum’s building.
Streets occupy nearly a quarter of New York City’s land, however there are limited outdoor spaces to socialize, sit, and enjoy city life outside of parks. As part of an effort to improve the quality of public space for all New Yorkers, the NYC Department of Transportation (NYCDOT) has been developing new public open space by converting underutilized street spaces into pedestrian plazas. With dozens of plazas already open and functioning across the city, the NYCDOT has been looking to polish the new spaces, installing permanent designs, improved benches, and now, specially designed signs to showcase public art.