Topocast and Randy Twaddle used Rhino to produce a 3D version of a 2D pattern. The 3D model became a 3D print, which was used as a prototype for casting 65 sculptural tiles.
The entrance portal of Mirabeau B, a 14-unit residential complex in Houston’s Hyde Park neighborhood, is home to a 7-foot-high, 25-foot-long white wall of deeply textural tiles. Each tile is 20 inches square and features on its surface a three dimensional pattern that resembles nothing so much as the carapace of a Sci-Fi race of crab creatures. In fact, the pattern was derived from a photograph of a power transformer and its tangle of intersecting wires atop an electric light pole. It was worked into its current condition through a collaboration between print and textile artist Randy Twaddle and Dallas-based design and fabrication studio Topocast.
Twaddle had used this image to generate several of his designs for wall coverings and rugs and the like. In this instance, he manipulated the image until arriving at a pattern that could be repeated and assembled modularly in a system of tiles. Twaddle delivered the 2D pattern to Topocast, which began to develop a workable 3D version. “Most of the 3D was done in Rhino,” said Topocast founder Brad Bell. “We also used the Rhino plugin T-Splines to create the intricate curvature and geometries.”
Silicon Valley definitely has the architecture bug. We’ve recently seen remarkable new designs put forth by Foster + Partners for Apple and NBBJ for Samsung. Now Gensler has released ambitious new designs for tech company Nvidia, located in Santa Clara. The 24-acre complex’s two 500,000-square-foot buildings are each shaped like triangles, a configuration that Gensler principal Hao Ko explains facilitates collaboration by allowing connections to each side of the building to be the shortest. (The triangle, he adds, is also “the fundamental primitive that defines all shapes in the digital realm.”) Undulating roofs will be made up of smaller triangle pieces, breaking down the overall mass and allowing for ample skylighting, in the in-between spaces. Construction is set to begin this summer, with completion in 2015. Apple’s circle now has geometric competition. Who’s next?
The American Institute of Architects (AIA) College of Fellows announced today that it will award the 2013 Latrobe Prize of $100,000 to the proposal, “The City of 7 Billion.” This ambitious research study will explore how population growth and resource consumption, on a global scale, affects the built and natural environment looking “at the world as a single urban entity.”
Victoria Sambunaris: Taxonomy of a Landscape
Museum of Contemporary Photography
600 South Michigan Avenue
Through March 31
Victoria Sambunaris has photographed the American landscape from coast to coast, investigating human interaction with and relationship to the natural environment. Over a decade’s worth of color photographs taken with a 5 by 7 field camera capture the multiple layers of America’s expansive landscapes that are interrupted by human development. Born to Greek immigrant parents driven by the American dream, Sambunaris has become fascinated and identifies with the unease of the Mexico/United States border. Her photographs of over 2,000 miles of these borderlands suggest an innate similarity between the two lands in spite of national boundaries. Taxonomy of a Landscape also includes a complete archive of Sambunaris’ travels with maps, journals, road logs, collected souvenirs, and sketches.
Hammer Projects: Dara Friedman
10899 Wilshire Blvd.
Through April 14
Miami-based artist Dara Friedman is known for her black and white films of dancers dancing through city streets. For her film Dancer (2011) she used a 16mm camera to examine urban space and individuals within these spaces, filming improvisational dancers in a variety of styles, from flamenco, to ballet, to belly and break dancing, and more. In her work, Friedman also investigates accepted concepts of performance-based art. Her grainy films sometimes capture the sounds of street traffic, and she sometimes dubs music that is not always in rhythm with the dancers’ movements. For her first exhibition in Los Angeles, Friedman has prepared an 8mm film that is a follow-up to Dancer.
The Architecture Billings Index showed renewed strength in January, with a jump to 54.2 from 51.2 in December (any score above 50 indicates positive growth). All four regions were in positive territory with the Midwest leading at 54.4, the long struggling West showing strength at 53.4, the South came in at 51.7, and the Northeast at 50.3. The Index posted the strongest gains since November 2007.
Another weekend, another Modernism Week. One of our favorites: a look inside the Palm Springs Art Museum’s future Architecture and Design Center, located inside E. Stewart Williams’ sleek Santa Fe Federal Savings & Loan (1960). The International Style building is being renovated by Marmol Radziner, who also worked on Richard Neutra’s nearby Kaufmann House. The museum has already raised more than $4 million to buy and renovate the building, and is now just $1 million shy of what’s needed to get work underway. The organizers hope to break ground in the next few months and open the center by fall 2014. But for now, its interior is still lots of quirky fun, including a chance to walk inside the old bank vaults, check out the old drive through teller, and explore the old kitchens and mechanical systems.