Last night, the 1500 Gallery in Chelsea held an opening for Brasilia, a show of iconic photographs dating from the creation of the freshly minted Brazilian capital. Indeed, the show is meant to be a celebration of the Semicentennial of Oscar Niemeyer’s city in the jungle. The show was organized by Brazilian photographer Murillo Meirelles and will be up through November 27. Pictures of pictures, and more from the opening, after the jump.
As we reported a few weeks ago, the Landmarks Preservation Commission is gearing up to create a huge new historic district on the Upper West Side. Last night, the commission held a meet-and-greet with the neighbors, at which the tentative boundaries for the new district—technically five contiguous extensions to five existing districts—were unveiled. As the map shows, it’s quite a lot of real estate, and though smaller than the extant Upper West Side historic district (2,000+ versus 745) it will become, should it be approved, one of the largest in the city. What’s most interesting, though, is how much of the Upper West Side will now be under the commission’s purview. It will be interesting to see how the development community reacts.
Overshadowed by the sadness surrounding West Hollywood Urban Designer John Chase’s death was the loss of another great supporter of Southern California architecture: Elaine Jones, the widow of architect A. Quincy Jones. San Francisco writer and publicist Kenny Caldwell, a close friend, writes a stirring tribute on his blog. In it we get—among other smart observations—a glimpse into her dedication to architecture, to her friends, and to the ideals of her late Husband A. Quincy Jones. At a time when “wow” architecture is still dominant, it’s refreshing to hear another approach. Says Caldwell: “She would say that Quincy’s design was rooted in the experience of the building as people moved through it. I came to appreciate the humility it took to focus on spatial experience over object.”
The New York City Landmarks Preservation Commission continued its efforts to preserve what have been, at least historically, unlikely landmarks. There is focus on the not-so-outer boroughs and modernist masterpieces and on the scruffy, increasingly tony “Lower East Side,” one of the oldest, yet long-neglected parts of the city. This is of course not the small neighborhood that had been sequestered by real estate agents, but the real LES, as defined by historians and historic maps, from 14th Street to the Brooklyn Bridge, with the Bowery as its eastern bounds. In 2007 and 2008, the commission surveyed more than 2,300 properties and has been bolstering the landmarks rolls ever since, from Webster Hall to Wheatsworth Bakery. Yesterday, three more were added. Read More
Of the 11 projects on the AIA SF Home Tours this year, the breakout sensation was the house of husband-and-wife design team Andrew Dunbar and Zoee Astrakan, of Interstice Architects (Dunbar is an architect, Astrakan is a landscape designer). There were certainly some lovely, finely detailed projects on the tour, but this particular house was interesting because in lieu of slick modernism, it had a freewheeling, “let’s throw something up and see what sticks” feel to it. (Other design publications agree: the project just appeared in the New York Times). It’s DIY, but on a scale that architects can pull off. Read More
For you last-minute types, the deadline to register for AN and SCI-Arc’s Clean Tech Corridor Competition is the end of the day tomorrow. The competition asks architects, landscape architects, designers, engineers, urban planners, students and environmental professionals to create an innovative urban vision for Los Angeles’ CleanTech Corridor, a several-mile-long development zone on the eastern edge of downtown LA (which includes a green ideas lab and a Clean Tech Manufacturing Center). Entries should look beyond industrial uses; creating an integrated economic, residential, clean energy, and cultural engine for the city through architectural and urban strategies. That could include not only sustainable architecture and planning, but new energy sources, parks that merge with buildings, new transit schemes, and so on. While registration is due tomorrow, entries are due on September 30. So get a move on!! You can download the brief here.
Architectural lighting is a great way to bring a bit of life to unused buildings. A new program in Detroit aims to cast some of the city’s many empty structures in a better light, in an effort to “mothball” them for future use. The architects at McIntosh Poris Associates have an innovative plan to re-light the four buildings without generating carbon emissions, a plan they hope to expand across downtown. Commissioned by the Detroit Downtown Development Authority, the project will light the interior and exteriors with power generated from rooftop photovoltaics. Read More
The fabulous Peter Marino has designed a fabulous new store for Chanel in Soho, which opened Friday for Fashion Night Out. It’s so fabulous that Chanel Global Creative Director Peter Phillips created a new makeup line paying homage to Marino’s sleek lines and the sleeker girls who hobble about the cobblestone streets surrounding the store. As for the renovation itself, it was inspired by the artsy spirit of the neighborhood and features an acrylic Chanel No. 5 bottle that stands over 10 feet high and will display video art as well as video of runway shows from Paris. The newly outfitted boutique has a gallery feel to it, complete with commissioned artworks by Peter Belyi, Alan Rath, and Robert Greene. More makeup and makeover after the jump. Read More
They’re currently in the works in a shop in Gowanus, and we’ll have more pictures come Friday, after the in situ party Thursday night (see you there), but here, finally unveiled, are the dozen winning sukkahs from the first annual Sukkah City competition. We first revealed the impressive project, with the ambition of redefining this ancient Jewish structure, back in May, and last month we dug up the dirt on three of the winners, including preliminary plans for the homeless-sign-constructed Sukkah of Signs above. After the jump are a few more of our favorites, with all of the winners and entrants over on the competition’s site. They’ll be showing up in Union Square a few nights before Sukkot, on Sunday and Monday, with the winner of the People’s Choice sukkah, currently being selected over at New York magazine, staying all week. So go on. Vote already. It’s a mitzvah and’ll do your bubbe proud. Read More
AN has just learned that Gwynne Pugh of well-known Santa Monica firm Pugh + Scarpa has decided to leave the firm to start his own company, Gwynne Pugh Urban Studio. Pugh and Lawrence Scarpa have led the firm for the past 22 years—Pugh actually hired Scarpa in the ’80s. Pugh’s new company, which “specializes in the design of structures, urban design, planning, sustainability, and consultation to companies and public entities,” launched on September 1. In 2011, firm principal (and Scarpa’s wife) Angela Brooks, who now runs Pugh+Scarpa’s sustainable development department, will be elevated to principal-in-charge, precipitating a new firm name: Brooks+Scarpa. The firm would not comment on the changes (and Pugh’s profile is already off the firm’s site), but we will keep you informed as more information becomes available.
Earlier in the week Crain’s reported that the Merchandise Mart, Chicago’s iconic Art Deco design center and the home of the country’s largest design trade show, is up for sale. Vornado, the New York–based real estate company that bought the Mart’s parent company from the Kennedy family in 1998, is reportedly seeking more than $1 billion for 8.9 million square feet held by Merchandise Mart Properties (MMPI).
Yesterday, MMPI released a statement disputing elements of the Crain’s story, particularly recent profitability figures. According to MMPI, their properties are 92% occupied, a rate far higher than the 84% occupancy for the rest of the Chicago central business district. The statement implies, thought it does not categorically state, that the Mart is not on the block. Here’s the full release. Read More