You better run, you’d better take cover! Frank Gehry‘s is heading down to Australia with a half twisted-brick, half glass-shard business school for the University of Technology, Sydney. The $150 million project draws its inspiration from a tree house, or as Frank puts it, “a trunk and core of activity and… branches for people to connect and do their private work.”
Dan Rubinstein, editor-in-chief of Surface magazine, is curating a series of lectures at the Museum of Arts and Design evaluating the future of American furniture design. Dubbed “The Home Front: American Furniture Now,” the five-lecture series begins this Thursday, January 13 as leading furniture retailers present their views on the difficulty selling American design. In March, AN‘s own executive editor Julie Iovine will lead a roundtable panel called “Drafted” on the importance of American design for architects and designers.
The line stretched down the block outside of the Center for Architecture last night for the release of High Performance Landscape Guidelines: 21st Century Parks for NYC. The document providing sustainable park guidelines was produced through a partnership between The Design Trust for Public Space and the Department of Parks and Recreation. The manual is the first of its kind in the nation.
When Diller Scofidio + Renfro were solicited last June by Eli Broad to sketch an idea for his new archive and museum, the architects were forced to ask: “What do you build next to Disney Hall?” Answer: Something else. Where Frank Gehry’s work is smooth and impenetrable, the Broad Art Foundation is porous and accessible. The stainless steel concert hall reflects the city’s skyline; blinding sunlight bounces off its capering shell. The Broad’s concrete veil, by contrast, is a less aggressive spectacle. At three-feet thick, and punched through with large angular openings, the new museum looks as if it is cloaked in an ice cube tray twisted by a powerful algorithm. As, certainly, it has been, to pleasing effect. Read More
Yesterday, Sam Lubell detailed The Broad Foundation’s much-anticipated LA museum complete with all the renderings. Now, we have a video fly-through of the new Diller Scofidio + Renfro-designed space and isn’t it something! You can really start to appreciate the porous nature of The Broad‘s structural concrete “veil” and the views inside and out it will offer. You also gain a sense of its street presence sitting alongside Frank Gehry’s Disney Hall, which appears rather large in comparison. What do you think?
A new documentary called The Pruitt-Igoe Myth by Chad Friedrichs seeks to capture the life of St. Louis’ infamous housing project through the lens of the people who lived there. The film looks beyond the iconic images of its implosion and offers an analysis of urban renewal’s impact locally and across the nation. From the movie’s web site:
The Pruitt-Igoe Myth tells the story of the transformation of the American city in the decades after World War II, through the lens of the infamous Pruitt-Igoe housing development and the St. Louis residents who called it home.
At the film’s historical center is an analysis of the massive impact of the national urban renewal program of the 1950s and 1960s, which prompted the process of mass suburbanization and emptied American cities of their residents, businesses, and industries.
The 83-minute film will be premiering February 11-13 at the Oxford Film Festival in Mississippi. No word yet when it will make it to St. Louis and beyond, but we’re anxiously awaiting! [Via Preservation Research Office ]
An exhibition of architectural photographer Ezra Stoller’s work will open at the Yossi Milo Gallery tonight in New York and runs through February 12. A few of the photos are instantly recognizable, such as a photo of the Guggenheim lobby featuring women in pillbox hats standing in the foreground. But the gems of the show are those taken off the beaten path, like the roof of the Seagram’s Building or a parking garage in Miami.
As there are few visible changes on the facade, this week’s photos focus on the reinforced concrete at the base of the tower. With much media fanfare, the NYPD opposed initial designs for security reasons. The resulting redesign introduced a fortress-like base and core, which is now visible from the street level. Eventually, the concrete will be shielded behind a metallic scrim, not unlike the one seen next door on Seven World Trade. For now though, pedestrians can glimpse the exposed base to get an idea of the tower’s extraordinary strength.
Finally. The design for Eli Broad’s new contemporary art museum in Downtown LA, designed by Diller Scofidio + Renfro, is being unveiled on Thursday, according to a press release sent out today. The event will take place at 11:00 am at Walt Disney Concert Hall (next to the new museum site), giving us lazy journalists plenty of time to make it. According to the release, the museum will be “home to the worldwide headquarters of The Broad Art Foundation,” and will provide a home for Broad’s collection of more than 2,000 works by 200 artists. Since the museum saga has dragged out over several years between several cities, and because he’s hired one of the country’s top architects, Mr. Broad has done an excellent job of building our expectations. Hope it’s good!
Chicago is famously the city where cab drivers namedrop architects. This year there will be a new way for the general public to become even more well-versed in the city’s historic and contemporary architecture, openhousechicago. Modeled on successful programs in London, New York, and Toronto, openhousechicago will offer free access to more than 100 sites around the city, some of which are normally not open to the public, including the Center for Green Technology and the Burnham-designed Santa Fe Building. Organized by the Chicago Architecture Foundation, openhousechicago will run from October 14-16. Sites are still being nominated and volunteers are needed, so visit www.openhousechicago.org for more information or to get involved.
Earlier this year AN looked at Midway Crossings, designed by James Carpenter with lighting designers Schuler Shook and landscape architects BauerLatoza Studio, a project that uses light and urban design to create a visual connection across Frederick Law Olmsted’s Midway Plaisance. The project, formerly known as the Light Bridges, is now nearing completion, and the result seems to accomplish the goal of better joining the main campus of the University of Chicago with its expanding facilities across the park. Tall light poles and wider sidewalks with planted, raised easements create an inviting place for pedestrians, and the University hopes the two crossings, at 59th and 60th Streets, will create focused centers of foot traffic, improving safety. Purists may feel that the University has co-opted public park space, but the design team’s use of light as the main element shows a light hand in the landscape. Read More
[ As the World Trade Center continues its ascent, The Architect's Newspaper will be checking in each week for signs of progress at one of the country's most exciting construction sites. ]
The blizzard did little to deter holiday crowds from flocking to the World Trade Center this week. With few office workers in town, hundreds of tourists crushed onto the slushy sidewalks of Church Street. From behind St. Paul’s Chapel, a cacophony of languages could be heard. Construction moved forward with few signs of delay or disruption from this week’s snow and by Wednesday afternoon the site was humming as usual.