Archtober Building of the Day #13
The Museum at Eldridge Street
12 Eldridge Street
The Columbus Day holiday and parade did not deter the Archtober faithful from attending a very special family event at the Museum at Eldridge Street. Archtober first visited the 1887 Eldridge Street Synagogue on on October 28, 2012 in the shadow of the looming Superstorm Sandy, to enjoy the fruits of a 20-year restoration project that culminated in the 2010 installation of the Kiki Smith rose window. Now, adding to the manifold riches to be found within is a fully realized Museum at Eldridge Street, the result of a collaboration of curators, historians, architects Archimuse, and graphic designers.
Archtober Building of the Day #12
The Pavilion at Brookfield Place
100 West Street
Pelli Clarke Pelli Architects
It is impossible not to notice The Pavilion at Brookfield Place from almost any viewpoint near it’s location on 100 West Street. A glass curtain wall seems barely to contain the steel trees that emerge from its floor. While our Archtober tour was conducted under the noonday sun, one can easily imagine the building’s brilliance after nightfall.
While architecture and design firms across the country and around the world gear up to register (the deadline is November 3) for The Architect’s Newspaper‘s 2015 Best Of Design Awards, we’d like to take the opportunity to introduce this year’s jury. As with last year, we invited a group of prominent design professionals whose expertise covers the nine categories in which we are giving awards. Collectively, they will lend their broad experience and individual perspectives to what is certain to be the very difficult task of choosing the best of many sterling projects.
Architecture & Design Film Festival
54 Varick Street, New York
It’s that time of year again, when the Architecture & Design Film Festival brings a bouquet of moving image portraits about the built environment and the creators behind them to New York. From October 5–19 at Tribeca Cinemas, you can catch the U.S. premiere of the much-anticipated series masterminded by Wim Wenders, Cathedrals of Culture. Made by six directors—Wenders, Robert Redford, Michael Glawogger, Michael Madsen, Margreth Olin and Karim Aïnouz—about six buildings: Berlin Philharmonic, the National Library of Russia, Halden Prison, the Salk Institute, the Oslo Opera House, and the Centre Pompidou, all in 3-D.
Archtober Building of the Day #11
Glen Oaks Branch Library
256-04 Union Turnpike, Queens
The goal of libraries is to provide communities with access to resources, said Karen Fairbanks, founding partner of Marble Fairbanks. Before Fairbanks and a large team of fellow architects, landscape architects, and engineers designed the new Glen Oaks Branch Library, community members were yearning for a facility that could provide more resources that better serve their needs.
In the last few years, urban bike sharing has popped up all across the United States: in cities like Boston, New York, Washington D.C., Miami, San Francisco, and Chicago among others. Finally Seattle is getting it’s first bike sharing program, Pronto Cycle Share, today.
Greenbuild 2014, the country’s largest conference and expo on sustainable building and design, will be held at the Morial Convention Center in New Orleans. This year’s conference, which runs from October 22–24, is themed “Leadership Jazz” and is expected to draw 23,000 attendees and 600 exhibitors from around the country.
As we’ve mentioned before, the biggest competition in town is not in the United States. Virtually every design firm in California and everywhere else has entered the competition for the Guggenheim Helsinki. Proposals were due on September 10, and Eavesdrop received a secret picture of the storeroom where they are being kept. Let’s just say it is FULL. There appears to be several hundred submissions. Only six of the proposals will advance to stage two of the competition, a list that will be announced later this fall. The winning entry will eventually be chosen next June. So stay tuned, there’s plenty of Guggenheim madness left! (And why doesn’t the Guggenheim open a branch in Los Angeles already?!)