According to both the New York Times and the LA Times, Eli Broad appears to have settled once and for all on a Downtown LA site for his new museum, and has gone so far as to hold a new competition for its architect. Further background has it that Thom Mayne, who had been favored to design Broad’s museum, is now out, and the new finalists are Rem Koolhaas, Diller Scofidio + Renfro, Herzog & De Meuron, Christian de Portzamparc, Foreign Office Architects, and recent Pritzker Prize winners SANAA. According to the New York Times, the jury appeared to favor Diller Scofidio + Renfro and Koolhaas. A choice, according to their story, could be made within the week. Read More
DANCING WITH STARCHITECTS
Eavesdrop got all flustered when the Chicago Dancing Festival, an annual event celebrating American dance, announced the theme for its August 27 event: “The Dancing Skyline.” Could this be like Dancing with the Stars or a Pilobolus-like pile of dancers recreating buildings from Chicago’s iconic skyline? Probably neither, as the festival’s website simply describes it as “a lecture and demonstration focused on themes of architecture and dance.” Still, we would have paid good money to see Jeanne Gang paired with the likes of Jay Franke of the Lar Lubovitch Dance Company prancing off against Helmut Jahn and Fabrice Calmels of the Joffrey Ballet. A gossip columnist can dream! Read More
One of the perks of being an architect is the excuse to build yourself the coolest of all possible houses (despite any budget holes it may push you into). An excellent way to explore this phenomenon comes at this weekend’s Venice Art Walk + Auctions, and their Art and Architecture Tours. Featured on the tours is one of the wackiest houses we’ve ever seen: Architect Tony Coscia’s own Skywave House (above), a serpentine sculptural form unraveling itself from a single plane and hovering over a glass base. Another highlight is Glenn Williams’ Guitar House, a cubist creation that the architect designed for himself after being inspired by a Picasso painting of a guitar. Read More
On Monday, the latest portion of Hudson River Park opened to the public, bringing with it a novel pair of attractions along New York’s expanding West Side greenway. Located just north of Chelsea Piers, the project rises atop Piers 62 and 63, which together with Pier 64 form the roughly 8-acre, U-shaped landscape that Michael Van Valkenburgh Associates (MVVA) named Chelsea Cove when starting the project in 2001. “Our main vision was to create not only a park for people moving along the bikeway, but primarily for the community,” said Peter Arato, senior associate at MVVA. Read More
New Las Vegas megaresort City Center, which we reviewed in January (it features buildings by Daniel Libeskind, Cesar Pelli, Rafael Viñoly, Helmut Jahn, and others) just reported its first quarter results. They weren’t good. The’s $8.5 billion project, owned by MGM Mirage and Dubai World (which has finally worked out a debt restructuring deal with its creditors), recorded an operating loss of $255 million, and has only been able to sell about 100 of its 2,400 luxury condominiums, according to the Wall Street Journal. MGM is also locked in a lawsuit with its contractor, Perini Building Co, for defective workmanship and overbilling. For what it’s worth the company claims that it will soon begin to turn a profit on the project. Now that’s a Vegas bet we’re interested in following.
Last night was the American Academy of Arts and Letters‘ annual ceremonial. The venerable organization inducted new members, meted out awards, and exhibited newly acquired artwork. Among the honorees were many familiar names from the architecture world. Henry Cobb, a long-standing member of the Academy, presented the Arnold W. Brunner Memorial Prize in Architecture to Michael van Valkenburgh—only the second time in history that the prestigious prize has been given to a landscape architect (Dan Kiley was the other, in 1995). The Academy also inducted Thom Mayne of Morphosis into its membership, citing the convention-defying nature of the controversial architect’s work as reason for his worthiness. Read More
The houses showcased in this year’s AIA SF Home Tours in Marin County have a common theme in their responsive attitude to the landscape; permeable skins allowing a transparent transition between interior and exterior, embedding into their sites, and visually enlarging the volume of their comparatively modest footprints on steeply situated hillside lots. Each of the homes have unassuming public facades, displaying a circumspect propriety among its neighbors. The architecture of these residences say as much about their setting as the spaces inside. Read More
Yesterday, we reported on the continued improvement of the AIA Billings Index, which has shown its best performance in two years. While things have not totally recovered yet, there is more to this story than just number. We’ve been hearing stories, too, of those so-called green shoots popping up here and there. Take for example a recent tweet by Gensler heralding the 63 spots that the firm is trying to fill across the globe. The simple missive—”Sign of the times: we’re hiring for 63 positions!”—ricocheted around Twitter, a sign of hope and promise among those wired architects. Clearly, this is the kind of good news people are looking for, so we want to hear more. Please leave your stories in the comment section below or send them to editor[at]archpaper.com. We’ll try and highlight them in a few days.