The Brooklyn Chamber of Commerce recently hosted the 11th annual Building Brooklyn Awards, recognizing 13 buildings for innovation in expanding and preserving Brooklyn’s built environment. Awards covered a variety of categories including adaptive re-use and historic preservation, mixed-use, education, interior renovation, mixed-use, open space, and affordable housing. In addition to the building awards, the Chamber of Commerce honored Deb Howard, Executive Director of the Pratt Area Community Council and Jed Walentas, Principal of Two Trees Management for their work in restoring and revitalizing neighborhoods Bedford-Stuyvesant and DUMBO respectively.
Day becomes night. Alexander Brodsky: It still amazes me that I became an architect will be open at the Architekturzentrum Wien in Vienna, Austria through October 3. Described by the gallery as a “total installation,” Archidose also notes that during the exhibition “the day becomes night, the dimensions of space and time appear to slowly dissolve as one paces an archaeological chamber of wonders. Having returned to daylight, a selection of Brodsky’s completed projects provides insights into his architectural oeuvre.” (More images after the jump.)
Steel becomes ribbon. Streetsblog reports that San Francisco metaphorically cut the ribbon, unveiling a new public space on the two-block Powell Street Promenade. The Union Square shopping district is greatly improved by the eight six-foot wide Walter Hood-designed benches, constructed to resemble delicate ribbons.
Above the fray. The Westerholt E-66 Observation Wind Turbine stands out among the 40 turbines in the Holtriem Wind Park: it’s unique observation deck provides visitors with panoramic views of one Europe’s largest wind farms—for a price. Visitors must climb a 297-step spiral staircase to reach the viewing deck, according to Atlas Obscura.
Under the city. Produced by Silent UK, the documentary film Beneath the Surface trails urban explorers as they descend below the cities of London and Paris, says PSFK. The explorers climb through sewers, old subway lines, reminiscent of the NY Times five-day adventure last December under New York.
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Three winning designs to be fabricated by Brooklyn-based Flatcut.
This October, winners of the ACADIA (Association for Computer Aided Design in Architecture) design and fabrication competition will show off their parametric chops as part of the organization’s annual conference, now in its 30th year. Announced last week, winners were chosen from 15 finalists by a jury that included Tod Williams of TWBTA, Chris Sharples of SHoP Architects, Tom Wiscombe of Emergent, Dror Benshetrit of Studio Dror, and Thomas Christoffersen of BIG. The competition sought designs in three categories—furniture, partitions, and lighting—and entrants were encouraged to propose hybrid material assemblies that minimized waste and maximized material performance. Tomer Ben-Gal, founder of Brooklyn-based fabrication studio and competition co-sponsor Flatcut, served as technical advisor. Flatcut will fabricate the winning designs in its 100,000-square-foot Passaic, New Jersey, machine shop before they are sent to the conference, held at the University of Calgary, where they will be displayed from October 11-16.
Of Sand and Stone. On September 8th, Milan-based architect Mario Cucinella will break ground on his One Airport Square project in Accra, Ghana’s capital city. The 230,000 square foot structure of irregular cantilevered floor plates embraced by a web of diagonal concrete supports meant to evoke traditional African patterns. Plans call for a dynamic pedestrian plaza with shops and cafes topped with commercial space. Solar panels are integrated among cantilevered terraces with indigenous fauna to protect the building from the scorching sun.
Frank Lloyd Wright’s vision of Broadacre City may have been the prototype for the modern American suburb, but in Cloquet, Minnesota, a small piece of the original plan was actually built and is still in operation. The R.W. Lindholm Service Station, the only gas station ever designed by the architect, was commissioned after the Lindholm family previously hired Wright to design their house. Finished in 1956, the service station offered a futuristic vision of the gas station as place of community and culture with a novel waiting room prominently perched overlooking the filling bays. Wright took the structure’s design seriously, even specifying that gas be dispensed from the ceiling to avoid obstacles to auto traffic flow, an innovation that didn’t make it through history.
Christina Ciardullo and Naomi Ocko
Superfront Public Summer
2nd Avenue between 35th and 36th Streets
Industry City / Sunset Park, Brooklyn
Through August 28
Christina Ciardullo and Naomi Ocko‘s (CO) winning design Weightless Pull for Superfront Public Summer opened Sunday, July 17th and will be on view through August 28th. Christina Ciardullo and Naomi Ocko designed the space with a focus on geometry, mechanics, and materials. With a particularly specific method of installation, the collaborative studio observed the conditions of the space and calculated needs for the project based upon the presence of wind between two industrial buildings.
Weightless Pull, constructed much like a series of slender sails, creates a vertical wind field composed of plastic wrap, nylon rope, and 600 different knotting systems. The resulting movement emphasizes the scale of the location. As the architects noted, “a volume is created by the blowing out of long horizontal lengths of plastic rising from the ground to 80 feet above at the height of the surrounding buildings.”
Hiroshima: Ground Zero 1945
International Center for Photography
1133 Ave. of the Americas at 43rd St.
Through August 28
An abandoned suitcase, a house fire, strange markings on old photographs. These were the key clues in a mystery that Adam Harrison Levy began to unravel almost ten years ago when researching a BBC documentary about the bombing of Hiroshima. Levy’s intriguing narrative now serves as the backdrop for the black-and-white photographs in Hiroshima: Ground Zero 1945, an exhibit running through August 28 at the International Center for Photography in New York. On July 20 at the Van Alen bookshop, Levy read from his essay in the exhibition catalogue while ICP curator Erin Barnett discussed her research for the show of 60 photographs, all drawn from an ICP collection of almost 700 images that once belonged to Robert L. Corsbie.
Chimes Bridged. It seems there’s something to making music while we walk. First a Swedish architect designed piano stairs and now an artist has created a musical bridge. Blending the sculptural, auditory, and kinetic, artist Mark Nixon designed a whimsical bridge that “sings.” Chimes hidden below the span are activated as visitors walk across, Gizmodo says. The musical creation was last displayed at Sculpture by the Sea, an exhibition in Aarhus, Denmark.
Village Uncovered. Villa Epecuen, a town located on Lake Epecuen, southwest of Buenos Aires, was flooded in 1985, but now after more than two decades, the water is receding. Photographs by The Atlantic uncover a strange, haunting landscape: aerial views expose the original street layout of the town, while others reveal original trees and cars visible amid the rubble.
Carmageddon Averted. For two days last weekend, the busiest stretch of highway in America—the 405 Freeway in LA—was shut down for construction. While many feared disastrous traffic jams bringing life in LA to a halt, it turns out that life went on without incident, according to the LA Times. During the traffic-non-event, JetBlue offered to fly residents between two of the city’s airports in Burbank and Long Beach, sparking a challenge from cyclists who said they could make the trip faster. As reported in Slate, it turns out the bikes were right, making the trip nearly an hour-and-a-half faster than by plane.
Destruction Archived. Information Aesthetics points us to the “Hiroshima Archive” which documents the extensive societal and structural devastation the atomic bomb caused 66 years ago. Using Google Earth’s virtual globe, the digital archive exhibits topographical maps, contemporary building models, photographs, and personal accounts from the Hiroshima Peace Memorial Museum, the Hiroshima Jogakuin Gaines Association, and the Hachioji Hibakusha (Atomic Bomb Survivors) Association.
Open to the Elements. A recent collaboration between architect Ryue Nishizawa and artist Rei Naito produced an elegantly curved open-air art museum. Located in Takamatsu, Japan, the Teshima Art Museum is built from concrete and gently mirrors the hilly topography it sits upon. More info at ArchDaily.
Printed Organs. Three-dimensional printing sure is popular. We recently spotlighted the use of printing technology to create chocolates and solar cells, and now, 3D printing is crossing into the realm of medicine. The Wall Street Journal highlights technology that may soon enable printing of self-derived organs—think kidneys. While medical researchers have successfully “grown” organs through 3D printing, they are only structural and not yet functional, but scientists believe a breakthrough is nigh.
Olfactory Aisles. In a strange effort to boost sales, Brooklyn supermarket chain, NetCost Market, is now infusing its store aisles with food scents, such as strawberry in the fruit section and smoky bacon in the meat section, according to PSFK. While scenting clothing stores and movie theaters has been commonplace for a little while now, NetCost’s “food perfume” is taking olfactory branding to the next level.
Transport without Oil. The upcoming issue of Colors, a magazine published by clothing retailer, United Colors of Benetton, will center on transportation in a future without oil. Opening up submissions to the public, the Benetton website Colors Lab invited web users to upload artwork, photography, designs, and stories, envisioning new possibilities for transportation.