Shortly after street artist BLU’s installation on the wall of the Geffen Contemporary in downtown LA was whitewashed, we learn via Curbed LA what our Eavesdrop column had rumored weeks before: that another street artist, Shepard Fairey, is in the architecture news as well.
The legendary/notorious “Hope” poster creator was just chosen by the West Hollywood city council to design an art piece for the almost-complete West Hollywood Library (MDA Johnson Favaro’s really really big white structure across from the PDC with an equally big garage ) more than a year after the council un-selected him amidst controversy.
This is getting confusing… The library is also working with artist David Wiseman, whose swoopy white forms seem well matched to the building’s swoopy white aesthetic.
Robert Ivy, FAIA, is preparing to step down as Editor-in-Chief of Architectural Record to become Executive Vice President and CEO of the American Institute of Architects in Washington, D.C.
Ivy presided over Record during a time of change, establishing the magazine as the official publication of the AIA between 1997 and 2010. Next year, Architect magazine will assume the same role.
“Being editor of Architectural Record fulfilled a lifelong ambition,” Ivy said in a release. “I was privileged to serve as a steward for the publication during a fascinating time, from the challenges of 9/11 and Hurricane Katrina to the digital transformation of architecture and even of publishing.”
On February 1, Ivy will succeed former AIA chief Christine McEntee who stepped down in July to assume leadership of the American Geophysical Union.
Architectural Record is celebrating its 120th anniversary in 2011.
Many have lamented the disappearance of so many architecture book stores in recent years, chief among them the much-missed Prarie Avenue Books in Chicago. The Graham Foundation is doing their part to begin to fill that void by selling a selection of books at their stately home, the Madlener house.
Tonight, the Foundation is hosting a holiday party and book store launch, from 5-8pm. The delightful exhibition, Las Vegas Studio: Images from the Archives of Robert Venturi and Denise Scott-Brown, is also on view. Stop by and stock up. The Graham Foundation, 4 West Burton Place, Chicago.
The Architect’s Newspaper‘s main office is just two blocks from the Word Trade Center site, so we’re keeping a photographic eye on increasingly visible developments at the site. One World Trade will soon break the skyline and all throughout the site there are signs of vigor. Over the last couple of weeks, windows began to appear on some of the structures.
It’s hard not to be awed, regardless of how unfashionable that may be in an area where locals studiously observe a nonchalant protocol, as though the massive tower were just another visiting celebrity. So don’t mind us as we join the out-of-town gawkers and snap away.
In a breathless press release, developer AEG and its partners have revealed that they will be unveiling renderings from the three finalists for the proposed downtown LA stadium tomorrow evening at 5pm (December 15).
According to Sports Business Journal, the three firms chosen via an RFP are HKS, HNTB, and Gensler (who designed the Ritz Carlton/JW Marriott where the press conference will be held.. hmm..).
The stadium’s proposed location is the site of the LA Convention Center’s West Hall. We will of course share the renderings with you after the presser, so stay tuned.
Of course, LA still has no football team, nor does it have an approved location for a stadium. But this is Hollywood! We know how to dream!
In other downtown news, City Council on Thursday will vote on the fate of the proposed Wilshire Grand redevelopment, which would include two large towers designed by AC Martin. Stay tuned everybody!
Failing schools. Fast Company isn’t pulling any punches with a title like “American Design Schools are a Mess, and Produce Weak Graduates.” Designer Gadi Amit laments in his lengthy critique, “I’m finding that the impressive academic credentials of most students don’t add up to the basic skills I require in a junior designer. Simply put, the design education system today is failing many aspiring young students.” [ Fast Company ]
Hangover. It’s difficult to imagine how such a thing could happen, but an architect working for the US government in Japan managed to rack up a tab of $36,890 at a Tokyo bar. (If you’re curious, that’s 3,011 shots!) The bill is the result of a drum-based bar-competition, and architect Kaz Miura now holds a title previously held by bankers and movie stars. [ The Australian via UnBeige ]
Booing Beekman. James Gardner delivers a scathing review of Frank Gehry’s yet-to-be-completed 8 Sprice Street née Beekman Tower in Lower Manhattan. Opening with a question, Gardner asks why the tower is “so thoroughly sad and unimpressive.” Ouch. And it doesn’t get much better further in. At the root of it, the problem seems to be that the tower is rather conventional despite its curvaceous titanium skin. [ The Real Deal ]
Grand Piano. Renzo Piano’s London skyscraper dubbed the Shard (rendered at top) has topped out, or at least its central concrete core. Standing over 1,000 feet tall, the Shard will be the tallest tower in the UK and the tallest commercial tower in Europe. (And, if you recall, Renzo Piano is pretty tall himself.) Construction started in early 2009 and the tower is expected to be complete by the summer of 2012. [ BD Online ]
Limited by the constraints of its scattered design buildings, USC’s School of Architecture yesterday held its final reviews on the 50th and 51st floors of City National Plaza’s North Tower in Downtown LA. The giant review, called Blue Tape: Super Review, included 48 studios, about 70 professors, and over 700 students, including those studying architecture and urban design, landscape architecture, and historic preservation. Yours truly got to sit in on Jennifer Siegal’s studio: Generation Mobile: exploring the deployable free-range cuisine truck culture, which featured some mind-bending re-imaginings of today’s fairly traditional food trucks. The two floors, which used to contain offices for Bank of America (sorry guys) was donated by Thomas Properties, which owns both of the towers at City National. The 52-story buildings, by the way, were designed by A.C. Martin in 1972. We wonder where they’ll do their next reviews? Read More
37 first year SCI-Arc students have just finished a mesmerizing new installation in the school’s parking lot called Sway. The project is made of 228 thin bundled steel rods, bolted into the ground and joined via flexible (and wild) wire units above. The vast and tightly-packed array of bendy rods are responsive to subtle changes in wind force (and not-so-subtle pushing by visitors), enabling the structure to move around like trees in a forest, or a collection of organisms. At night they catch the light in changing and surprising ways.
The 1A Studi0—which produces a large installation every year— was led by professors Nathan Bishop, Eric Kahn and Jenny Wu. Bishop accurately called the piece an “encompassing environment.” Which is what makes it so great: the chance to walk right into the art and interact with it.
The University of Notre Dame School of Architecture announced that Robert A. M. Stern has been named this year’s Richard H. Driehaus laureate. The prize, which comes with a $200,000 purse, “honors the best practitioners of traditional, classical, and sustainable architecture and urbanism in the modern world,” according to a statement. Founded in 2003, the prize has previously honored lesser known architects such as Rafael Manzano Martos of Spain and Abdel-Wahed El-Wakil of Egypt in addition to marquee American traditional and classicist architects like Andres Duany and Elizabeth Plater-Zyberk and Allan Greenberg (several Driehaus recipients have also won or been involved in the National Building Museum’s Vincent Scully Prize).
Click through to see more of Stern’s work
Street artist Blu recently made LA headlines when his commissioned mural for MOCA’s Geffen Contemporary (featuring coffins draped by dollar bills) was subsequently whitewashed by MOCA itself. In a statement, MOCA called the mural, which was across from the LA Veterans’ Affairs Hospital, “inappropriate,” and the move has angered (to say the least) the street art community.
For those of you unfamiliar with Blu, please take a look at this video, called Big Bang Big Boom. There are no special effects, just stop-action animation; a dazzling combination of architecture and art. It’s unclear where he shot this piece, but he obviously needed to find an area with lots of empty, and largely abandoned, walls and lots. We’re blown away, so to speak.