Dilapidated modernism. Chandigarh, the northern Indian city planned and designed by Le Corbusier over 60 years ago, has become the focus of preservation efforts following years of neglect and piecemeal plundering, reports the UK’s Guardian.
Cycle support. Ray LaHood, Secretary of Transportation, spoke to attendees of the National Bike Summit in DC this week, encouraging them to lobby their congressional reps to take steps to make communities cycle-friendly. Streetsblog notes LaHood’s appearance coincides with the release of the Urban Bikeway Design Guide by the National Association of City Transportation Officials.
Pier on the half shell. The Battery Park City Authority has leased the languishing Pier A at the western edge of Battery Park to father-and-son restaurateurs Harry and Peter Poulakakos, who are promising to turn the pier and its landmark 1886 building into an oyster bar-beer garden with one heck of a view. More details in Crain’s NY.
Tonight: Drafted! In New York? Don’t miss AN executive editor Julie Iovine in conversation with Michael Graves, Granger Moorehead, Gisue Hariri and Jeffrey Bernett at 7pm tonight, Thursday, March 10 at the Museum of Arts and Design for Drafted: The Evolving Role of Architects in Furniture Design, part of MAD’s “The Home Front: American Furniture Now” series. Click here for tix.
New zipper benches designed by WXY are in place at Peter Minuit Plaza. The skateboard-proof benches in front of the Staten Island Ferry Terminal got a proper workout yesterday, despite the cold. The sinuous design begins as two benches facing opposite directions before zipping up and melding into one surface offering the sitter a choice of two views.
Morphing benches seem to be making statements in more places than just New York as well. Last week’s AN Fabrikator story spotlighted subway benches in Philly that scrunch up to discourage people from lying down. It would seem that firms are taking on bad behavior by pushing the design envelope.
Pasadena’s Art Center College of Design has always been ambitious about building. But after some pushback, it’s toning things down. Most architecture buffs know about the school’s iconic black steel hillside campus designed by Craig Ellwood, and its equally ambitious downtown campus designed by Daly Genik, located inside a former Douglas Aircraft wind tunnel.
But after its last director, Richard Koshalek, got pushed out largely for his super ambitious $150 million expansion plan, including a $45 million Frank Gehry-designed research center (many thought the school was putting more emphasis on facilities than teaching and students), the school’s new expansion plans, confirmed this week, involve renovations and smaller expansions, not big gestures, reports the Pasadena Star News.
The Architecture Billing Index (ABI) dropped nearly four points in January, but just managed to stay in positive territory with a score of an even 50 (any score below 50 indicates shrinking billings). The new projects enquiry index also fell significantly from 61.6 in December to 56.5 in January, but remained comfortably in positive territory. Even with the fall in the indexes, the AIA believes the overall trend is stable with mild growth.
Do you ever wonder why tract housing is so banal? Why Mediterranean knockoffs have become the vernacular of American residential architecture? Why our favorite architects don’t get involved in this gargantuan world? Then join us on March 17 at 7pm at the SPF:A Gallery (8609 Washington Blvd) in Culver City for a panel called BetterHomeBuilding, which will join architects and homebuilders in a discussion to not only improve the quality of tract residential developments but get architects more involved.
Architect Frank Lloyd Wright is the single subject of the Milwaukee Art Museum’s new exhibit. Organic Architecture for the 21st Century, which celebrates the 100th anniversary of Taliesen, Wright’s Spring Green home and studio, also marks the debut of 33 never before seen drawings by the Wisconsin native. The show implores visitors to take a fresh look at Wright and his works, both built and unrealized, and how he envisioned architecture as something that had an essential relationship to context, time, and the people who lived or worked there. Sustainability, which we often think of as a 21st century innovation, is in keeping with many of Wright’s designs, especially those for a newly suburban America, including the outdoor arcade for the proposed Arizona State Capitol, Phoenix (above).
Organic Architecture for the 21st Century explores the idea that the famously outspoken architect was a visionary who foresaw trends including the use of mass produced materials, utilization of natural light, and attention to the surrounding environment. In addition to covering his major works, like Fallingwater, the Johnson Wax factory, and the Unity Temple, the exhibit also showcases plans for Living City, a culmination of Wright’s work and his utopian vision for suburbia.
With over 270,000 square feet and costs projected at $50 million, the Botswana Information Hub is ambitious on many levels, both literally and figuratively. The winner of an international competition, the SHoP-designed research campus brings green technology to the Gaborone, Botswana.
The sinuous structure merges into the landscape, with various levels seeming to kinetically lift from the earth. An “energy blanket” roofscape blends solar and water re-use systems into the sweeping composition. Gregg Pasquarelli tells AN all about it.