Philadelphi’s Reading Terminal Market is one of the nation’s oldest continuously operated enclosed food markets, opening in 1892 in the ground floor of the F. H. Kimbal-designed terminal. Like those in New York, Boston, and elsewhere, the enclosed market was seen as a way to get hawkers, hucksters, and dry goods carts off the street, where they were deemed unsightly and unhygienic. The Reading Terminal Market thrived for decades before declining during the era of White Flight, though it was revived in the 80s as an upscale venue for prepared foods and artisanal and organic products. With the current craze for the latter, as well as the return of residents to the city, the market is as popular as ever, necessitating an expansion designed by local firm Friday Architects/Planners. The plan, announced—yes—Friday, involves the reorganization of the aisles to make room for more stores as well as additional retail space on what is currently an office mezzanine. Work is expected to begin early next year and be completed withing six to eight months. You can peep the plans after the jump. Read More
Back in April we took a sneak peak at CO Architects’ $107 million renovation of the Natural History Museum of Los Angeles County’s 1913 building. The project is finally done, and includes major seismic and structural upgrades, new exhibit installation, as well as the uncovering of original details like the ceramic-tiled exterior dome; an original stained glass skylight; and original marble walls. The museum re-opened a couple weeks ago, but only now released a whole batch of great pictures (courtesy of Tom Bonner). And they’re worth looking at. We especially appreciate the floating
dinosaurs animals hung from the ceiling via carefully placed wires just below large skylights. Enjoy! Read More
We get a lot of Twitter followers every day (not to brag—but are you one of them?) and one particularly caught our eye today for its clever name, @formfollowshome. Turns out to be a simple blog, Form Follows You Home, the kind of no frills operation that would make Mies proud. All the blog is is a nice little catalog of one of our favorite things in the world: architecture videos. We’d seen quite a few of these, but this one of John Johansen taking Connecticut Public TV on a tour of his one-of-a-kind home was a particular standout. We got a tour ourselves, but here is proof for everyone to see that the man is a genius. After the jump, a two-parter with another grandmaster, Oscar Niemeyer, done by so-cruel-its-cool Vice magazine of all places. Read More
In April, a seven foot tall presentation drawing of the AT&T building was purchased by the Victoria and Albert Museum in London for $71,000, one of the highest prices ever paid for a “modern architectural drawing,” according to a release. The Philip Johnson drawing was sold through the Wright auction house in Chicago, which has become a specialist in selling architectural materials. The V&A will show the piece in an upcoming exhibition on postmodernism. It is one of only a handful of works by an American in the museum’s 35,000 piece architecture collection.
The building is famous for its “Chippendale” top, which, when it opened in 1984, signaled the ascendency of postmodernism and the return of historical styles and classical references to the architectural vocabulary.
The drawing is part of a larger archive of Johnson’s work, which includes thousands of drawings, plans, and photographs of AT&T, Pennzoil Place, PPG Place, and the Chrystal Cathedral. The owner of the archive wishes to remain anonymous, according to the release.
Deep-pocketed house-hunters on the prowl for an architectural icon this summer are in luck: The critically acclaimed Lawson-Westen House, designed by Los Angeles architect Eric Owen Moss, is on the market for the first time. The 5,100-square-foot Brentwood home remains the architect’s largest residential project and is an oft-cited example of the spatial subdivisions and geometric shifts that characterize much of LA’s modern architecture. Read More
A hot night in an organic garden sometimes smells like steaming mulch. But a hot night in a Brooklyn organic garden will more likely smell like beer. At least that’s the first impression one gets at the Berlin-cool Roberta’s in Bushwick where there’s a restaurant in front and an Alice Waters-funded greenhouse outback atop the shipping-container home of Heritage Radio Network.com, and more particularly of “Burning Down the House,” a weekly podcast by Curtis B. Wayne, a Cooper Union/Harvard-educated architect turned radio host and budding East Coast counterpart to KCRW’s Frances Anderton in LA. His Wednesday night live coverage is architectural improv, ranging from trashing Prince Charles over the Chelsea Barracks fiasco in London to discussing local garbage circulation issues. Wednesday night, I was the guest talking about a full array of random architectural topics from the 28th Annual Awards for Excellence in Design and the Beekman Tower to the power of landscaping and William Makepeace Thackeray, although I am not sure that the mic was still on for that last bit. Listen and find out here at Burning Down the House.
Kent State University has named Terry Schwarz the director of the Cleveland Urban Design Collaborative (CUDC). A satellite of the College of Architecture, the CUDC provides urban planning and design services to underserved communities and neighborhoods. Schwarz has worked at the studio since 2000, creating, among other projects, the Shrinking Cities Institute, to investigate urban vacancy and declining population, and Pop Up City, an initiative to animate underused land with arts activities. Schwarz has a masters in city and regional planning from Cornell, and has lectured and published widely.
The Urban Design Studio in Louisville has focused its mission on sustainability, according to Broken Sidewalk. The University of Kentucky College of Design, based in Lexington, recently withdrew its involvement in the studio, leaving the planning program at the University of Louisville as the primary partner. The Studio will also expand it’s collaboration with AIA Central Kentucky raise awareness of contemporary design in Louisville.
Central Park Conservancy founder Elizabeth Barlow Rogers and Friends of the High Line founders Joshua David and Robert Hammond will receive this year’s Jane Jacobs Medals, presented by the Municipal Art Society and the Rockefeller Foundation. Rogers founded the Central Park Conservancy in 1980 and served in the dual position of president and park administrator till 1995. Read More