Archtober Building of the Day: Center for Architecture

East
Saturday, October 1, 2011
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The Center for Architecture, 536 LaGuardia Place, NYC

At the intersection of trade and art, practice and expression, between Bleecker and West Third Streets, in the middle of a unique three-block stretch, aptly named a “Place,” fronting grand superblocks of New York University, with its descending jutting voids the opposite of Breuer’s overhead solids at the Whitney, lies the Center for Architecture.  The Center is home to the New York Chapter of the American Institute of Architects (AIANY) and the Center for Architecture Foundation.  The 12,000 square feet of galleries-as-meeting-spaces (and meeting-spaces-as-galleries) burrow two stories underground from the sidewalk level.  A cut-away section lets the speakers at the podium the lowest-level Tafel Hall, the centerpiece of the ensemble, look up from their notes and see passers-by looking back.  The life of the city, connected, to the discourse on architecture.

Each “Building of the Day” has received a Design Award from the AIA New York Chapter.  For the next 30 days—Archtober—we will write here about the architectural ideas, the urban contexts, programs, clients, technical innovations, and architects that make these buildings noteworthy.  This is a personal account.  Daily posts will track highlights of New York’s new architecture.

Read more at www.archtober.org/blog.

Buildings=Energy exhibit to kickstart Archtober!

East
Friday, September 30, 2011
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Anthony Fieldman of Perkins + Will discusses his firm's energy-conscious building design. Courtesy of Center for Architecture.

In New York City, buildings account for almost 80 percent of greenhouse gas emissions and 95 percent of electricity use. It was these facts like these that prompted the Center for Architecture to further investigate the urban energy crisis and display the findings–and potential solutions–in an exhibit entitled Buildings=Energy.

The exhibit, which opens on the evening of October 1st, explores how important choices made by designers, planners, architects, and building occupants can positively affect energy consumption in our cities. One such example featured in the exhibition is a model building designed by the firm Perkins+Will, whose proposal demonstrates the significance of site planning, materials, programs and their affects on energy costs. For instance, as firm principal Anthony Fieldman explains, tilting the exterior glass by only 10 degrees towards the street prevents a substantial amount of solar heat gains, saving the building on cooling costs throughout the summer months.

Continue reading after the jump.

On View> Sacred Spaces in Profane Buildings

East
Friday, September 30, 2011
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(Courtesy SFAA)

A Gucci store converted into a synagogue. (Courtesy SFAA)

SACRED SPACES IN PROFANE BUILDINGS
Storefront for Art and Architecture
560 Broadway
Through November 5

How do we practice our religions, beliefs, or spiritual ideas in New York City outside of established churches, synagogues, and mosques? In the newest exhibit at the Storefront for Art and Architecture, architect and researcher Matilde Cassani explores how we celebrate and observe our beliefs in unconventional spaces: converted shops into prayer spaces, apartments turned into churches, and sidewalks into chapels. Cassani invited New York residents to submit photographs and descriptions of local places of worship to create an online archive, with highlights selected for the Center’s exhibition, such as the photograph of the Soho Synagogue converted from a Gucci store above, by John Hall.

More images after the jump.

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Quick Clicks> City Atlas, Boathouse Retouch, Urban After Dark, Seasonal Seoul

Daily Clicks
Friday, September 30, 2011
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City Atlas web site. (Courtesy City Atlas)

City Atlas web site. (Courtesy City Atlas)

The City Atlas. The City Atlas is a new online project that seeks to create a platform to share collective imagination that is grounded on past and current accomplishments yet aimed at the future. Check out their website here.

Don’t Remove, Retouch. This beautifully renovated Norweigian boathouse is still technically un-new. Norwegian architects TYIN tegnestue was committed to reuse as much physical material as possible during the renovation. Images at WorldArchitectureNews.

Urban After Dark. According to Chuck Wolfe at myurbanist, a city’s true success is best measured at night (hence the quote “cities, like cats, will reveal themselves at night”).

Seasonal Sedum. Check out these twelve staggered living roofs in Seoul designed by Joel Sanders Architect in cooperation with Haeahn Architecture. The roofs are planted with flowers (sedum) that bloom at different times of the year– resulting in changing, seasonal landscapes. See the images on Inhabitat.


Morphosis’ Museum of Nature & Science Facade: Gate Precast

Fabrikator
Friday, September 30, 2011
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Brought to you with support from:
Fabrikator
Fabrikator Brought to you by:

Striated precast panels clad the facade (Bob Borson)

A new cultural focal point takes shape in Dallas

When the Dallas Museum of Nature & Science was created from the 2006 merger of three city museums—the Museum of Natural History, The Science Place, and the Dallas Children’s Museum—the new institution set its sites on expanding programming with a new facility in the city’s Victory Park neighborhood. Now, the 180,000-square-foot Morphosis-designed Perot Museum of Nature & Science is slated for completion in 2013. Located at the northwest corner of Woodall Rodgers Freeway and Field Street, it marks the future crossroads of the city’s Trinity River Corridor Project and the city’s cultural districts. Floating atop an irregularly shaped plinth that will be the base for a one-acre rooftop ecosystem, the museum’s striated concrete facade offers a first glimpse at the dynamic transformation of the site.

Read More

Spotlight> EXD’11 Lisbon Design Biennale Opening Week

International
Thursday, September 29, 2011
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(Courtesy Lisbon Design Biennale)

An Image from the exhibition Utilitas Interrupta (Courtesy Lisbon Design Biennale).

EXD’11 Lisbon Design Biennale Opening Week
September 28–October 2

“Useless,” the theme of Lisbon’s the sixth design biennale organized by Experimentadesign, grew out of a desire to explore what the term “useful” means today. A number a guest-curated exhibitions form the backbone of the event: for Sidelines, design historian Emily King considers the motivations behind collecting art and objects, deploying Lisbon’s museums to display an eclectic series of private collections; in Utilitas Interrupta, Joseph Grima, editor of Domus, asks what abandoned infrastructure and its implements (above) say about our society. These shows run through November, but opening week highlights also include a series of lectures by design scene fixtures like Hans Ulrich Obrist and Zoe Ryan, as well as a specially organized film series.

An Honest Look at Architecture

National, Newsletter
Thursday, September 29, 2011
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Architecture Studio at Harvard University. (Cesar Harada / Flickr)

Architecture studio at Harvard University GSD. (Cesar Harada / Flickr)

After years of grueling through studios, crits, and all-nighters, there comes a time soon after entering the real world where it hits you: You’re lost. You didn’t learn any of this architect-business in school!

While we can’t help with the shock of the realization, we did stumble across a new humorous book by SCI-Arc-trained architecture writers Guy Horton (an AN contributor) and Sherin Wing called The Real Architect’s Handbook: Things I Didn’t Learn in Architecture School. The project is a hilarious and often sobering look at the realities of the architecture profession, including its low pay, inflated egos, and many misperceptions. “Most of the books we were seeing skewed toward an idealized vision of the architect. There was a definite disconnect between this romanticized Architecture and what we were seeing and hearing,” explained Horton, who added, “We annoyed a few people, but that tells us we were hitting the right chords.”

Here are some of our favorite words of wisdom:

#1 It’s architecture, not medicine. You can take a break and no one will die.

#10 Once you leave architecture school not everybody cares about architecture or wants to talk about it.

#35 The “privilege” of working for a firm is not compensation in itself. You cannot live on, buy food with, or pay the rent with, a firm’s “reputation.”

Continue reading after the jump.

Unveiled> SO-IL to Transform an Old School into a Winding Community Center

International
Thursday, September 29, 2011
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A rendering of the Wulpen Community Center (courtesy So - IL)

Wulpen Community Center
Architect: Solid Objectives – Idenburg Liu
Client: Flemish Government Architect
Location: Wulpen, Belgium
Completion: 2013

The Brooklyn-based firm Solid Objectives – Idenburg Liu (SO–IL) recently won a design competition for a community center located in Wulpen, a small, coastal town in Belgium. Their design transforms an unused schoolhouse into a community center with three distinct parts: a multipurpose room in the former two classrooms, a youth space in a garden, and meeting rooms in the original teachers’ house.

Continue reading after the jump.

Quick Clicks> Decaying Cities, Gallery Restaurant, Green Upgrades

Daily Clicks
Thursday, September 29, 2011
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Proctor's Palace Theater by Lindsay Blair Brown (via Gizmodo)

Urban decay. Gizmodo’s urban photography competition last week yielded beautiful, haunting images of decaying architecture, infrastructure, and other city spaces taken over by nature. More info on the grand winner and a photo gallery here.

Lunch as art. As part of the exhibition Time/Bank: Time/Food at the Abrons Arts Center in New York City is hosting a temporary restaurant, where artists will prepare home-style meals for gallery visitors, reported e-flux. Part of the Time/Bank program, participants are awarded credit in exchange for skills and time.

Greener buildings. Barclays and Lockheed Martin intend to invest up to $650 million in green upgrades for Sacramento and Miami buildings, utilizing a tax loophole that enables property owners to upgrade structures at no preliminary cost. The New York Times has more.

Artists Take on Breuer’s Inverted Umbrellas in the Bronx

East, Newsletter
Wednesday, September 28, 2011
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Gisela Insuaste's collaboration with Breuer.

Gisela Insuaste's collaboration with Breuer. (Courtesy Lehman College Art Gallery)

When one thinks of Marcel Breuer’s work in New York, the Whitney immediately comes to mind. But there’s a substantial collection of Breuer buildings in the Bronx, including the Lehman College Art Gallery, where Breuer morphed from Bauhaus to Brutailism in one structure. On Monday night, two separate group shows opened at the gallery, one curated by gallery director Susan Hoetzel, the other was part of El Museo del Barrio’s biennial, “The (S) Files.” From an architectural standpoint, one artist from each show stood out because of their direct response to Breuer’s hyperbolic paraboloid columns which punctuate the space.

Continue reading after the jump.

Dutch Artist Imagines a Playground Rooted in Used Tires

International
Wednesday, September 28, 2011
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Proposal for a playground made of tires called RubberTree. (Courtesy AnneMarie van Splunter)

Proposal for a playground made of tires called RubberTree. (Courtesy AnneMarie van Splunter)

Of the 85 proposals submitted to a playground design competition hosted by Go Play!, few were as innovative as AnneMarie van Splunter’s RubberTree, which landed an honorable mention. The Dutch designer’s imaginative reuse of old car and motorcycle tires recalls the simplicity of children playing around a tree, inspired, in fact, by the rubber tree and its heavily exposed root system. Van Splunter sought to create a place where refugee children on the border of Burma and Thailand can be “rooted in solid ground.”

Continue reading after the jump.

Quick Clicks> Sunlight Printing, Draper Train, Street Math, Rain Baskets

Daily Clicks
Wednesday, September 28, 2011
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Markus Kayser's "Solar Sintering" machine (via core77)

Solar sintering. Student work from the Royal College of Art exhibited at the London Design Festival explored the connections between energy and design. One student chose to examine the relationship between manufacturing and nature, creating a “Solar Sintering” machine that uses sunlight to power a 3D printing process. According to core77, the machine converts sand into a glass-like substance.

“Draped” trains. Inspired by the decadence and glamour of early train travel, Carlton Varney, president of Dorothy Draper & Co., designed interiors for the Greenbrier Presidential Express cars. The train is slated to have its first run from Washington D.C. next July to Greenbrier, North Carolina, for guest of the Greenbrier Resort. More at Editor at Large.

Street math. In an effort to freshen up their brand image, the DOW recently posted a “chalkboard” billboard displaying a mathematical equation on a building at the corner of Broome and Crosby streets in Manhattan. According to PSFK, the solution tells the story.

Basketful of rain. An art installation along the Erie Canal Harbor Central Wharf in Buffalo, New York called Fluid Culture examines the impact of globalization on water. One piece in the exhibition, Rain Baskets, repurposed everyday items such as umbrellas, hoses, and rugs to create a rainwater harvesting system reported Buffalo Rising.

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