Midcentury American Art and Design
Museum of Arts and Design
2 Columbus Circle
Through January 15, 2012
Crafting Modernism: Midcentury American Art and Design presents the evolution of the design industry spanning 25 years, from the late 1940s to 1969. The show explores the contributions of artists and designers using craft media—defined here as clay, fiber, wood, metal, glass, and alternative materials—within a culture focused on mass-production in the years following World War II. Through their work, designers and craftsmen reacted to the plethora of machine- and mass-produced consumer appliances, furniture and textiles; at the same time a there was a growing consumer interest in the individualistic aesthetic of handmade works. Craft, which spanned the fields of product design to architecture, became a medium for social commentary, philosophy and wit, as seen in the My Mu terracotta vase by Isamu Noguchi (above), an idiosyncratic, three-legged ceramic containing a central cavity that provocatively references the Zen concept of mu, meaning “nothingness.” In addition to Noguchi, the exhibition features the work of Harry Bertoia, George Nakashima, Ray and Charles Eames, and Alexander Calder, among others.
DesigNYC continues on its mission to match civic-minded designers with nonprofit organizations in New York City. For its third cycle of projects in 2012, desigNYC will focus on the theme of Recharging Communities. Nonprofit organizations and pro bono design teams are invited to submit applications by THURSDAY, NOVEMBER 10, 2011 at 5 pm EST via desigNYC’s website.
This round aims to identify and support projects intended to strengthen communities, promote social interaction, and improve neighborhood environments through better housing and public space as well as social media and knowledge-based networks. DesigNYC is seeking a range of design disciplines and projects types that may address these goals.
The 2012 selection jury will be announced in the coming weeks, and design firms, nonprofit organizations, and partnered teams will be announced by the end of the year, in order to begin work in January 2012. Each project-designer team is assigned a desigNYC mentor who helps facilitate collaboration and link the team back to the desigNYC support network.
For applications, more information, to see previous projects, and to learn how to get involved, visit desigNYC’s website.
Calm like Rahm. Halloween might be over, but we couldn’t resist sharing this Facebook photo of Chicago’s Mayor Rahm Emanuel riding public transit with zombies! The photo was posted with the following caption: “In case of a zombie apocalypse, remember to stay calm like Rahm.” (h/t Transportation Nation)
S, M, L, XL, XXL. The AIA-Chicago has released their latest round of awards and the Chicago Tribune‘s Blair Kamin takes a look at the winners, lauding the range of project scales undertaken by Chicago architects, from a small pavilion to the world’s tallest building.
Tracking LA. While Chicago has zombies, LA County has some cold hard cash. Everything Long Beach reports that eight key transportation projects were awarded $448 million including a 6.7 light rail line that is expected to become one of the busiest lines in the U.S.
Sacred sale. Bankrupt mega-church Crystal Cathedral has found a buyer for their expansive, starchitect-studded Southern California campus (think Philip Johnson, Neutra, and Meier). The LA Times says Chapman University will pay $50 mil for the site, allowing the slimmed-down church to stay and eventually buy back their core building.
Philly reads. In this economy, small book stores—especially architecture book stores—are struggling to keep their doors open. Philly is bucking this trend as the AIA Philadelphia opens up a new shop working with the Charter High School for Architecture and Design in Washington Square.
Studio Gang has long partnered with nonprofits and community groups to realize their unconventional designs. For her recent Harvard GSD studio, principal Jeanne Gang partnered with one of the nation’s largest environmental groups, the Natural Resources Defense Council (NRDC), to tackle an issue with repercussions across the northern Midwest: separating the South Branch of Chicago River to prevent invasive Asian carp from decimating the Great Lakes.
Lyonel Feininger: Photographs, 1928–1939
1200 Getty Center Drive
Los Angeles, CA
Through March 2012
The American-German artist Lyonel Feininger, famous for his urban and landscape paintings, took up photography in 1928. Already a longtime collaborator with Walter Gropius—Feininger taught printmaking at the Bauhaus for almost a decade while Gropius was director—Feininger turned to the “mechanical” medium to explore the effects of light and shadow, reflections, and night imagery. A majority of his photographs have remained in relative obscurity. The exhibit Lyonel Feininger: Photographs, 1928–1939 at the Getty Center is the first U.S. venue to present a comprehensive collection of his photography.
With Archtober fading away with the fall leaves and buckets of Halloween candy, here’s one last look at the last three Archtober Buildings of the Day from Halloween weekend!
Building of the Day #29: NYC Information Center
810 Seventh Avenue
New York, NY
Neither snow, nor rain… your intrepid Archtober team made it through the snowy October nor’easter to visit the Official NYC Information Center at the Times Square Alliance, designed by WXY architecture + urban design and Local Projects and run by NYC & Company. Alas, our architect tour guide didn’t.
“Banality,” the theme of Storefront‘s Critical Halloween costume fundraiser, was manifested in an array of clever–and occasionally perplexing–forms on Saturday evening at the 3-Legged Dog in Manhattan. Blizzard-like conditions did not deter a group of over 250 design-o-philes and at least one (in)famous party crasher from getting decked out in spandex, foam, plush, rubber, tulle, and acres of cardboard. The weather did prevent Liz Diller from arriving to judge the costume contest, but her fearless partner Charles Renfro stepped into the breach, and channeling Damien Hirst in a rhinstone-studded skull mask (“Greed”), took his place alongside judges Wangechi Mutu (embodying Pantone’s “Bluebird”) and Justin Davidson (dressed as an architecture critic).
City of Scientists. Russian Prime Minister Putin has recently reviewed plans for a potential $6.4 billion project that could build a 5,000-person—scientists and researchers, specifically—domed village in the Arctic called Umka, about 1,000 miles from the North Pole. Plans call for an isolated artificial climate inspired by “an imaginary Moon city or a completely isolated space station.” More on the Daily Mail and Foreign Policy Blogs.
Abu Dhabi Adjourned. The new 450,000-square-foot Frank Gehry-designed Guggenheim museum planned in Abu Dhabi has been put on hold pending contract review. A similar fate awaits Jean Nouvel’s Louvre satellite previously scheduled to open near Gehry’s site next year. More at Mediabistro.
Sergey’s Secret. Due to his prolific work ethic, the insider joke at Google is that co-founder Sergey Brin is really Batman. More believable, the latest Google rumor is that one of Brin’s secret pet-projects may very well be architectural, with blueprints and all. Business Insider has details.
No bin, no trash. The NY Times reports on the MTA’s seemingly counter-intuitive enviro-social experiment to remove trash cans from subway platforms. The idea: no garbage bin might be the way to achieve no litter. A trial run in Queens and Greenwich Village left some people very unhappy.
Over the weekend, we headed out to Brooklyn Bridge Park to check out the light show of Jane’s Carousel. We had been told that silhouettes of horses were to be projected onto a ceiling scrim until 1AM. We even held ambitions of traipsing across the Brooklyn Bridge to get a better view. But after watching a spectacular sunset reflect off of Jean Nouvel’s acrylic cube, the show was over. We were told that the lights for the magic lantern were much too hot for the recently restored horses. No matter, it’s hard to surpass the carousel’s bulbs reflected in the acrylic, with a glittering Manhattan serving as backdrop.
It’s going to happen when you least suspect it: the zombie apocalypse will be upon us and your life will be in your own hands against the living dead (that’s assuming hours behind a studio desk hasn’t already transformed you into a zombie yourself). Luckily, as architecture-types, we possess special skills needed to defend ourselves from those out for our brains. A fantastic display of anti-zombie ingenuity is on display at the 2011 Zombie Safe House Competition, like the above proposal to retrofit existing urban buildings against a future zombie invasion (with a green roof, no less), and you can vote for your favorite. (Here’s last year’s winner: a floating dwelling sailing the Mighty Mississippi.) This year’s voting ends this Monday—Halloween—when you’ll likely encounter a few rogue zombies wandering the streets.
When Jeanne Gang was brought on board in April to help reimagine a stalled tower in downtown Lexington, Kentucky, the entire community’s spirits were uplifted by the bold collaboration proposed by the Chicago-based architect and MacArthur genius. Studio Gang’s design replaced an uninspired high-rise block that destroyed an entire city block before running out of steam, but developer Dudley Webb announced Thursday that Gang will no longer be involved with the mixed-use project.