The Architecture Billings Index is up, hitting 52.0 in November, the first positive ground since touching 51 in August (anything over 50 indicates an increase in billings). The roller-coaster volatility of the past few months—we held our breath and skipped reporting September’s down and October’s up—suggests cautious optimism that the index which tracks the approximate nine-month lag time between architecture billings and construction spending is finally in a solid swing upwards.
Now that it’s clear that Christian de Portzamparc’s Academy of Motion Picture Arts and Sciences Museum in Hollywood will not happen (the Academy will instead reimagine the old May Company building for the museum), the Academy recently shared its plans with the LA Times to build a new amphitheater and 17,000 square foot event space on the dead project’s land. The group purchased the 3.5-acre lot near the intersection of Vine Street and Fountain Avenue in 2005 for $50 million. According to the Times, the amphitheater (to be used, of course, to screen movies) will include a raised grassy area and will seat about 300 people. Plans call for a 10,000-square-foot patio adjacent to the amphitheater designed for special events. It looks like the space is probably temporary, as Academy President Tom Sherak said the Academy will keep the space until the site’s value climbs back to its 2005 level. On second thought, this amphitheater could be here a while.
This surreal construct is one of the many public art projects by South Korean artist Choi Jeong-Hwa, whose love of found objects and anti-institutional approach to art is known internationally (he once hung strings of sparkling garbage around Seoul Olympic Stadium). The 10-story tall installation called Doors is comprised of 1,000 reused, brightly colored doors transformed into a rustic and visually indulgent object evoking a pixelated and painterly effect from afar, perhaps reminiscent of an abstract Klimt painting. Alternatively, the installation can also be read less glamorously as a mirror to Seoul’s increasingly ad-dominated cityscape where Doors resembles a jarring collection of ads to the point of irony. (Via Colossal.)
For the last several years, SCI-Arc’s Studio 1A has given new students the chance to literally make their mark by producing projects that become permanent fixtures at the school. On Friday, this year’s class revealed a project that started as a piece of clothing, then became a wire model, then became a mockup, and finally ended as a new undulating and faceted canopy and wall. Made of a recycled carbon fiber called Nyloboard, the project’s more than 2,000 pieces were all hand cut and, somehow, none are exactly alike. They’re attached with Gorilla Glue, nails, and screws. “It’s something that exists at the scale of the world, which can take years for an architect,” said Nathan Bishop, who along with Jackilin Hah Bloom and Jenny Wu led the studio.
Before all eyes and ears were focused on the mayor’s announcement about Cornell and their EDC project upriver, AN was downtown for a much quieter opening of yet another EDC project. Without fanfare, the SHoP-designed Pier 15 opened to the public today. With the exception of another photographer and a family visiting from Spain, we were the only ones at the pier when the security guard unhooked the chain.
Rem Koolhaas has been thinking about the United Nations since his early Delirious New York days. Earlier this century, he even made a bid to design a new Secretariat. While that project didn’t pan out, the Dutch architect is joining a team of countrymen and women to “reconceive” the North Delegates Lounge in the Conference Building. In addition to OMA, the team will include designer Hella Jongerius, graphic designer Irma Boom, artist Gabriel Lester, and “theorist Louise Schouwenberg.”
Urban design historian Grahame Shane weighs in on the controversial project tracing MVRDV’s explosive imagery to its source in research.
When Ole Scheeren departed from OMA Beijing with the MahaNakhon Bangkok tower to found his own office in 2010, he had the idea to connect tower and urban village, marking a key moment in a very Dutch delirium that moved beyond OMA’s CCTV tower. In the Bangkok tower the developer’s website claims this skyscraper “melds with the city by gradually ‘dissolving’ the mass as it moves vertically between ground and sky.”