Landmark SoCal Restaurant Up In Flames.  Landmark SoCal Restaurant Up In FlamesArchitect Kendrick Kellogg’s landmark GG’s Island Restaurant in Rancho Mirage, CA burst into flames this morning. The 3,000 square foot eatery, once home to the Chart House, is famed for its twisting, seashell-like design. Kellogg’s organic designs can be found throughout Southern California, particularly around San Diego and in the Mojave Desert. According to Cal Fire, more than 50 firefighters and 12 engines from the Riverside County Fire Department and the Palm Springs Fire Department were on scene at the peak of the blaze. [Mercury News]

 

On View> The Greatest Grid: The Master Plan of Manhattan

East
Tuesday, January 10, 2012
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Columbus Circle in the late 19th century. (Courtesy MCNY)

Columbus Circle in the late 19th century. (Courtesy MCNY)

The Greatest Grid:
The Master Plan of Manhattan, 1811–2011
Museum of the City of New York
1220 Fifth Avenue
Through April 6, 2012

In 1807, to head off health threats and a growing lack of habitable space, New York City’s Common Council commissioned a three-year project to organize massive land development north of Houston Street. The Museum of the City of New York presents The Greatest Grid: The Master Plan of Manhattan, 1811–2011 in honor of the bicentennial of the 1811 Commissioners’ Plan for New York, which established the iconic street grid from Houston to 155th Street. Along with the original, hand-drawn map of New York’s grid plan, other historic documents demonstrate the city’s physical development due to the grid’s application and evolution over time. Co-presented by the Museum of the City of New York, the New York Public Library, and The Architectural League of New York, and sponsored by the Office of the Manhattan Borough President, The Greatest Grid will be on display until April 6.

More photos after the jump.

Bjarke Ingels Begins 2012 with an AIA Honor Award.  8 House by BIGAfter roaring into New York last year, BIG is reaping rewards from the American Institute of Architects who bestowed an Honor Award on the firm’s aptly-named “8 House” in Copenhagen (it looks like a figure-8 in plan). The AIA jury lavished praise: “people really ‘live’ in this newly created neighborhood,” which “provides an invigorating sculptural form while creating the ramped ‘pedestrian’ street system.” Ramps around 8 House make it bikable—from the street up to its 10th level penthouses—and two sloping green roofs total over 18,000 SF where the building reaches down to the ground.

 

Playing Samba in a Piano

International
Monday, January 9, 2012
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The new Cabana restaurant near London's West End. (Courtesy John Carey)

The new Cabana restaurant near London's West End. (Courtesy John Carey)

Just a stone’s throw from the British Museum, Renzo Piano‘s Central Saint Giles complex seems to have been overshadowed by the excitement around his Shard of Glass rising in the Southwark section of London. But as the Shard pierces the skyline, the year old St. Giles has begun to find its own footing. Last month, the 500,000 square foot complex brought a bit of bossa nova to this West End outpost.  Cabana, a restaurant designed by Alex Michaelis of Michaelis Boyd, plays well with Piano’s citrus colored facades and brings a dash Brazilian spice to the quiet courtyard.

Read More

Stone-itecture: Behold the All-Foyer Mansion.  Courtesy The Onion.  Our friends at The Onion go architectural by “reporting” on a stoner architect who designed a mansion out of just foyers.  The same Minneapolis-based architect, the story describes, had won past admiration for a subterranean ranch house and a roofless A-Frame. Unfortunately “The work of stoner architects is tragically underfunded, and few, if any, of their designs have ever actually been built outside of the annual Burning Man festival,” said Doug “Bong Hit” Cirillo, an Austin, TX, stoner architect. Where can we get a subscription to the Stoner Architectural Digest?

 

Brooks + Scarpa’s Contemporary Art Museum Canopy in Raleigh

Fabrikator
Friday, January 6, 2012
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Brought to you with support from:
Fabrikator
Fabrikator Brought to you by:

The adaptive reuse highlights Raleigh's red-brick vernacular (Brooks + Scarpa)

A folded canopy reinvents a former loading dock in the city’s historic Depot District

Raleigh’s Contemporary Art Museum chose its new home in the city’s Depot District carefully. Located in a former produce warehouse, the project calls attention to the city’s history of railroad transportation and red brick architecture while emphasizing its commitment to sustainability and adaptive reuse. Led by Brooks + Scarpa Architects, the project included renovation of the existing 21,000-square-foot structure and the addition of a 900-square-foot entry pavilion. The glass-enclosed lobby reinterprets the location of the original building’s loading dock with an expanded and folded canopy that announces the building’s new purpose and balances the effect of daylight on its interiors.

Continue reading after the jump.

Opening Salvo Aimed at NYU Expansion

East
Thursday, January 5, 2012
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Andrew Berman takes the mic before an overflow crowd at the Center for Architecture. (Stoelker/AN)

Andrew Berman takes the mic before an overflow crowd at the Center for Architecture. (Stoelker/AN)

It was the opening shot heard ’round the Village–and the East Village, and SoHo. An overflow crowd gathered at the Center for Architecture last night to rally the troops opposing NYU’s twenty year expansion plan. It certainly wasn’t the usual black-clad crowd found at the Center. No, these were some good old fashioned Village rabble rousers.

The event was organized by the Andrew Berman of the Greenwich Village Society for Historic Preservation, who assured the crowd that the NYU Core plan is “not a done deal.” On Tuesday, the university certified proposals with City Planning, thus kicking off the ULURP process for what is likely to become one of the most contentious development debates of 2012. The proposal is, after all,  in the heart of Jane Jacobs country.

Just across the street from the Center are the remains of Robert Moses’ failed attempt to build the Lower Manhattan Expressway through SoHo after Jacobs and Co. put a halt to the plan. Parcels of land assembled by the Department of Transportation to accommodate the failed highway are now parkland commonly known as the DOT strips. A substantial portion of the 1.3 million square feet NYU wants to build in the area would be placed beneath the strips. The university has proposed designating the strips as parkland after the construction is complete, with the new green space designed by Michael Van Valkenburgh Associates.

No matter the promises, this was not a crowd that trusts the university. The term “Midtown Zoning” got thrown about with on-message regularity. As did square footage metaphors, such as “bigger than the Waldorf-Astoria,” “the size of the Empire State Building,” and “three Jacob Javits Convention Centers.”

Council Member Margaret Chin was on hand to listen, but not to state her pro or con position–despite pressure from the crowd.

This month’s Community Board 2 subcommittee meetings will no doubt be unusually crowded as they’re all dealing with the proposal. If you want to see some New York zoning theater in action, here’s a selected breakdown:

Land Use:  Mon., 1/9 6PM at The Center for Architecture, 536 LaGuardia Pl.

Traffic and Transportation: Tues., 1/10 @ 6:30 NYU Silver Building, 32 Waverly Pl. room 520

Parks:  Thurs., 1/12 @ 6:30PM at NYU Silver Bldg. 32 Waverly Pl. room 520

Full Board: Thurs., 1/19 @ 6:00PM 116 West 11th Street, Auditorium

 

Board Named for WTC Performing Arts Center

East, Newsletter
Thursday, January 5, 2012
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The site of the proposed performing arts center sits directly east of One World Trade Center.

Possible site of the proposed performing arts center sits directly east of One World Trade Center.

It had to happen before midnight December 31. And it did, although quietly. Downtown Express reports that five founding board members for the World Trade Center Performing Arts Center (PAC) were announced by National September 11 Memorial President Joe Daniels in the nick of time, in order not to forfeit access to $100 million in LMDC funds set aside in fall 2010 for the lone surviving cultural venue–apart from the September 11 museum–at the site, where once many were envisioned as the most sure-fire way to lift ground zero out of the psychological depths of mourning for the lost.

Continue reading after the jump.

Obit> Anne Tyng, 1920-2011

East
Thursday, January 5, 2012
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Anne Tyng, photo credit: Ramak Fazel

Anne Tyng, 1920-2011. Photo: Ramak Fazel.

Anne Tyng, the Philadelphia architect and design professor, passed away on December 27. Born in 1920, Tyng was best known as a close collaborator—and even muse—of Louis Kahn, but she herself was an extraordinary figure. She established her career with theoretical writings that reflected a deep interest in mathematics and design, themes that she explored in Simultaneousness, Randomness and Order, her Ph.D. dissertation at the University of Pennsylvania, and pursued throughout her professional life.

Anne Tyng: Inhabiting Geometry, an exhibition that opened last year at the Institute of Contemporary Art in Philadelphia, was an elegant summation of her theoretical research on design and of her professional and academic career. Several of Tyng’s geometric designs from the ICA show were later exhibited at the Graham Foundation in Chicago, a longtime supporter of her work.

The Architect’s Newspaper will publish a more extensive obituary written by Srdjan Jovanovic Weiss in our next issue.

New Projects: Chicago’s Newest Architecture Gallery

Midwest, Newsletter
Wednesday, January 4, 2012
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Located three blocks south of Crown Hall at IIT, New Projects, a new architecture research and exhibition space, aims to provide a venue for urban and artistic dialogue about the future of cities. Located in the 1920’s Overton Building, the 3400 square foot storefront space is to play host to lectures, workshops, and exhibitions “focusing specifically on urbanism,” according to co-organizer Marshall Brown. Read More

New Year Brings CRA Disaster in California

Newsletter, West
Tuesday, January 3, 2012
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The CRA's dissolution could be the final death knell for the $3 billion Grand Avenue Project (The Related Companies)

The CRA's dissolution could be the final death knell for the $3 billion Grand Avenue Project (The Related Companies)

Now that California’s Redevelopment Association (CRA) has doubled down and lost its bet with the California Supreme Court, leading to the scrapping of all the state’s CRAs, building projects across the state are in severe jeopardy. There are about 400 municipal redevelopment agencies in the state. Here are the projects in trouble for just one (albeit the largest): the Los Angeles CRA. They include nearly $100 million in grant funds to improve public infrastructure and create affordable housing and transit oriented development, the 126-unit Noho Senior Arts Colony in North Hollywood, the renovation of the historic Westlake Theater near downtown, the 35,000 square foot Wattstar Theater in Watts, the Cleantech Manufacturing Center south of downtown, and the biggest, the $3 billion Grand Avenue Project downtown. More than 20 projects in total are in danger. More to come on this huge news, including more lawsuits than you ever wanted to see.

On View> The House That Sam Built

West
Tuesday, January 3, 2012
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(Courtesy Huntington Library)

(Courtesy Huntington Library)

The House That Sam Built:
Sam Maloof and Art in the Pomona Valley, 1945–1975

The Huntington Library, Art Gallery, and Botanical Gardens
1151 Oxford Road
San Marino, CA
Through January 30, 2012

The exhibit explores over 100 works of renowned midcentury furniture craftsman, Sam Maloof (1916–2009) and his circle of friends, who gathered at the Maloof residence and workshop—which have become a central part of the dynamic Pomona Valley art community—to share a meal and their common interest of hand-crafted objects. The exhibit showcases some of the earliest Maloof pieces, such as a round, plywood coffee table with walnut legs, decorative arts and crafts such as ceramic works by Otto and Gertrude Natzler (above), an office chair made for the prominent industrial designer Henry Dreyfuss, three iterations of his classic rocking chair, a table lamp by William Manker, among other objects. Visitors will also find two rare watercolors produced early in Maloof’s career. The exhibit is part of Pacific Standard Time: Art in L.A. 1945–1980, a Getty collaboration spanning six months, bringing together over 60 cultural institutions all across Southern California.

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