It seems that Times Square’s pedestrian-friendly experiment is catching on.. According to The San Diego Union Tribune, The Plaza de Panama in San Diego’s Balboa Park is proposing to go car-free with a $33 million plan by Mayor Jerry Sanders and Qualcomm co-founder Irwin Jacobs. The proposal would remove 67 auto spaces in the park, and a 900-space parking structure will be built at the south of the park for the displaced cars. If achieved, the new space opens up possibilities not only for strollers but for public artwork and new landscaping. The plan has its detractors, mostly because there is the possibility that the parking structure could impose a fee (parking in the park is currently free). A committee has been created to help raise the funds and the media has stated that there are donors already, who have history of funding park improvements. The new pedestrian friendly space is reflective of the 1915 San Diego Exposition, where the center was completely open to walkers. Officials are hoping to restore it for the centennial anniversary in 2015.
On Tuesday, the Parks Department cut the ribbon on the River Avenue pocket parks in the Bronx. It is the latest piece of the sprawling, long-overdue parks system promised by the Bloomberg administration in exchange for the parks sacrificed and taxes forgone in the name of the House That Steinbrenner Built (God rest his soul). But that is not what is truly interesting about the River Avenue park. What is is that it contains a skatepark. The fourth one to open this summer, in fact, preceded by new ramps and half-pipes at Hudson River Park (above), Flushing Meadows, and Robert Venable Park in Brooklyn’s East New York neighborhood. A very popular park opened last year as the first piece of the McCarren Park pool’s redevelopment. (This reporter saw young scalawags jumping the fence to get in even before it was finished, so eager were they to ollie about.) The Parks Department now has 11 skateparks under management, with more on the way. Read More
Proving our theory that the best architecture these days is installation architecture, the work on display this year at Burning Man is blowing us away. The theme this year is Metropolis: The Art of Cities, making for some even more inspired (and, of course out there..) art/architecture installations, which include: Read More
The 2010 Venice architecture biennale closed on Saturday—at least for media representatives, as journalists were required for the first time to turn in their press passes and enter as public citizens (tickets, $25). I hated giving up that pass as it allowed me access to the exhibitions both at the Arsenale and in the giardini, home of the national pavilions. Though Venice is hardly a major military installation there are canals in the area that are off-limits to civilians; a water taxi driver informed my group that only a special permit would get us into the canal so I produced my press pass and he said “va bene” and he drove us up the canal. The power of the press! Read More
The comparison shopping set up of the “What you get for…” column in the New York Times Real Estate section is often a stroke of editorial genius. This week’s price point is an affordable $275,000, which gets you a charming frame bungalow in Nashville, a handsome one bedroom loft in Philadelphia, or this Midcentury Modern two bedroom in Madison, Wisconsin, designed by William Kaeser. According to the Times, the house is located in a residential neighborhood called Sunset Village about two miles from downtown and within walking distance of shops and restaurants. The house retains many of its original details, including mahogany paneled interiors, so the right buyer could turn it into a serene yet cozy modern hideaway.
Yesterday, John Hill, arguably the city’s most prolific architecture critic, finished up one of his latest projects, entitled “31 in 31.” In addition to his usual flood of posts, Hill is chronicling one building every day in August, in preparation for a new guide book. The buildings are scattershot, ranging from the new Crocs super store in the West Village to One Bryant Park, but most of them are new and, in a way Hill always seems to manage, representative of precisely what has been going on in the city recently—not comprehensive, but authoritative. It’s a rundown worth running down, but one building in particular caught our eye: the rather unassuming Wilf Hall at NYU. Read More
It has not been a good day for Gary Barnett and his Extell Development. First, the Post‘s ur-real estate columnist Steve Cuozzo gave Barnett a hard time for delays at his skyline-bursting Carnegie 57. (How come Tony Malkin didn’t complain about this one, by the way?) And this evening, Borough President Scott Stringer has announced he is giving the project his ULURP thumbs down. What more does everyone want? Barnett has promised to build a school, to up the affordable housing from 12 percent to 20 percent, and he has hired one hell of an architect. But this is far from enough apparently, given Stringer’s strongly worded announcement. Read More
Our friends at Morphosis just moved into an interim location (as posted on their website) at 3440 Wesley Street in Culver City. The firm has been hesitant to give many details about their upcoming space, a former commercial building right next door that they say they are remodeling, merely stating that it will “be sustainable” and “bring back the integration of the shop with the studio space.” But when we checked out the location we were surprised to find the approximately 13,000 square foot building razed except for the north and east walls. No one mentioned that they were constructing a new building! Read More
Talk of William Pereira’s Geisel Library, the well-known symbol of UC San Diego, has been abuzz online because of its Snow Fortress doppelganger in Inception, which has so far totaled close to half a billion dollars in ticket sales. Built in the late 1960s, this textbook example of Brutalism perfectly encapsulates the hostile, uncommunicative theme of Inception. Critics of the style say Brutalist architecture disregards the history and harmony of its environment. Thus, the Snow Fortress, featured at the film’s climax, is a symbol of disregard for preordained fate. Read More